It’s that time of year. I’ll counting down my top twelve films of the year daily on the blog between now and New Year. I’ll also be discussing my top ten on the Scannain podcast. This is number ten.
Mission: Impossible – Fallout was released around the tenth anniversary of The Dark Knight.
In fact, the week after I caught the preview of Fallout, I attended a tenth anniversary screening of The Dark Knight. This is important, because Christopher McQuarrie’s second Mission: Impossible film undeniably exists in conversation with Christopher Nolan’s epoch-defining blockbuster. It is impossible to watch Fallout without thinking of The Dark Knight, from Lorne Balfe’s propulsive score to the sight of an armoured truck sinking slowly into a river.
However, McQuarrie does something interesting with Fallout, in relation to The Dark Knight. Too many of the films influenced by that iconic piece of cinema opted for shallow and superficial homage. Thor: The Dark World and Teenage Mutant Ninja Turtles: Out of the Shadows and Transformers: Dark of the Moon and Transformers: The Last Knight settled for borrowing influence from the title. Law Abiding Citizen tried to embrace moral ambiguity. Man of Steel attempted to emulate that serious grounded approach to other properties.
In contrast, Fallout understands that the best thing that most films could learn from The Dark Knight is simple craft and professionalism. Fallout understands that top-notch production, an emphasis on in-camera effects and a propulsive sense of momentum are the most applicable lessons that most films could take from The Dark Knight. As such, Fallout takes those lessons and applies to them to Mission: Impossible, leading to the year’s most impressive embrace of the concept of heroism.
Filed under: On Second Thought | Tagged: action, heroism, mission: impossible - fallout | 2 Comments »
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