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Non-Review Review: Diamonds Are Forever

This post is part of James Bond January, being organised by the wonderful Paragraph Films. I will have reviews of all twenty-two official Bond films going on-line over the next month, and a treat or two every once in a while.

When George Lazenby refused to come back to do a follow-up to On Her Majesty’s Secret Service, the producers were left with a bit of a problem. Three actors playing Bond in three films would perhaps be a little bit too much for audiences to grapple with, so an emergency appeal was made to Sean Connery to return to the role which made him iconic. Charging a then-astronomical fee, which he donated entirely to charity, Connery donned the tuxedo once again. Reteaming with Guy Hamilton, the man who directed Goldfinger, once would assume that we were pretty much assured a winner – a return to the good old days. What we got was something of a flash-forward. If I didn’t know better, I would suspect that somebody had pulled a “George Lucas” on us, using wondrous new technology to digitally superimpose Sean Connery into a Roger Moore film.

Adam West was considered to play James Bond in this film. I think that tells us everything we need to know.

Sean Connery's Bond was never afraid of wetwork...

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Non-Review Review: On Her Majesty’s Secret Service

This post is part of James Bond January, being organised by the wonderful Paragraph Films. I will have reviews of all twenty-two official Bond films going on-line over the next month, and a treat or two every once in a while.

On Her Majesty’s Secret Service is a relatively low-key Bond adventure. The action set pieces aren’t spectacular, it’s mostly confined to one geographical locale and it features a genuinely moving love story. Coupled with the fact that George Lazenby is replacing Sean Connery, you’d be forgiven for assuming that you’d accidentally been given the wrong video at the video store. It’s not that the changes are necessarily bad (though, to be frank, some of them are), just that it doesn’t exactly feel like the smoothest possible transition.

… And I thought Bond was only married to his job….

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Non-Review Review: Austin Powers – The Spy Who Shagged Me

This post is part of James Bond January, being organised by the wonderful Paragraph Films. I will have reviews of all twenty-two official Bond films going on-line over the next month, and a treat or two every once in a while.

I have to admit that I’m quite fond of Austin Powers: The Spy Who Shagged Me. Perhaps it’s the way that the film vindicated its direct predecessor – although Austin Powers: International Man of Mystery did very well on video, the sequel made more money at the box office in its opening weekend than the original film did during its entire theatrical run. Sure, watching the film one can spot the cracks developing which would completely envelop the franchise when the third film, Austin Powers:  Goldmember, was released. However, while it’s probably not quite as good as the original, it’s still a damn entertaining film.

Time to put the franchise to bed...

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Non-Review Review: The King’s Speech

The King’s Speech seems like the perfect storm of awards buzz. Released as we enter the year of a big royal wedding, featuring a lead actor who was nominated for the Best Actor Oscar last year, it seems to have an edge. In fact, my inner cynic went into the cinema listing off all the standard stereotypical Oscar bait criteria that the movie met: person overcoming adversity; unlikely friendship across social class; beautiful period costumes; hint of class; historical true story; tied in some way to the Second World War; a cast of respected and veteran character actors. I don’t think it would have been possible to plan a movie that so perfectly designed to win prestigious awards. I guess we should be thankful that it’s really very good.

Heavy is the head that wears the crown... but it does have great hair, though...

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Non-Review Review: Austin Powers

This post is part of James Bond January, being organised by the wonderful Paragraph Films. I will have reviews of all twenty-two official Bond films going on-line over the next month, and a treat or two every once in a while.

It’s a little sad to think that Austin Powers is the last true comedic character that Mike Myers brought to the screen, and he was created nearly fifteen years ago. Yes, I have seen The Love Guru.

Powers to the People!

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Non-Review Review: You Only Live Twice

This post is part of James Bond January, being organised by the wonderful Paragraph Films. I will have reviews of all twenty-two official Bond films going on-line over the next month, and a treat or two every once in a while.

