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Non-Review Review: The Incredible Burt Wonderstone

I was really looking forward to this movie when I heard about it, Steve Carell and Jim Carey in the same movie? Excellent.

Burt Wonderstone’s (Steve Carell) interest in magic sparked as a young boy when he received a Rance Hollaway (Alan Arkin) magic set and began to share his magical tricks with Anton Marvelton (Steve Buscemi). The duo, now established and respected as world renowned magicians, have been performing in Bally’s hotel and casino on the Las Vegas Strip for many of years, gaining money, fame and love. Over the years, their show, like their friendship, has become old and stale, and is threatened by street magician, Steve Gray (Jim Carey). Gray baffles his audiences via self-harm and endurance acts, quickly grabbing the attention of Bally’s owner, Doug Money (James Gandolfini). Money demands for the duo to update their act, and so Wonderstone and Hollaway are forced to rethink their performance, with the help of their assistant Jane (Olivia Wilde), and show they still have what it takes to rule the Las Vegas strip.

He's in a glass case of emotion...

He’s in a glass case of emotion…

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Non-Review: Reported Missing (Die Vermissten)

This film was seen as part of the Jameson Dublin International Film Festival 2013.

Die Vermissten feels almost like a Clint Eastwood film by the way of David Lynch. If that sounds like a pretty strange combination, it really is. When his 16-year-old daughter disappears, divorcee Lothar is initially reluctant to investigate. He tries to convince his ex-wife that she’ll turn up, while trying to explain to his new girlfriend that he has a daughter. Eventually determining to conduct his own inquiries into the disappearance of his child, Lothar discovers that the incident isn’t quite isolated, and that there’s something much larger going on here.

Missing vital evidence...

Missing vital evidence…

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Non-Review Review: Oz – The Great & Powerful

Oz: The Great & Powerful is a fabulous production. A few minor misgivings aside, it looks and sounds fantastic. Sam Raimi has done the best job bringing Oz to the screen since the original version of The Wizard of Oz all those decades ago. In its best moments, there’s an enthusiasm and a lightness of touch that fits the material perfectly and captures the wonder that we associate with Oz. It’s very clear that a lot of love and care was put into the production design of the film, and that Sam Raimi’s hand moved with the utmost consideration and affection for the original film. It makes it a little disappointing, then, that the script to Oz: The Great & Powerful should feel so undercooked, more like an early draft than a finished screenplay.

Up in the air or down to earth?

Up in the air or down to earth?

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Non-Review Review: John Dies at the End

This film was seen as part of the Jameson Dublin International Film Festival 2013.

Don Coscarelli is that most frustrating of film-makers. He’s a remarkable talent able to produce a story with the zany off-kilter madness of Bubba Ho-tep, but can also produce something as disappointing and as frustrating as John Dies at the End. It isn’t that John Dies at the End is completely without charm. It can occasionally be a wittily subversive take on the staples of American horror, from the works of H.P. Lovecraft through to the gore of seventies and eighties schlock-fests.

The real problem with John Dies at the End is that, for all its charm and its wit, it feels terribly unoriginal.

Sauced...

Sauced…

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Non-Review Review: White Elephant (Elefante Blanco)

This film was seen as part of the Jameson Dublin International Film Festival 2013.

Elefante Blanco is visually stunning. Director Pablo Trapero makes excellent use of the film’s setting to construct compelling and powerful images, as characters get lost amid the slums or wander through the ruins of the long-abandoned shell of what might have been the largest hospital in South America. Unfortunately, for all the visceral and visual energy that Elefante Blanco packs, it feels remarkably shallow and trite in its portrayal of life inside those slums, and the challenges facing two priests trying to help the community get back on their feet.

Don't worry, we can build on this...

Don’t worry, we can build on this…

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Non-Review Review: Robot & Frank

This film was seen as part of the Jameson Dublin International Film Festival 2013.

