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Star Trek: The Next Generation – Code of Honour (Review)

To celebrate the twenty-fifth anniversary of Star Trek: The Next Generation, and also next year’s release of Star Trek: Into Darkness, I’m taking a look at the recent blu ray release of the first season, episode-by-episode. Check back daily for the latest review.

Remember how yesterday I said was hesitant to throw around adjectives like “worst” or “mind-numbingly” or any other similar sounding pejorative term? I was doing that so that when I did string them together to form a sentence or a description, it would carry a bit more weight. After all, Star Trek: The Next Generation didn’t have the strongest first season, as I keep noting apologetically in these opening paragraphs. However, Code of Honour is pretty dire by any measure, and it remains one of the low watermarks of the troubled first season.

Yes, I did type “one of”, but that doesn’t make Code of Honour any easier to manage.

Not quite steps to greatness…

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Non-Review Review: The Red Riding Trilogy

The Red Riding trilogy is a triumph of British television drama, and proof that the British channels are capable of producing home-grown drama that is of the highest possible quality. Demonstrating that HBO doesn’t hold complete dominion over quality drama, the Red Riding films were of enough quality to earn a limited theatrical release in the United States. I know that a high profile and commercial success isn’t a universal guarantee of quality, but it is certainly worth noting when discussing these three films exploring crime and corruption in the three “Riding” administrative zones. (For the record, the three zones are “North”, “East” and “West.” There is no “South”, which feels appropriate given the themes of the trilogy.)

Mingling fact and fiction into a head noir-ish cocktail, Red Riding is highly recommended for those who like bleak and sophisticated drama.

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Stuck in the Moment: The Mood for a (Particular) Movie…

I’ve been thinking a bit, lately, about how I form an opinion about a particular film. Of course, it should be somewhat objective. I should be able to take out any possibly subjective influences and divorce a movie from any of those countless outside factors, to judge it entirely on its own merits. (Or, as the case might be, its lack of merits.) However, I am honest enough to admit that this isn’t always the case. There are any number of reasons I might feel a particular way about the movie. I find J. Edgar interesting to place in the context of Clint Eastwood’s body of work. I approached Cabin of the Woods with an admitted fondness for cheesy horror. I’ll admit that these facets colour my opinions somewhat – I am more likely to respond to a film that resonates with me on something I feel strongly about.

However, sometimes that influence factor isn’t anything to do with the movie in question at all. Sometimes, I can’t help but wonder, whether my opinion is down to something as arbitrary as the mood I was in when I watched the film.

I will not have my tastes subjected to this sort of double-guessing!

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Meme of the Moment: Honest Trailer for The Avengers

Readers will know that I’m a big fan of geeky stuff. So I thought I’d pass this on. It’s Screen Junkies’ surprisingly reflective commentary on The Avengers, which opened up 2012’s blockbuster season with a bang. While I enjoyed it, I wasn’t as much of a fan of it as most, and a lot of the reasons are covered in the trailer. (In particular, the fact it completely invalidates the ending to Thor, the fact that Loki has no motivation for what he’s doing, and the contrivance of his plan to bring together the only people who could beat him.) It doesn’t quite cover the somewhat thematic and structural problems raised by Nick Fury, which the film alludes to, but never addresses  – but it’s all in good fun. And well worth a look.

Although, to be honest, gentle tongue-in-cheek ribbing aside, I think I’m still in the minority in not quite loving The Avengers as much as everybody else. Again, not hating or disliking, but just not liking as much.

Doctor Who: A Town Called Mercy (Review)

I see ‘Keep Out’ signs as suggestions more than orders.

– the Doctor

To be fair, it’s very clear that these two annual trips to North America have been an attempt for Doctor Who to “break” into the market place over there – to provide viewers with something recognisable as a gateway to a uniquely British television show. While the American backdrop of The Impossible Astronaut and Day of the Moon added some wonderful stylistic touches, and a nice juicy role for President Nixon, A Town Called Mercy feels like a more overt attempt to tell a distinctly “American” story within the framework of the show. Borrowing more than just its aesthetic from the setting, A Town Called Mercy is also decidedly American in theme and tone.

A gunslinger built…

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The New Batman Adventures – Cold Comfort (Review)

This September marks the twentieth anniversary of Batman: The Animated Series, and the birth of the shared DC animated universe that would eventually expand to present one of the most comprehensive and thorough explorations of a comic book mythology in any medium. To celebrate, we’re going back into the past and looking at some classic episodes.

As wonderful as Heart of Ice was, offering a classic origin to a bad guy who would have otherwise been a footnote, there is a sense that the reimagining of Victor Fries hemmed the character in a bit. By giving him a moving origin story based around his wife, it meant that the character’s arc would be dictated by Nora. As such, it limits the story-telling opportunities, because there are really only so many stories you can tell. Fries can be seeking revenge (Heart of Ice) or striking a deal to preserve here (Deep Freeze) or responding to her loss (as here), but that’s pretty much it.

