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Non-Review Review: First Man

First Man offers a novel take on a familiar story.

The moon landing is one of the most important moments of twentieth century history, a defining for both America and the larger world. In fact, it remains emblematic of the furthest soil to which  man has ventured to this point. Our species had crossed the threshold of the upper atmosphere before and has done so since. In fact, mankind has even gone back to the moon, although those trips are fading from living memory. The moon landing remains a cultural and historical touchstone, and has been explored from countless perspectives.

Take your protein pill and put your helmet on.

It takes a lot to find a fresh pair of eyes on this journey, but Damien Chazelle does exactly that. The director makes this clear as early as the opening scene. The first time that the audience sees the Earth as a planet, it is not through an establishing shot or the windows of the makeshift space craft. It is reflected in the visor of Niel Armstrong, the warm blue horizon cutting across his visor just below his striking and piercing eyes. Ryan Gosling has always been an actor capable of communicating much through his eyes, and First Man asks us to appreciate space reflected back from them.

So much of First Man is told either focused on or looking through the eyes of Neil Armstrong; the majesty of space and lunar surfaces reflected in the visor of his helmet, or various first-person shot from inside elevators or falling swiftly to Earth. The audience is placed very much in Armstrong’s shoes. Even when Chazelle isn’t literally shooting the film from Armstrong’s perspective, he favours tight close-ups and handheld camera work in confined spaces to suggest that the audience is literally trapped within that space with Armstrong.

Rocket man.

There is no small irony in this, and Chazelle knows it. It seems strange that freshest pair of eyes on the lunar mission should be those of the first man to set foot on the moon. One might have expected the mythology to start there, but instead Armstrong has long remained a figure of mystery. Tacit and introverted, Armstrong has always seemed more like a legend than a human being. The novelty and the power of First Man comes from studying the man who made both that small step and that giant leap.

In doing so, First Man offers a powerful and intimate exploration of a very personal story that just happens to be told on the broadest canvas imaginable.

All fired up.

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Doctor Who: Day of the Moon (Review)

“No, it’s not Apollo 11. That would be silly. It’s Neil Armstrong’s foot.”

– The Doctor discusses his secret weapon

Well, that was fun. Reportedly, Steven Moffat stated that he wanted the season-opening two-parter to feel like a big season finale, with epic scale, huge stakes and genuine consequences, and – to be frank – I think he accomplished it. Perhaps Day of the Moon leaves just a little bit too much hanging for my own personal taste, but it’s still an exciting and fun conclusion to this story arc.

Spaced out...

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