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Non-Review Review: Argo

Posted on November 8, 2012 by Darren

Argo might not seem like it, with the action unfolding amidst the Iranian embassy siege and the stakes involved in the rescue of six hostages, but it is something of an affectionate love letter to cinema from Ben Affleck, who is emerging as one of the most talented actors-writers-directors of our time. From the moment that the grain scratches across the retro Warner Brothers logo to the closing credits where fact and fiction compare and contrast, Argo feels like a celebration of movie magic. Perhaps it’s a little tooself-congratulatory at points, as films made by Hollywood about Hollywood tend to be, but Affleck’s direction keeps the movie surprisingly focused. The film maker does an exceptional job wringing real tension from a true story – no small accomplishment, and a testament to his ability.

Standing out from the crowd…

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Filed under: Non-Review Reviews | Tagged: Affleck, alan arkin, Alice Cooper, Argo, ben affleck, Bryan Cranston, Central Intelligence Agency, film, hollywood, iran, Iran hostage crisis, Movie, non-review review, review, Titus Welliver, Tony Mendez, United States | 4 Comments »

Non-Review Review: Silver Linings Playbook

Posted on November 7, 2012 by Darren

It’s very hard to find a movie that deals with mental illness in a compassionate way, let alone without descending into cheap emotionally-exploitive hokum. The story of Pat Solitano, coping with his “undiagnosed bipolar” disorder by returning home, Silver Linings Playbook manages to be sincere without being cheesy, to be warm without being soft and to be human without being melodramatic. Returning to his parent’s house, Pat stumbles across Tiffany, another “broken bird” dealing with her own personal issues. Silver Lining Playbook is the story of two extremely damaged people helping one another in the most human way possible.

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Filed under: Non-Review Reviews | Tagged: bradley cooper, Chris Tucker, David O. Russell, Fighter, film, Jennifer Lawrence, Mental breakdown, Mental disorder, Mental Health, Movie, non-review review, Pat, review, robert deniro, Russell, Silver Linings Playbook, Tiffany | 2 Comments »

Non-Review Review: The Candidate (1972)

Posted on November 6, 2012 by Darren

The Candidate is that rare movie that is anchored firmly in its own time, released in June 1972, but remains relevant through until today. Writer Jeremy Larner won an Oscar for his screenplay, and his portrayal of election politics seems worryingly plausible. The Candidate is remarkably frank about its politics, but also in its depiction of the system. There’s no pussyfooting around for fear of alienating the audience with hostile political ideas, instead the film embraces its political position and runs from there. While it feels like it was written in the shadow of the then-looming 1972 Presidential election, it does seem to be quite applicable to modern politics.It remains relevant, perhaps an illustration of how little has changed.

If anything, it seems like The Candidate is relatively tame compared to current political realities.

“I came here to chew gum and get elected… and… well, I’m not out of gum.”

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Filed under: Non-Review Reviews | Tagged: Abortion, Beauty, Boyle, Candidate, david palmer, Democratic, Democratic Party, film, Gene Wilder, George McGovern, hair, Health, Jeremy Larner, john f kennedy, McGovern, Mitt Romney, Movie, nixon, non-review review, Peter Boyle, politics, Redford, review, richard nixon, Roman Empire, Shopping, Sideburns, United States, West Wing, Young Frankenstein | Leave a comment »

Non-Review Review: People Like Us

Posted on November 6, 2012 by Darren

People Like Us has an endearingly earnest premise and a solid enough cast, but it’s let down by clumsy writing and somewhat awkward direction. People Like Us is never sure whether it’s only getting started or nearing an emotional resolution, to the point where it seems like there’s a string of false endings in this under-two-hour feature. Chris Pine and Elizabeth Banks make for two endearing leads, but they find themselves struggling against an overly melodramatic script and direction that never seems to entirely trust the cast.

A close shave…

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Filed under: Non-Review Reviews | Tagged: Alex Kurtzman, arts, Channing Tatum, chris pine, Dark Shadows, elizabeth banks, Emotional intelligence, jon favreau, michelle pfeiffer, Miranda Kerr, non-review review, Olivia Wilde, People Like Us, review, Roberto Orci, Sam, transformers | Leave a comment »

Watch! Top 250 Films, in 2.5 Minutes…

Posted on November 4, 2012 by Darren

As far as compiling a list of the best films of all times, the IMDb Top 250 films of all time is a fairly populist measure. Some enterprising soul out there decided it would be fun to compile all that into on two-and-a-half minute clip. It’s pretty intense, and kinda brilliant in a surreal sort of way. If nothing else, I never realised that so many movies featured trunk shots. Enjoy.