You Only Live Twice was my favourite when I was younger. It was energetic, witty, bright, colourful and adventurous. The stakes were ridiculously high – no less than the Third World War. Bond’s trip to Japan painted the country as an exotic wonderland to a mind as young as my own. The script was smart and the action was fast-paced – the movie still breezes along even today. The cost of the speed is that the movie is ultimately fairly light – it doesn’t carry anything particularly heavy or thought-provoking. This means that it ends up feeling relatively light-weight when measured against some of Sean Connery’s earlier outings like From Russia With Love or Goldfinger, which worked at least as much with suspense as with action.

Is Bond turning Japanese?

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Non-Review Review: Thunderball

This post is part of James Bond January, being organised by the wonderful Paragraph Films. I will have reviews of all twenty-two official Bond films going on-line over the next month, and a treat or two every once in a while.

Thunderball perhaps gets a bit of a bad wrap because it’s perhaps not quite as good as From Russia With Love or Goldfinger. I’d argue that very few Bond films are. Thunderball perhaps represents the first moment that the series came to a rest – the first three installments had been built around establishing the character, his world and the tropes and clichés that viewers could expect from movie to movie. Sometimes concepts evolved gradually (for example, the novelty henchmen grew from the three blind assassins to Klebb and her knifey boots to Oddjob), while sometimes they were introduced suddenly (Bond’s Aston Martin), but by the time the fourth film came around, all these elements had been fairly firmly established. As such, the fourth film seemed to be more intent on consolidating the series than in breaking new ground. Not that there’s necessarily anything wrong with that.

Bond isn't washed up... yet...

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Non-Review Review: Goldfinger

This post is part of James Bond January, being organised by the wonderful Paragraph Films. I will have reviews of all twenty-two official Bond films going on-line over the next month, and a treat or two every once in a while.

Even though it was the third movie in an already iconic and hugely successful franchise, I think that Goldfinger is perhaps the film most responsibly for defining the shape of the archetypical Bond film we’ve been watching for fifty years now. Don’t get me wrong, I love Dr. No and From Russia With Love, but this film defined what an audience could expect from a Bond film. It’s big, it’s bold, it’s confident and it’s flamboyant. It’s also a wonderfully fun cinematic experience which manages to be consistently entertaining but never veering too far into the realm of the ridiculous.

A Golden Girl…

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Non-Review Review: From Russia With Love

This post is part of James Bond January, being organised by the wonderful Paragraph Films. I will have reviews of all twenty-two official Bond films going on-line over the next month, and a treat or two every once in a while.

Dr. No demonstrated that Ian Fleming’s suave British secret agent could make it to screen. Sean Connery’s James Bond was on the pop culture map, but perhaps just short of becoming a pop culture icon – that was a sequel or two away. Of course, a second movie was pushed into development, with a rich library of Fleming’s novels to adapt – as faithfully or as loosely as the producers might like. When President Kennedy, one of the other “coolest men of the sixties”, announced that From Russia With Love was his ninth favourite novel of all time, it seemed th choice had been made. Rumour has it that Alfred Hitchcock was at one point intended to direct the film, but Terrence Young’s From Russia With Love is still a wonderfully iconic Bond film, which represents a pretty large step from “an entertaining espionage movie” to “globe-spanning spy franchise”.

Bond was already making a splash at this stage of his career...

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Non-Review Review: Dr. No

This post is part of James Bond January, being organised by the wonderful Paragraph Films. I will have reviews of all twenty-two official Bond films going on-line over the next month, and a treat or two every once in a while.

Sure, there’s an opening scene involving the murder of a British agent stationed in the Caribbean, but the start of the movie that everybody remembers takes place in a late-night British casino over a game of card. A beautiful young woman is losing to the suave cigarette-smoking stranger on the opposite side of the table. “I admire your luck, Mister…?” she remarks, locking eyes with the figure. He coyly lights a cigarette.

“Bond,” he introduces himself. “James Bond.”

The rest is cinematic history.

You know the name… You know the number…

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