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Thor: Ages of Thunder (Review/Retrospective)

With the release of Marvel’s big-budget superhero action movie Thor this summer, we’re taking a month to celebrate the God of Thunder. Check back each Wednesday for a Thor-related review.

Matt Fraction is currently writing the main Thor title, taking over from Keiron Gillen, who stepped in at the last minute to tie up most of the loose ends from J. Michael Straczynski’s much-loved run. Fraction’s time on the main book has been somewhat divisive, however there’s a broader consensus around the early Ages of Thunder one-shots that the writer worked on, a series of three single issues taking a look at the immortal Odinson before he became the Marvel superhero we know and love.

Hammer to fall...

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Thor & Loki: Blood Brothers (Review/Retrospective)

With the release of Marvel’s big-budget superhero action movie Thor this summer, we’re taking a month to celebrate the God of Thunder. Check back each Wednesday for a Thor-related review.

One of the slew of hardcovers released to coincide with Kenneth Branagh’s epic adaptation of the classic Marvel comic book Thor, Thor & Loki: Blood Brothers is basically just a repackaging of the classic four issue Loki miniseries written by Robert Rodi and painted by Esad Ribic in the nineties. Much like Lex Luthor: Man of Steel, the miniseries was repackaged with a slew of extras and re-released in order to capitalise on a hungry market place. (Luthor, as it was rebranded, was released after the success of the another villain-themed graphic novel from the same creative team, the superb Joker). Still, despite the fact that the “Thor &” part of the title was just stuck on there to tie the book to the film, it’s a lovely little story which perfectly captures a lot of the charm and appeal that the Norse backdrop offers to epic comic book stories.

Commander and (mis)chief...

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Thor by J. Michael Straczynski Omnibus (Review/Retrospective)

With the release of Marvel’s big-budget superhero action movie Thor this summer, we’re taking a month to celebrate the God of Thunder. Check back each Wednesday for a Thor-related review.

J. Michael Straczynski’s run on Thor is a somewhat controversial one. In fact, this rather wonderful omnibus collection comes with little by way of textual extras. There is no introduction from a recognisable figure, nor any scripts included, nor any commentary or interviews. One can almost sense the discomfort in the air. The saga of Straczynski’s run on Thor is a long and complicated one, but it ended with the author departing both the publisher and the comic a lot earlier than anticipated. To this day, both sides have differing accounts of what occurred, and both insist that they are in the right. That’s a lot of subtext behind one lovely hardcover volume, but it’s something that was always in my mind – particularly as I approached the somewhat “crowded” conclusion. Still, it’s a great epic story, albeit one with a slightly disappointing ending.

Hammering home...

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X Marks the Spot: Taking the X-Men Back to Relevance…

I am quite looking forward to Matthew Vaughan’s upcoming X-Men: First Class, which looks to be the first “retro” superhero film. You could, of course, make the claim that the accolade belongs to Watchmen, which was set in the eighties, but it was an alternate eighties at that – where Nixon was President and big blue men wandered around with their glowing privates on display. However, it’s fascinating that the X-Men are the film franchise to really do that, to actually construct a period piece set amidst the Cuban Missile Crisis while John F. Kennedy was squaring off against the Soviet Union. Perhaps it’s ideal, because the sixties and seventies were undoubtedly the time at which the mutant metaphor was at its most potent.

Click to enlarge...

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Non-Review Review: Spider-Man III

This is a post as part of “Raimi-fest”, the event being organised by the always wonderful Bryce over at Things That Don’t Suck.

Spider-Man III has a lot of problems. I’ll get to a couple of them in a moment. However, the single biggest issue with the movie seems to be that nobody seems especially interested in making it. It’s a feeling that it’s hard to back up with substantive evidence, but there’s just this general sensation that the film wasn’t the product of the same love and enthusiasm that made the first two films so refreshing. It almost seems like the movie was made out of a sense of obligation, rather than because anyone wanted to be there. It seems that they didn’t really care.

Back in black?

