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Non-Review Review: The Next Three Days

The Next Three Days is actually, when it gets down to it, quite a clever and inventive little prison break movie, with a strong central performance from Russell Crowe, with a smart script and a great supporting cast. However, the problem is that, for a prison break movie, the actual prison break only takes up a relatively small amount of the film. While it’s clear a great deal of care and research went into the production, and it feels like Paul Haggis is really showing his work, it throws the pacing off a bit, and feels almost like we’re watching the episodic adventures of a guy planning to break his wife out of prison.

This couple really needs a break...

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Non-Review Review: Flightplan

Truth be told, I think part of the reason I have a soft spot for Flightplan is simply because Jodie Foster doesn’t make enough films. She’s an actress who devotes so little time to major releases of late that each of her movies is a gem of itself. That’s not to argue that she shouldn’t spend time with her family or pursue other interests, it’s just an acknowledgement that she’s really one of the best actresses working today and – sadly – works all too infrequently. She’s an actress who can add a high level of quality to what might otherwise be a mundane production, and here she manages to turn a rather disappointing thriller into an enjoyable hour-and-a-half of entertainment.

Aisle watch Jodie Foster in anything...

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Non-Review Review: Bridesmaids

It’s kinda interesting. Bridesmaids opens over here a month or so after it does in the States, so I’ve had the opportunity to pick up quite a significant amount of chatter on the film, as a good film tends to attract on the information super highway. Most of the discussion around the film has been centred around the movie’s gross-out humour, with reviews branding it as The Hangover in heels”or some such, and a great deal of discussion focusing on the fact that it demonstrates women can do that sort of disgusting and crass physical comedy. Such a discussion seems to be just a little bit over-the-top, as the movie really only features three absurdly crass set pieces (one of which admittedly opens the film, another competes with anything else in a comedy this year, and the third is tucked away in the credits) – so much so I doubt anyone would bat their eye if the same level of juvenile conduct were contained in a film about a bunch of dudes. It’s a damn shame that this seems to monopolise the conversation on Bridesmaids, because it’s actually just a really good film.

Maids of honour?

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Requiem for The Wolverine: Why Darren Aaronofsky was the Perfect Choice to Direct The Wolverine…

I was actually really anticipating what Darren Aronofsky could bring to The Wolverine, the sequel to the rather lackluster X-Men Origins: Wolverine. So I was actually genuinely disappointed when it was announced – rumoured to be for the inevitable creative reasons – that Aronofsky would not be directing the film after all. While it’s great that this affords Aronofsky complete creative freedom on the next film he works on, and while I certainly don’t want a film that has been subject to Fox’s executive meddling, I can’t help but regret what might have been.

Blades of glory?

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Non-Review Review: Grand Canyon

Lawrence Kasdan is probably more famous as a writer than a director. The talent behind such classics as Star Wars: The Empire Strikes Back, Raiders of the Lost Ark and… er, Clash of the Titans, Kasdan has made a name for himself as the writer of all manner of big-budget spectacle. However, he has also established himself as a director of much quieter fare, such as The Big Chill and Grand Canyon, an early nineties ensemble drama built around the notion that all of life’s troubles seem relatively small if put in the proper perspective. Occasionally just a little bit too heavy-handed for its own good, it’s still an interesting little piece with a nice cast.

Happy families…

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Secret Shame: Classic Films We Haven’t Seen…

One of the things about having a blog is the fact it takes a significant amount of self-confidence to publish. I mean, even if you’re just doing it for own sake, it still takes a great deal of faith to put something out there for others to see and read. To be honest, I’m not sure I properly consider myself a “critic” and certainly not an “expert”, at least not in a sense that requires big inverted commas. I don’t like to think that I make statements of cinema, and I hope (perhaps with a hint of arrogance) that I might contribute in some way to some discussion about cinema somewhere. Still, I’m always a little bit embarrassed at all the great films I haven’t seen. I feel like it diminishes me in some way, not even as a blogger or any nonsense like that, but as a film fan.

Getting in deep with my classic movies...

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My Daddy’s a Movie-Star: When Do We Stop Thinking of Second-Generation Actors In Terms of Their Relatives?

It occurred to me as I was watching the trailer for Lucky, the upcoming black comedy starring Colin Hanks and embedded below. I was actually thinking of Colin Hanks as a name in his own right, rather than “the son of Tom Hanks, who also acts.” I mean, of course I knew his name, and I also respected his work, but there had always been this rather pronounced association between Colin and his father. I don’t mean anything to diminish Colin’s work, and I know it isn’t fair, but that was pretty much how I had – to a large extent – defined the young performer. I don’t even think I did it consciously. However, in watching the trailer for his upcoming film, I actually found myself thinking of Colin in his own right. Even though he is – honestly – the spitting image of his father, I had to consciously drag that association into my head in order to make it. It got me thinking, when does the child of a successful actor come into their own?

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Non-Review Review: The Way Back

The Way Back is an impressive technical accomplishment. Peter Weir has repeatedly demonstrated that he really is one of the very best directors working today, and that he’s a deft hand at establishing mood and atmosphere. The Way Back, the story of a prison escape from the coldest depths of Siberia, is packed with beautiful vistas – from mountains snuggled in clouds to endless desert to icy tundras – and it’s also efficient and effective. However, it seems to spend so much time on the scenery that it almost forgets about the characters.

They got snow where else to go...

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Green Lantern’s Light: Why I’m Holding Out For a Hero…

You know, I’m actually really impressed with how this summer’s slate of superhero-themed blockbusters are coming together. Despite fears about market saturation, I honestly think that the four big pictures this summer offer enough distinct flavour to avoid generation some superhero fatigue coming in. X-Men: First Class is a Cold War Civil Rights action adventure. Thor the story of a god, humbled. Captain America: The First Avenger is a bit of pulpy history set against a World War II backdrop. Green Lantern is an epic space opera about an intergalactic police squad. There’s enough variety there that it isn’t just wave after wave of people in silly costumes.

Still, Green Lantern holds particular interest to me. It’s been interesting to watch the buzz on-line, following the seemingly disappointed first trailer through the four minutes of footage from Wonder Con towards the well-received second and third trailers. Still, my affection for the character and the movie aren’t necessarily drawn from Warner’s publicity campaign.

You see, Green Lantern was really the character that introduced me to modern comics.

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Non-Review Review: UHF

I like “Weird” Al Yankovic. I realise that there are many people out there who don’t find his pop song mash-ups like Another One Rides The Bus, Amish Paradise, Like Surgeon or White and Nerdy to be especially funny – and there are probably as many who find these riffs on popular tracks as insanely irritating. U.H.F. (perhaps better known as “the Weird Al Yankovic movie”) isn’t likely to change anybody’s opinion of the songwriter one way or the other. Which is to say that, while I could see quite a few flaws in it, it was smart and earnest enough that I ended up quite enjoyed it.

Gunning for the classics...

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