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Spider-Man: Reign (Review/Retrospective)

This April, to celebrate the release of The Amazing Spider-Man 2, we are taking a look at some classic and modern comics featuring Spider-Man (and friends). Check back daily for the latest review.

Spider-Man is not Batman.

This really should be self-evident, but it doesn’t seem to be. The biggest problem with Marc Webb’s The Amazing Spider-Man was that it wasted a lot of time telling audiences an origin story they all knew and had last seen a decade earlier. The second biggest problem was that the movie seemed to want to be a Batman film. There are a variety of tropes and conventions that work much better in a Batman story than they ever will in a Spider-Man story, and vice verse.

Unfortunately, The Amazing Spider-Man is far from the only Spider-Man story to make this mistake. Spider-Man: Reign, written and illustrated by Kaare Andrews, is essentially an attempt to use Spider-Man to tell another version of The Dark Knight Returns. It goes about as well as you might expect. (That is: not at all.)

Swinging through the night...

Swinging through the night…

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Gotham Central – On the Freak Beat & Corrigan (Review/Retrospective)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

If you ask me, Gotham Central is the highest quality Batman title that has been published in quite some time – if not the most consistent Batman comic book ever published. These final two volumes contain the second half of Ed Brubaker and Greg Rucka’s celebrated forty-issue exploration of life within the Gotham City Police Department, providing one of the freshest and most compelling comic book stories ever told in either of the two major comic book publishers. Essentially the story of the ordinary men and women stuck in the superhero world of Batman, it’s a genuine comic book classic.

Taking a shot at the Batman…

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A Bluffer’s Guide to the Dark Knight Rises Rumours…

This week has been a bit of an early Christmas for movie geeks such as myself, with Warner Brothers unveiling both the teaser poster and the teaser trailer to The Dark Knight Rises, the much-anticipated closing chapter to Christopher Nolan’s Batman trilogy. When we know a bit more later in the year, I’ll dig into the movie in a bit more depth, but it occurred to me that a lot of fans on-line are throwing out concepts and references that might seem a bit foreign to the uninitiated. I can’t imagine how strange it must be for a non-comic-book-fan to hear titles like Knightfall or “Lazarus Pits” thrown into casual conversation. So I’ve put together a bluffer’s guide to all the speculation and rumours, so that you can hopefully understand a bit more of what nerdy geeks like myself are talking about when we casually reference stuff like “I will break you!” It should be stressed that all these are 100% rumour, and not meant to reflect the film, but to help understand geeky references in discussions about the film. Sort of like a handy guide to the “offside rule”in soccer or such.

Welcome to underground comcis culture...

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The Dark Knight Rises Teaser Poster Has Arrived…

… and it is awesome. It’s done in that rather minimalistic approach as the early Dark Knight posters.

And we get a teaser this week. I am really excited, and I hope it’s half as effective as the teasers for Batman Begins or The Dark Knight, both of which were perfect examples of trailers that spurred interest and intrigue without giving anything away.

Click to enlarge...

A Knight by Any Other Name: Why We Don’t Need Nolan to Use Characters from the Comic Books…

Read our in-depth review of the film here.

There was a bit of a ripple on-line last week when it was announced that Marion Cotillard was playing a Wayne Enterprise employee by the name of Miranda Tate and Joseph Gordon Levitt was playing a cop named John Blake in the upcoming The Dark Knight Rises. Both actors had been suggested for various and established characters (Cotillard seems a perfect fit for Talia Al Ghul, while Levitt was linked to characters as diverse as Alberto Falcone and the Black Mask). Still, it’s surprising how shocked everybody seemed that neither high-profile actor would playing a character established in the Bat mythos. Does it really matter that much?

