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New Podcast! Scannain Podcast (2018) #46!

It’s time for the latest Scannain podcast!

This week, I join Alex Towers from When Irish Eyes Are Watching, Grace Duffy and Jay Coyle to discuss the week in film news. It is a fun film discussion; Alex, Jay and I have all seen The Favourite, while Grace, Jay and I have seen A Christmas Prince. Along the way, Alex discusses a seasonal viewing of Batman Returns, Grace contemplates Free Solo, and Jay discusses Vertical Limit and Love, Simon.

In film news, the podcast was recorded hot on the heels of the announcement of the nominees at Golden Globes, also discussing the international distribution of The Hole in the Ground and the success of The Favourite at the British Independent Film Awards.

The top ten:

  1. Nativity Rocks!
  2. 2.0
  3. Widows
  4. Robin Hood
  5. A Star is Born
  6. Bohemian Rhapsody
  7. Fantastic Beasts: The Crimes of Grindelwald
  8. The Grinch
  9. Wreck-It Ralph 2: Ralph Breaks the Internet
  10. Creed II

New releases:

You can download the episode here, or listen to it below.

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Non-Review Review: The Favourite

If the stock comparison to The Killing of a Sacred Deer is The Shining, then the obvious comparison to The Favourite is Barry Lyndon.

It is a stock comparison, bordering on facile. After all, there is a world of difference between Yorgos Lanthimos’ story of two women competing for the attention of Queen Anne and Stanley Kubrick’s story of the rise and fall of a roguish Irish gentleman. However, the similarities are striking. Both are eighteenth century period pieces that boldly eschew the conventions of period dramas. Both The Favourite and Barry Lyndon rely heavily on natural light and repeatedly draw the audience’s attention to the nature of the narrative of constructed.

You Only Live Weisz.

However, the most striking point of comparison might be thematic and philosophical rather than simply literal or textual. Just as The Killing of a Sacred Deer explored the collapse of a family unit through the prism of decaying masculinity in a manner that recalled The Shining, the world of The Favourite is defined by its study of power, pettiness and pomposity. As in Barry Lyndon, the fickleness of comfort and the arbitrary nature of security are a recurring fascination for The Favourite, which meditates repeatedly on how precarious such positions can be.

The Favourite is a story of cruelty, both human and natural.

A Stone-Cold Schemer.

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