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Non-Review Review: Contraband

Contraband is a thoroughly enjoyable little thriller, albeit one with several significant flaws. Indeed, “thorough” seems to be quite the word to apply to this smuggling caper, as director Baltasar Kormákur and writer Aaron Guzikowski seem intent to wring every possible thrill from the basic plot. While it can lead to some seemingly disjointed tangents, it ensures that there is always something happening, even if it feels like the movie never really develops its core ideas. Still, it’s a solid thriller with a wonderful cast and an interesting enough central premise.

It'll counterfeit right in...

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Garth Ennis’ Run on Punisher MAX – Hardcover, Vol. II (Review)

To celebrate St. Patrick’s Day, this month we’re going to take a look at Northern Irish writer Garth Ennis’ run on that iconic Marvel anti-hero, The Punisher. Check back every Friday and Wednesday for a review of a particular section.

There’s a dream I have from time to time. And in the dream I don’t stop. I kill the soldiers and the hitmen, the extortioners and racketeers, the dark old &%^@s who send them out to fight– I hold the trigger down until they’re all gone–

But I don’t stop.

The innocents are just watching, like always. The slack jawed thousands, gazing at the beast. My family lie red and shredded in the grass. I face the crowd and bring the weapon to my shoulder. If my world ends, I tell them, so does yours.

The recoil starts and I wake up.

It’s  just a dream, I always tell myself. It’s just a dream.

It’s just a dream.

– Frank Castle, Up is Down and Black is White

You know, I’m not entirely sold on the format of Garth Ennis’ Punisher MAX. It seems a strange thing to say, given how I’m slowly starting to appreciate what the writer is doing with the character, but I’m not convinced that the rigid six-issue structure that Ennis is adopting fits the character particularly well. Don’t worry, I know it’s a very strange and irrational complaint to have – partially because there’s so much else going on that merits discussion, and also because six-issue arcs have become the industry norm (because they fit the size of a trade paperback). That said, I think may have figured out why it bothers me so.

Gun play...

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Non-Review Review: The Pirates! In An Adventure With Scientists (Band of Misfits)

This review was embargoed until 14th March.

There’s a lot of charm to The Pirates! In an Adventure with Scientists (or Band of Misfits, if you’re so inclined). Aardman Animation might be best known for their distinctive (and beautiful) claymation style, but the studio also has some very sharp writers providing great concepts, ideas and scripts for their madcap films. Pirates! is no different, taking a fairly conventional setting with a fairly conventional central moral, and just throwing absolutely everything against the wall. The result is a genuinely endearing and more-than-a-little madcap family adventure.

A cut above the rest?

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Non-Review Review: We Bought a Zoo

The biggest problem facing We Bought a Zoo is that it can’t ever decide how serious a family drama it wants to be. It follows a family recovering from the loss of their mother by purchasing a zoo and attempting to renovate it, and it never finds a healthy balance between the shamelessly upbeat montage-set-to-classic-pop “live your crazy dreams!” feel-good fun and the heavier subject of a family finding piece. The result is a movie that often feels a little toosweet and a little too earnest at the same time, and never manages to mix the two tones with a great deal of success.

Not quite out of the park...

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Garth Ennis’ Run on Punisher MAX – From First to Last (Tyger, The Cell, The End) Review

To celebrate St. Patrick’s Day, this month we’re going to take a look at Northern Irish writer Garth Ennis’ run on that iconic Marvel anti-hero, The Punisher. Check back every Friday and Wednesday for a review of a particular section.

It’s interesting. Collecting three one-shots from writer Garth Ennis involving the Punisher, this collection manages to skilfully capture everything I love and loathe about the Northern Irish writer’s take on the Marvel character. The three stories collected here – The Tyger, The Cell, The End – run the full range from the early years of Frank’s life, to his early career as the Punisher, through to the end of humanity itself. That’s a pretty huge scope for a writer, and it’s telling that Ennis can cover all that range in so few pages, so smoothly. There’s a lot of good clever stuff here, but there’s also the insanely juvenile stuff that so often seems to knock me out of Ennis’ Punisher just when it looks like I might start enjoying it.

To the ends of the Earth...