Filed under: Movies | Tagged: arts, Beatles, Cypress Hill, film, House of Pain, Internet Movie Database, Movie, review | Leave a comment »

Non-Review Review: The Creature From the Black Lagoon (1954)

Posted on November 2, 2012 by Darren

In many respects, The Creature From the Black Lagoon feels like a brass band funeral for the golden age of the Universal monster movies. The subgenre would continue ticking over for quite some time. Abbott and Costello Meet the Mummy would be released the following year, The Creature From the Black Lagoon would spawn two sequels for the two years following, and Universal would try a spate of monster movies up until The Leech Woman in 1960. However, it’s clear that – by 1954 – the golden age of the Universal monster movie was well over.

And I think that part of the reason that The Creature From the Black Lagoon works so well is because it’s almost a mournful eulogy for the genre.

Out of the depths…

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Filed under: Non-Review Reviews | Tagged: Amazon, Biology, Black Lagoon, bride of frankenstein, creature from the black lagoon, David, Departments, film, frankenstein, Gill-man, Human, invasion, James Whale, Loreto, Love triangle, Mark, Meyer, Movie, non-review review, Peru, Pet Sematary, review, Richard Denning, Ricou Browning, South America, universal, Universal Monster | 4 Comments »

Non-Review Review: AntiViral

Posted on November 1, 2012 by Darren

AntiViral is a dirty film. It’s uncomfortable. It’s awkward. It’s unnerving. It’s not for the squeamish. And I mean that in a good way. It’s a fairly disturbing exploration of the public’s (and the media’s) relationship to celebrity, and the lengths to which people will go in order to insert themselves into the life of their idol or role model. It’s a vicious and sometimes unsettling look at what our attitude towards those people says about us as a society, imagining a world that sadly isn’t too far from the world as we know it. I think that might be the most disturbing facet of AntiViral. It’s not too far from where we are now.

What a vial trade…

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Filed under: Non-Review Reviews | Tagged: Antiseptic, AntiViral, Antiviral drug, Brandon Cronenberg, Brood, Caleb Landry Jones, Cosmopolis, Dangerous Method, david cronenberg, film, HIV, Movie, Naked Lunch, non-review review, People, Rabid, review, RNA, Syd, University of Leeds, Videodrome | 2 Comments »

Non-Review Review: The Phantom of the Opera (1943)

Posted on November 1, 2012 by Darren

The Phantom of the Opera is something of an outlier in the Universal monster movie blu ray collection. It’s the only film in the collection available in colour but, more than that, it’s really the only film in the collection that doesn’t have a serious claim to being the definitive big screen adaptation of its source material. I have to admit I’m a bit disappointed that they didn’t include the 1925 adaptation starring Lon Chaney in the title role, as it’s certainly one of the forerunners to the subgenre that would be launched by Dracula in 1931. The 1943 version of Phantom of the Opera is easily the weakest film in the set. Although not without its charms, it feels just a little bit too mangled and messy to try be a classic horror film.

In the gutter, looking at the stars…

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Filed under: Non-Review Reviews | Tagged: arts, Christine, Christine Daaé, Claude Rains, Edgar Barrier, film, Hollywood Reporter, Incest, magic, Movie, Music of the Night, non-review review, Opera, Performing Arts, Phantom, Phantom of the Opera, Raoul, review, universal monsters | 2 Comments »

Non-Review Review: Rust and Bone

Posted on October 31, 2012 by Darren

Rust and Bone feels a bit… lazy, for lack of a better word. It feels like the product of a writer and director with a huge amount of talent, but no real ambition or enthusiasm. The film features two superb leading performances from Marion Cotillard and Matthias Schoenaerts, but they’re trapped in a film that never seems too bothered. Writer and director Jacques Audiard mistakes trite melodrama for brutal honest, and seems to give up on the film in the third act. It’s a shame, because there’s some solid stuff here, but the whole is much less impressive than the sum of its parts.

The killer (whale) inside (the aquarium)…

Note: This review contains spoilers for the third act of the film. I’ve tried not to give away specific plot points, and to talk in the most general of terms, but I do discuss the ending. Consider yourself warned.

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Filed under: Non-Review Reviews | Tagged: Alain, Bone, Dark Knight Rises, film, Jacques Audiard, marion cotillard, Matthias Schoenaerts, Movie, non-review review, review, Rust, rust and bone, steve mcqueen | 4 Comments »

Non-Review Review: The Wolf Man (1941)

Posted on October 31, 2012 by Darren

Even a man who is pure in heart and says his prayers by night,

May become a wolf when the wolfbane blooms and the autumn moon is bright.

Although hampered by perhaps the weakest leading performance of the “great” Universal horror films, I maintain that The Wolf Man has the strongest script of any of the classic Universal monster movies. Although, like so many other horror films produced by the studio, it went through any number of re-writes and executive meddling before reaching the screen, I think Curt Siodmak’s script deserves a great deal of credit for doing several very import things. On one level, it presented one grand unifying story archetype for werewolf tales, to the point where it is almost that subgenre’s Dracula. However, it also plays as a fascinating and compelling psychological drama, with an element of humanity and complexity that shines through Jack Pierce’s phenomenal make-up work.