Robot & Frank is perhaps best described as a live-action Pixar film, a lost script or concept from that period only a few years ago when it seemed like the studio could do no wrong. The beauty of films like The Incredibles or Toy Story 3 was the way that these fantasies allowed us to engage with incredibly adult issues in a disarmingly wondrous way. Up could deal with the pain of loss in great detail, because it was really the story of a man flying his house to South America, right? Finding Nemo could play out the darkest fears lurking in a parent’s subconscious, because it was really about cute fish, correct?

And so Robot & Frank provides a wonderful vehicle for the exploration of what growing old really means, and how we cope with the challenges that it presents. Because, after all, it’s just a film with a cute-looking robot butler, right?

Frank'll test his metal...

Frank’ll test his metal…

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February 2013 (Jameson Dublin International Film Festival) In Review

Man. That was exhausting. 29 events spread across 11 days, including classic films. It was a hell of a festival, with quite an impressive programme put together. In fact, by any measure, it was actually a stronger festival than last year’s, even if I didn’t catch a film that was quite as good as The Raid this time around. Using the 4-point audience award scale, the numbers stack in this year’s favour. Indeed, I gave one more “4” than last year and – most impressively – I actually managed to avoid giving out the lowest grade at all, the dreaded “1.” Maybe I’m getting a bit softer as I get older, but I think that’s an indication that I had a pretty good Jameson Dublin International Film Festival.

thesummit5

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Non-Review Review: The Summit

This film was seen as part of the Jameson Dublin International Film Festival 2013.

The Summit is a powerful exploration of the infamous loss of eleven lives within 24 hours on K2. This is the largest disaster in the history of K2 mountaineering, and – as The Summit concedes – that we won’t necessarily ever know the full details behind this tragic loss of life. However, while the incident serves as a bit of a flashpoint, one big event that it is impossible to overlook, The Summit drops an absolutely fascinating piece of information early one, and one which contextualises that horrible accident.

Apparently one in every four people to make it to the summit of K2 doesn’t make it back down.

thesummit4

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Non-Review Review: Hansel & Gretel – Witch Hunters

There is a gem of an idea buried in Hansel & Gretel. Indeed, there isn’t too much excavation required to recover it. It lurks near the surface, visible to the naked eye. What would happen if you took a fairy tale and reworked it as a bombastic action adventure, complete with the clichés, archetypes and gimmicks you associate with such films? Hansel & Gretel veers on wry self-parody at points, as if an acerbic take on Hollywood’s fondness for “gritty” reimaginings of familiar concepts. With producers including Adam McKay and Will Ferrell, it’s not too hard to believe that this subversive exploration of genre tropes was explicitly intended as a sly joke at the expense of these sorts of nonsensical and gratuitously violent and aggressive takes on old classics. There are moments where Hansel & Gretel flirts with genuinely post-modern greatness.

Unfortunately, there’s also a sense that the film lacks the will to follow through on that somewhat sarcastic premise, and the result is that the shrewder gags are undermined by a surreal earnestness that seems to ask the audience to accept Hansel & Gretel for nothing more than what it is. The result is a discordant and scattered piece of film, one that seems almost at war with itself.

The hottest adaptation of Hansel & Gretel you have ever seen...

The hottest adaptation of Hansel & Gretel you have ever seen…

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Non-Review Review: Cherchez Hortense

This film was seen as part of the Jameson Dublin International Film Festival 2013.

Inoffensive. That might be the best way to describe Cherchez Hortense, a French comedy of manners about people trying to figure out how to get what they want from life – and each other. The cast do a great job, especially Jean-Pierre Bacri in the lead role of Damien Hauer, who just about manages to give the film enough weight to stop it floating effortlessly away. There’s nothing wrong with some light character-driven comedy, but Cherchez Hortense suffers from the fact that it seems like even one direct conversation would sort absolutely everything out. Okay, that’s a slight oversimplification (it depends which direct conversation), but it’s not too far from the truth. While the script is sharp and witty enough that the actors never feel like they’re just going in circles, there’s a weird sense of contrivance around Cherchez Hortense which gives means it’s hard to get too invested in anything that’s going on.

cherchezhotense

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