Cold Comfort is the first episode featuring the character without the direct involvement of writer Paul Dini. It certainly shows, as it feels like a fairly wasted chapter in the character’s arc.

Has Freeze flipped his lid?

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Michael Clarke Duncan, R.I.P.

It’s very strange to hear that an actor who really emerged during your life time has passed away. I was actually already an aspiring movie buff when Michael Clarke Duncan gave his breakout performance in The Green Mile. Duncan, of course, had been around for a while before that. He’d been working in the entertainment industry even before he decided to seriously pursue acting as a career – the early nineties saw the guy working as a bodyguard for Will Smith among others. He turned earnestly to acting in the mid- to late-nineties, and had a small but memorable role in Armageddon that led Bruce Willis to recommend him for The Green Mile. In many ways, I watched Duncan become a recognisable screen presence, and I was very shocked and saddened to hear of his passing.

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The Adventures of Batman & Robin – Deep Freeze (Review)

This September marks the twentieth anniversary of Batman: The Animated Series, and the birth of the shared DC animated universe that would eventually expand to present one of the most comprehensive and thorough explorations of a comic book mythology in any medium. To celebrate, we’re going back into the past and looking at some classic episodes.

Heart of Ice is a phenomenal piece of television. Paul Dini’s sharp script somehow managed to take one of the most camp and forgettable theme villains in Batman’s iconic selection foes, and elevate them to a prime position. After all, were it not for that reimagining of the villain, Victor Fries would likely be a footnote in Batman history, ranking not too far above the Killer Moth or the Calendar Man in the dregs of Batman’s rogue’s gallery. However, while the story provided a concrete and grounded origin for an otherwise Z-list villain, it also raised some interesting questions about where the character could be taken after that.

His second appearance in the series, Deep Freeze seeks to answer those question. While, ironically, it’s considerably shallower than its predecessor, it’s still an interesting look a villain defined by this show.

Freeze frame…

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Legends of the Dark Knight: Jim Aparo, Vol. 1 (Review/Retrospective)

To celebrate the release of The Dark Knight Rises, July is “Batman month” here at the m0vie blog. Check back daily for comics, movies and television reviews and discussion of the Caped Crusader.

The game was old and alluring… but when the Batman and his beautiful ally, Wonder Woman, buy into a sweep stakes of danger and double-cross, they learn too late that their tickets are punched…

– introduction to Play Now… Die Later!

I’ll freely concede that older comics are a mixed bag, and that they’re certainly an acquired taste. As much as I might recognise the importance of certain classic runs on iconic character, reading comics even a decade or two old is a strange experience for me. I can appreciate the care and craftsmanship going into them, but I’m frequently distracted by the redundant thought balloons, the bizarre logic and quaint characterisation. I know that’s my problem, and I freely concede that. Sometimes, however, I come across a piece of pure old-fashioned awesomeness that almost makes my feel that nostalgia many comic book readers recognise.

Legends of the Dark Knight: Jim Aparo, Volume 1 is such a book, collecting a portion of the iconic Brave and Bold run featuring art by Jim Aparo and scripts by Bob Haney. It is insane. It is awesome. It is fun. It is incredible. I was reluctant to put down these delightful unrestrained Batman stories, and I frequently found myself pumping my fist in the air with excitement and… well, awe. It’s never going to be considered high literature, but Jim Aparo and Bob Haney may have mastered the old-school “comic book” artform.

This isn’t even the craziest thing that happens this run…

Some of the more wonderful “comic book moments” captured here include:

  • the Joker forcing Batman and a friend to fight to the death… or he’ll shoot a puppy!
  • Batman accidentally selling his soul… to Hitler!
  • the Atom climbing inside Batman’s skull… and operating his body like a JCB!
  • Batman saving the Constitution and the Declaration of Independence… while tied to the cowcatcher on a train!
  • Batman teaming up with Kamandi… in a future dominated by talking animals and modelled on Planet of the Apes!

If none of these produce even a hint of childish glee, I don’t know what to say to you.

Even this image cannot capture the awesomeness of this comic… They left out the bit where the Joker is coercing them to do this by threatening to shoot a puppy… that has life-saving anti-virals in its blood for a plague the Joker started… to kill off a henchman who might testify against him…

Note: the ever-wonderful Bat-guru Chris Sims has done a whole slew of posts about the awesomeness of this comic. Here, here and here are some highlights.

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Non-Review Review: Boyz N The Hood

Boyz n the Hood remains a powerful, moving and depressing piece of cinema. Director John Singleton has arguably failed to match this impressive debut effort, but there’s no shame in that. Most directors will go entire careers without offering a film that so effectively captures a slice of life. Reportedly based on a lot of the director’s own experiences growing up in South Central L.A., it’s a very strong and very personal piece of film, and one that hasn’t been diminished in the years that followed its release.

As happy as Larry?

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