Note: This review is going to contain spoilers. In each case, it’s probably best you know as little as possible about these three stories heading into them. So, if I had to offer a quick recommendation, I’d suggest that they are essential for fans of Ennis’ take on the character, and capture and expand on his core ideas well. However, if you aren’t familiar with the character, there are better places to start (ironic, given two of these three are origins, after a fashion). If you can’t stand the Punisher… well, this won’t convince you.

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That Pivotal Second Viewing…

As a film blogger, I tend to write reviews of films that I have never seen before. I occasionally take the opportunity to share my thoughts on classic films I have seen countless times, but most of my writing covers films I’ve only seen once. In some cases, that will be the first and only time that I see a movie. I have, for example, no desire to ever site through This Means War again. However, I occasionally find the second viewing of a film to be a much more enlightening and inspiring film, whether it crystalises my original opinion or perhaps even prompts a re-evaluation of my earlier thoughts. It’s interesting how different and distinct a film can appear each time you happen to watch it.

Twice the excitement...

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Garth Ennis’ Run on Punisher MAX – Hardcover, Vol. I (Review)

To celebrate St. Patrick’s Day, this month we’re going to take a look at Northern Irish writer Garth Ennis’ run on that iconic Marvel anti-hero, The Punisher. Check back every Friday and Wednesday for a review of a particular section.

“It’s Omaha Beach. Wounded Knee. Rorke’s Drift, The Killing Fields, the first day on The Somme. World War Three in North Jersey. And only now, pouring automatic fire into a human wall — do I feel something like peace.”

– Frank Castle, In the Beginning

I don’t like The Punisher as a concept. It’s not some out-dated “heroes don’t kill” or “I need a good guy to be morally straightforward”, it’s more that the character is extraordinarily childish. This is the very embodiment of the nineties anti-hero explosion, the bubble in the mid-nineties which say Wolverine become even more outrageously (and inexplicably) popular, turned Ghost Rider into a major player in the Marvel Universe, and saw The Punisher hold down three (yes, three) monthly comic books. This is a guy who wears a skull on his T-shirt and kills criminals… that’s his schtick. And somehow, he became “uber-kewl”.

Armed and dangerous...

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Non-Review Review: 21 Jump Street

The review was embargoed until the 5th March 2012.

The obvious point of comparison to Jonah Hill’s big-screen adaptation of 21 Jump Street is the Ben Stiller and Owen Wilson version of Starsky & Hutch. After all, both take classic cult television shows and recycle them for modern audiences, taking dramatic plot devices that seem hilarious and goofy in hindsight and playing them as straight comedy. There is, however, one very crucial difference between that adaptation of a seventies cop show and this adaptation of an eighties cop show: 21 Jump Street works. Mostly.

White knights...

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Non-Review Review: Jo Nesbø’s Headhunters

While Jo Nesbø’s Headhunters might get a little bit too crazy and twisty in its final third, but it’s a brilliantly dark Norwegian thriller/comedy, headlined with considerable style by Aksel Hennie as corporate recruitment expert Roger Brown, a sleazy yuppie living well beyond his means to keep his wife in the style two which she has become accustomed. As the movie puts Brown through a sequence of painful and humiliating encounters, it is consistently entertaining, managing to walk the fine line between making sure we dislike Roger enough to be amused by his misfortune, but invested enough that we want to see the little (“1.68 metres”) bugger manage to escape the movie relatively intact.

Got milk?

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Garth Ennis’ Run on Punisher MAX – Born (Review/Retrospective)

To celebrate St. Patrick’s Day, this month we’re going to take a look at Northern Irish writer Garth Ennis’ run on that iconic Marvel anti-hero, The Punisher. Check back every Friday and Wednesday for a review of a particular section.

There are comic book characters that are so closely tied to one particular writer that you pity anybody trying to write them. The X-Men have Chris Claremont (although I do love Grant Morrison’s New X-Men run), Daredevil has Frank Miller (although he also has Brian Michael Bendis and Ed Brubaker), Hulk has Peter David and (I firmly believe) Green Lantern has Geoff Johns. Somehow, through some fluke, occasionally comic book characters manage to stumble across a writer who fundamentally understands them. I’d argue that this is the benefit of having these characters survive in print – none of these runs were by the original authors. Anyway, to get to the point, the Punisher has Garth Ennis.

The last Castle...

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