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Does Whatever a Spider Can: How Sam Raimi “Got” Spider-Man…

This is a post as part of “Raimi-fest”, the event being organised by the always wonderful Bryce over at Things That Don’t Suck.

Watching all three of Sam Raimi’s Spider-Man trilogy back-to-back, it becomes increasingly obvious that the director harbours an honest and genuine affection for the source material. In fairness, it’s hard to believe that the cult director seemed like a safe option for a multi-million dollar movie franchise, but it worked out remarkably well – just look at the box office figures and the critical acclaim (of at least the first two films). So what is it about Raimi that really “clicks” with Spider-Man? How does the director get the character so well?

Goblin it all up…

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Non-Review Review: Spider-Man II

This is a post as part of “Raimi-fest”, the event being organised by the always wonderful Bryce over at Things That Don’t Suck.

Aside from Nolan’s two superb Batman movies, Spider-Man II was the only other comic book superhero movie to make my top fifty films of the last decade. There’s a reason for that. Part of it is the fact that the movie helped define what the second film in a superhero franchise should really look like, but a larger part of it is that this film represents the moment at which Sam Raimi seemed most at home with his beloved central character – and I think that genuine enthusiasm on the part of the director really shines through over the course of the film.

I reckon Spider-Man polls highly among superhero fans...

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Mark Millar & Brian Michael Bendis’ Run on Ultimate Fantastic Four – Vol. 1 (Hardcover)

The Fantastic Four, as originally imagined by Stan Lee and Jack Kirby, were an instant overnight success for Marvel. Although perhaps Spider-Man would go on to surpass them as the most recognisable creation from the comic book publisher, the four were intrinsically linked with the spirit of newness and pop science that defined comic books in the sixties – the run was so iconic that I’m even considering placing an order for the two volumes of Lee and Kirby’s Fantastic Four Omnibus, even though I find Silver Age comic books tough to read. So, it comes as a bit of a surprise that the characters were among the last to be coopted into Marvel’s Ultimate line, an experiment designed to essentially start their characters from scratch again to attract a new audience. However, depite the late arrival of Ultimate Fantastic Four – four years after Ultimate Spider-Man and three years after Ultimate X-Men – the talent involed in the launch of the series suggests that Marvel was trying to get this version of the family off to the same flying start as their mainstream counterpart.

That's gonna put a dent in local real estate prices...

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Ultimate Galactus Trilogy (Review/Retrospective)

After spending the tail end of last year looking at the tangled inter-continuity crossovers at Marvel, I thought I’d spend January looking at some of the looser “out of continuity” tales at the major companies.

What does a continuity-lite crossover look like? I mean, a relatively self-contained comic book event that isn’t based upon years and years of events? Marvel famously launched their Ultimate line a decade ago to offer a chance to “reimagine” their classic stories – the Avengers became The Ultimates, and monthly issues of Ultimate Spider-Man, Ultimate X-Men and Ultimate Fantastic Four were available on the stands. The goal was to offer tales that would allow new readers to jump on board without having to worry about the weight of half-a-century (or more) worth of back story for the characters. Despite some minor crossover between the books – Mark Millar writing the Ultimates into his Ultimate X-Men run or Ultimate Spider-Man occasionally paying a short visit to the Baxter building – the line largely steered clear of the sort of bombastic big events that Marvel seems to love churning out month-on-month. So, what does an actual “big crossover event” look like when written for these characters? A bit like the Ultimate Galactus Trilogy, I suppose.

He's got the world in the palm of his hand...

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Thor 101: A Beginner’s Guide to Marvel’s Thor…

Another year, another slew of massive comic book adaptations. While most people are familiar with Batman or Superman, I think that we’re moving away from the more popular comic book properties being adapted for the big screen. Last month I wrote a brief introduction to the Green Lantern mythos, as Martin Campbell’s blockbuster approaches. The response was good enough that I thought I might take a look at Marvel comics’ upcoming blockbuster Thor, directed by Kenneth Branagh. Anyway, here’s the trailer.

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