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Brian Michael Bendis’ Avengers – Siege (Review/Retrospective)

April (and a little bit of May) are “Avengers month” at the m0vie blog. In anticipation of Joss Whedon’s superhero epic, we’ll have a variety of articles and reviews published looking at various aspects of “Earth’s Mightiest Heroes.”

Read our review of The Avengers here.

Please, father… Let these heroes rise. Both Asgardian and mortal. Together. Empowered. Let them fight. Let them save us.

– Loki, Siege #4

And so, here we are. The culmination of more than five years of plotting in the Marvel Universe. Brian Michael Bendis has directed the Avengers franchise from Avengers Disassembled to Siege, crafting a post-modern exploration of what it is to be a superhero in a politically complex and morally ambiguous world. In doing so, for better or worse, Bendis has redefined the Avengers, with New Avengers just as “new” as the title promises. It’s somewhat fitting, then, that after years of introspection and exploration about when and how the characters in the Marvel Universe might be considered heroes, that it ends with an almost proto-typical superhero knock-down smash-up brawl fest.

Capping it all off...

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Matt Fraction’s Run on The Invincible Iron Man – Vol. 2 (Hardcover) (Review/Retrospective)

April (and a little bit of May) are “Avengers month” at the m0vie blog. In anticipation of Joss Whedon’s superhero epic, we’ll have a variety of articles and reviews published looking at various aspects of “Earth’s Mightiest Heroes.” Today, I’m focusing on one in particular, Iron Man.

Read our review of The Avengers here.

In many ways, Matt Fractions’ Invincible Iron Man run feels like a spiritual counterpart to Ed Brubaker’s celebrated Captain America tenure. Of course, there’s similar thematic ground covered by the character arcs, with both leads dealing with the fallout from Marvel’s crossover-driven continuity, but there’s something more fundamental in the style and goals of the works. Indeed, both read better in big chunks, with each of the “acts” in Brubaker’s Captain America saga conveniently broken down and released in their own omnibus collections (his opening Captain America run, The Death of Captain America and Captain America Lives!). I can’t help up feel like perhaps Matt Fraction drew the short straw when it comes to collected editions, with the release of his material dictated by Jon Favreau’s Iron Man 2 and Joss Whedon’s The Avengers, as the two hardcovers seem strangely structured, creating a second volume which seems to contain the end of one act and the start of another.

It's got a lot of heart...

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Captain America by Jack Kirby Omnibus (Review)

April (and a little bit of May) are “Avengers month” at the m0vie blog. In anticipation of Joss Whedon’s superhero epic, we’ll have a variety of articles and reviews published looking at various aspects of “Earth’s Mightiest Heroes.” Today, I’m focusing on one in particular, Captain America.

“All the years of combat against forces of overwhelming power have done little to prepare Cap for the terrifying experience of being thrust under the Klieg Lights amid an undulating sea of precision dancers…”

– Oh no! Cap’s fatal weakness! Precision dancers!

It seemed like a bit of a no-brainer. With America’s bicentennial celebrations approaching, Marvel decided to put comic book legend (and co-creator) Jack Kirby on the comic book. Publishing two annuals, twenty-two issues of the on-going Captain America and Falcon book, and the iconic Captain America’s Bicentennial Battles, Kirby celebrated two centuries of the United States in style, crafting Captain America stories that were at once anchored in the past, yet boldly forging forward. He also seemed to embrace the crazy and energetic potential of the medium he helped define, producing a run on the character that was borderline surreal, occasionally crazy, but never boring.

The most awesome comic panel ever…

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Kurt Busiek’s and George Perez’s Avengers – Avengers/JLA (Review/Retrospective)

April (and a little bit of May) are “Avengers month” at the m0vie blog. In anticipation of Joss Whedon’s superhero epic, we’ll have a variety of articles and reviews published looking at various aspects of “Earth’s Mightiest Heroes.”

Read our review of The Avengers here.

Avengers/JLA is about as nerdy as a comic book crossover can get. Really. It takes two teams of superheroes which were both formed to allow existing heroes to team up… and then teams those two teams up. It’s pure geek chic, after all. I have no shame in admitting that I enjoyed on a purely fanboyish level, my inner eight-year-old ecstatic at the idea of taking so many toys out of so many different boxes and bashing them together which such delightful cheer. It’s not an essential story, nor a brilliant one, nor a creative one – but it does exactly what it says on the tin. It gives us a gigantic crossover between two of the more recognisable Marvel and DC superhero teams.

The very definition of awesome...

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Non-Review Review: The Avengers (aka Avengers Assemble)

The Avengers has a lot of geeky charm to it – the sort of giddy “this is so cool!” spectacle that appeals to the popcorn-munching child in each of us. That’s more than enough help it coast through a somewhat muddled first act, through a stronger second act and into a truly awesome finale. I think that the carefully choreographed large-scale action sequence that caps the film off might be worth a ticket alone. While there seem to be some very fundamental problem juggling a cast this large in a movie that technically a sequel to at least four films, Joss Whedon knows his audience well enough to ensure that most of the individual moments are satisfying, even if the overall film feels a tad uneven.

Three of a kind...

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Brian Michael Bendis’ Avengers – New Avengers Vol. 7 (Hardcover) (Review/Retrospective)

April (and a little bit of May) are “Avengers month” at the m0vie blog. In anticipation of Joss Whedon’s superhero epic, we’ll have a variety of articles and reviews published looking at various aspects of “Earth’s Mightiest Heroes.”