I can’t Talia if it’s really an original character…

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The Trouble With Trilogies: Why Superhero Fanchises Have Trouble With the Third Instalment…

So, it turns out that The Dark Knight Rises has a top secret ending. That’s very interesting, and I wonder what it could be. A few obvious possibilities have popped into my head, but there’s one facet of this news which really fascinates me: this piece of information gives weight to the suggestion that Nolan is going to give his superhero franchise a definitive ending, something that perhaps explains why we don’t really have a “classic” superhero trilogy yet, despite the fact that quite a few comic book characters have pushed well past the third film. So will Batman be able to do what Superman, Spider-Man, the X-Men and even another Batman have failed to do before him? Will he craft a complete and wonderful trilogy?

Batman really wants to know what the ending is...

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Back to Begins: Is Nolan Bringing The Dark Knight Rises a Full Circle?

As The Dark Knight Rises draws closer and closer to filming, the rumours are just going to grow more and more intense. The latest rumour de jour (succeeding in a long line of debunked suggestions like the Riddler or Robin Williams as Hugo Strange) suggests that the League of Shadows will return to take on the Dark Knight in the final part of the trilogy, led by the daughter of Ra’s Al Ghul and her lover Bane. I was initially skeptical of the rumours, perhaps because they so neatly dove-tail back into the first film of the trilogy, Batman Begins.

The birth of Batman...

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Gotham After Dark: Batman Noir

We’re currently blogging as part of the “For the Love of Film Noir” blogathon (hosted by Ferdy on Films and The Self-Styled Siren) to raise money to help restore the 1950’s film noir The Sound of Fury (aka Try and Get Me). It’s a good cause which’ll help preserve our rich cinematic heritage for the ages, and you can donate by clicking here. Over the course of the event, running from 14th through 21st February, I’m taking a look at the more modern films that have been inspired or shaped by noir. Today’s theme is “comics noir” – noir filtered through comic book panels.

More than any other mainstream superhero, Batman is strongly linked with the film noir tradition. Dating back as early as his first appearances, straight through to Christopher Nolan’s The Dark Knight, the Caped Crusader has always inhabited a world which seems as fragile and broken as any noir protagonist. Just because he trades a trench coat for a cape (which, you’ll note, he makes a point to wear around him rather than just behind him) and a fedora for a cowl, don’t underestimate Bruce Wayne’s flirtation with the darker side of cinema.

The Dark Night?

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The Strange Case of Hugo Strange: Robin Williams in the Dark Knight Rises?

You’d imagine that the announcement that Tom Hardy and Anne Hathaway would play Bane and Catwoman in The Dark Knight Rises might have put a bit of dampener of cast speculation for Nolan’s superhero blockbuster. You would have been wrong. The latest rumour coming out is that Robin Williams has been tapped to play Dr. Hugo Strange. I’d normally dismiss this the way that we dismiss all those Joseph Gordon Levitt or Johnny Depp as the Riddler rumours, but I figure it’s an interesting enough idea to merit discussion.

By the way, in case you need an introduction to Hugo Strange, here’s the trailer for the upcoming Batman video game Batman: Arkham City, in which Strange is voiced by Corey Burton “doing a Christopher Lee” and put in a very Nolan-esque setting. Give it a watch.

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Are the Oscars Still a Pipe Dream for Christopher Nolan?

As I write this, the clock is counting down. The Oscar race is in full swing. And I look back, and I really haven’t written too much about it. There are two reasons for this. The most obvious is that I haven’t seen too many of the contenders. Of the headliners, I have seen both The King’s Speech and The Social Network. I have yet to see The Black Swan, 127 Hours or True Grit. Of the lower-tier Oscar films, I have really only seen Inception and The Kids Are All Right. It isn’t that I don’t want to see them, it’s just that it has been a busy January and things have gotten in the way. The other reason I haven’t been blogging about it is because – barring what the competition between The King’s Speech and The Social Network says about the Academy – it has been a pretty bland year. There are so many “locks” that the race has become almost boring. In fact, the only real question I’m at all concerned about is whether Christopher Nolan will finally get that Best Director nomination he so sorely deserves.

Could this turn the Oscars upside down?

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