Read our review of The Avengers here.

And so, this is it. The end of Brian Michael Bendis’ first run on New Avengers. And, to the writer’s credit, it actually feels like an ending – something you very rarely get in mainstream comics, particularly when the writer’s going to be producing another book the following month. While I’ve had more than a few issues with the individual chapters in Bendis’ run, I think his New Avengers holds together remarkably well when examined as one big story – because it is one big story. The issues are paragraph breaks in the arcs, which are themselves chapters in the unfolding epic Bendis was weaving through the heart of the Marvel Universe, a bold attempt to redefine “Earth’s Mightiest Heroes”for the twenty-first century.

Happily ever after?

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The Thanos Imperative (Review/Retrospective)

April (and a little bit of May) are “Avengers month” at the m0vie blog. In anticipation of Joss Whedon’s superhero epic, we’ll have a variety of articles and reviews published looking at various aspects of “Earth’s Mightiest Heroes.” This doesn’t exactly feature the Avengers, but a similarly all-star cast of cosmic Marvel superheroes…

Read our review of The Avengers here.

I have to admit, I have really enjoyed the “cosmic” Marvel crossovers in the past few years, perhaps more than I’ve enjoyed the big Avengers-themed events that they’ve been churning out consistently. Being honest, I think part of the reason that the cosmic line balanced these events so well was because it was smaller, and thus easier to handle. You didn’t have to worry about splitting character beats between the main miniseries and the supporting titles, nor did you have to worry about a dozen other comics feeding into (and flowing out of) your miniseries. At its peak, the line – as helmed by Dan Abnett and Andy Lanning – consisted of two titles (Nova and Guardians of the Galaxy), and nobody else was playing in the sandbox. Maybe I’m just a little bit selfish, but it’s always fun to watch a writer play with toys that he’s not being asked to share.

Five cosmic powerhouses walk into a bar...

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Kurt Busiek’s Avengers – Avengers Forever (Review/Retrospective)

April (and a little bit of May) are “Avengers month” at the m0vie blog. In anticipation of Joss Whedon’s superhero epic, we’ll have a variety of articles and reviews published looking at various aspects of “Earth’s Mightiest Heroes.”

Read our review of The Avengers here.

In many ways, to me, Kurt Busiek’s Avengers run represents comic book nostalgia given form. I can’t help but read it as an attempt to call back to the “good old days” of mainstream comic books, with all the illogical and insane twists and an old-school approach to dialogue and characterisation. On the best of days, I’ve found his approach giddy and enjoyable – it’s hard not to get caught up in his genuine enthusiasm for the material. However, when Marvel gave Busiek a twelve-issue Avengers miniseries, it seemed inevitable that the writer wouldn’t just seek to nostalgically emulate the past, but tie it all together as well. In this respect, as it weaves through decades of Avengers continuity, Avengers Forever feels almost like continuity porn. Hardcore continuity porn.

Avengers! Avenge!

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Kurt Busiek’s (& George Perez’s) Avengers – Avengers Assemble! Vol. 2 (Ultron Unlimited) (Review/Retrospective)

April (and a little bit of May) are “Avengers month” at the m0vie blog. In anticipation of Joss Whedon’s superhero epic, we’ll have a variety of articles and reviews published looking at various aspects of “Earth’s Mightiest Heroes.”

I want to enjoy Kurt Busiek’s Avengers run. It’s apparently one of the better Avengers runs out there. In fact, I can actually see the reasons why one would fall in love with it. It has great characters, great villains and great stories, written by a writer who adores the subject matter and an artist who is among the best in the business. And yet I can’t help but feel locked out of the series, as if this is a book intended for those who like a particular style of old comics – rather than those seeking accessible and fresh takes on classic characters coming together to fight evil. This second volume is perhaps the highlight of the run, collecting – as it does – the Ultron Unlimited storyarc, perhaps regarded as Busiek’s finest hour on the title (with only Avengers Forever and The Kang Dynasty competing, depending on who you ask).

Boy, is his face red...

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S.H.I.E.L.D: Architects of Forever(Review/Retrospective)

April (and a little bit of May) are “Avengers month” at the m0vie blog. In anticipation of Joss Whedon’s superhero epic, we’ll have a variety of articles and reviews published looking at various aspects of “Earth’s Mightiest Heroes.” Today we’re looking at a miniseries exploring the history of S.H.I.E.L.D., the organisation which has played a big role in the Marvel cinematic universe.

Jonathan Hickman is something of a rising star at Marvel, with his acclaimed work on Secret Warriors, Fantastic Four and Ultimate Comics: Ultimates, along with character-centric miniseries like Ultimate Thor and Ultimate Hawkeye. Much like Jason Aaron, the writer has demonstrated a remarkable ability with both the smaller cult characters in the universe, as well as some of its bigger names – it has been argued that Hickman has been doing fascinating things with characters who had stumbled a bit of late in Marvel’s shared universe, like Nick Fury or the “first family” of the company, the Fantastic Four. Hickman has a wonderful talent to combine old established concepts with clever new ideas to produce an interesting result. S.H.I.E.L.D., documenting the history of Marvel’s premiere espionage organisation, demonstrates this quite well.

At least what I understood of it.

The SHIELD protects us...

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