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Justice League: The Nail (Review)

To celebrate the release of The Man of Steel this month, we’re going Superman mad. Check back daily for Superman-related reviews.

What would comics look like without Superman? The character is so iconic and influential and omnipresent that it’s a fun thought experiment to take him out of the DC universe and watch the narrative threads unravel. Alan Davis is a pretty incredible artist. He’s done great work with writers like Mike W. Barr (on an underrated Detective Comics run) and Chris Claremont (on Excalibur). However, he may not have been the best choice to write this three-part Justice League of America Elseworld. It’s a great concept, but the execution leaves a little to be desired.

Is somebody missing?

Is somebody missing?

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Non-Review Review: Superman vs. The Elite

To celebrate the release of Man of Steel this month, we’re going Superman mad. Check back daily for Superman-related reviews.

Superman has struggled with his pop culture credibility for quite some time now. The character is seen as too old-fashioned or outdated to really resonate in the modern world, standing for an overly simplistic and unquestioning moral philosophy which doesn’t take into account the nuances of current realities. Superman vs. The Elite, adapted from Joe Kelly’s What’s so Funny About Truth, Justice & the American Way?, represents an attempt to counter this opinion of Superman as a character. Unfortunately, it never really does so be convincing us that the character is still relevant. Instead, it creates a bunch of convenient straw men to oppose our hero, and never allows him to win on his own terms.

Beware the Superman...

Beware the Superman…

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Geoff Johns’ (and Jim Lee’s) Run on Justice League – The Villain’s Journey (Review/Retrospective)

To celebrate the release of Man of Steel this month, we’re going Superman mad. Check back daily for Superman-related reviews.

This should be the defining Justice League book of the 21st century. Geoff Johns is something of a DC comics super star, a writer who has worked on all manner of major and minor DC characters, and helped shaped the fictional universe for the better part of a decade. Jim Lee defined the look of DC comics, particularly with the revamped “new 52” character designs. He’s a super star artist who produces iconic superhero images. So pairing the two up on DC’s flagship book, relaunched as part of a line-wide initiative, should be something to watch. If Johns can turn Green Lantern into one of DC’s biggest franchises, imagine what he could do here.

However, their first six-issue arc, Origin, seemed troubled. It was a decently entertaining big-budget blockbuster of a comic book arc, but it didn’t really provide a clear vision of these characters and their world. New Frontier, for example, remains a more thoughtful and introspective origin story for the team of DC’s most iconic heroes.

The Villain’s Journey improves a great deal on Origin, but it’s still deeply flawed, with a sense that Johns and Lee are struggling under the weight of having to make these characters “relevant” to the modern world.

He knows how to make an entrance...

He knows how to make an entrance…

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Ultimate Comics: Divided We Fall, United We Stand – Spider-Man (Review/Retrospective)

To get ready for Iron Man 3, we’ll be taking a look at some Iron Man and Avengers stories, both modern and classic. We hope to do two or three a week throughout the month, so check back regularly for the latest update.

I have to admit, I am very surprised that Marvel have yet to start issuing oversized hardcovers of writer Brian Michael Bendis’ latest Ultimate Spider-Man run. The author has been writing the writing the series since the first issue appeared on stands in October 2000. The series has been re-launched twice, for three volumes as part of the same story. The first two runs are collected in their entirety, but only bits and pieces of the third run have been collected so far. The prelude Fallout was collected with Bendis’ The Death of Spider-Man omnibus, and the crossover with the main universe has been collected in Spider-Men, and then there’s these issues here, collected as part of Divided We Fall.

However, despite the high profile decision to create a new Spider-Man, generating considerable press coverage, Marvel has yet to begin collecting nice oversized hardcovers of Bendis’ latest run. As a result, the issues collected here give a rather scattershot coverage of Bendis’ run on the iconic web-crawler, which is a bit of a shame. As with the Ultimates and Ultimate X-Men comics tying into this big event, context is a vital part of this gigantic crossover, with Bendis’ story only really resonating as part of an on-going story featuring the development of a new version of Spider-Man, Bendis’ own creation.

Who says there's no such thing as bad publicity?

Who says there’s no such thing as bad publicity?

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Ultimate Comics: Divided We Fall, United We Stand – Ultimates (Review/Retrospective)

To get ready for Iron Man 3, we’ll be taking a look at some Iron Man and Avengers stories, both modern and classic. We hope to do two or three a week throughout the month, so check back regularly for the latest update.

There was a time when Marvel’s Ultimate Universe was the place to be. Ultimate Spider-Man, Ultimate X-Men and The Ultimates were among the best-reviewed and best-selling books published at Marvel in the early part of the last decade, offering a fresh new take on classic comic book characters, and offering readers an opportunity to engage with a continuity-free world just as the super-hero movie craze took off. I’ll always be fond of the Ultimate Universe, because without The Ultimates and Ultimate Spider-Man, I simply wouldn’t be a comic book fan today.

However, in the last number of years, for any number of reasons, the line has wavered a little bit. Despite attracting Mark Millar back to write Ultimate Comics: Avengers, and Brian Michael Bendis generating massive headlines by writing The Death of Spider-Man, it seemed like the publishing brand was fading a bit. There have been several attempts to re-energise the line. Divided We Fall is just the most recent one, a crossover between the three books currently making up the Ultimate imprint.

The story of America falling apart, told from three different perspectives, it’s certainly timely. And, as crossovers go, shrewdly constructed. While Divided We Fall suffers a bit from the fact that Marvel is no longer consistently collecting the books leading into it, it is still an interesting comic book story, and one that takes advantage of the Ultimate Universe setting to tell a story that would be impossible in the mainstream Marvel brand.

President Cap...

President Cap…

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Iron Man by David Michelinie & Bob Layton (& John Romita Jr.) Omnibus, Vol 1 (Review/Retrospective)

To get ready for Iron Man 3, we’ll be taking a look at some Iron Man and Avengers stories, both modern and classic. We hope to do two or three a week throughout the month, so check back regularly for the latest update.

It’s hard to believe, given the high profile the character has attained since Robert Downey Jr. first played Tony Stark in Iron Man back in 2008, but Iron Man used to be one of Marvel’s second-tier characters. Of course, like any other comic book character, Iron Man has had his ups and downs. There have been solid runs by great creative teams, and disappointing stories told by writers and artists unsuited to the character. However, Iron Man never really had one of those iconic comic book runs of the seventies and eighties, the kind of high-profile character-defining run like Walt Simonson’s tenure on Thor or Frank Miller’s work on Daredevil or Chris Clarement’s extended run on the X-Men franchise.

Perhaps the closest to such a run from the Bronze Age is the work by David Michelinie and Bob Layton, who actually enjoyed two extended runs writing for the character at the end of the seventies and into the eighties. This gigantic omnibus collection includes the first of those two runs, which were bisected (mostly) by Denny O’Neil’s extended time on the title. While it’s not as cohesive and solid a run as any of the aforementioned examples, it still demonstrates a solid understanding of Iron Man, and features two of the character’s most iconic stories.

You have to whip it...

You have to whip it…

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Secret Warriors Omnibus (Review/Retrospective)

There are plans within plans… wheels within wheels. The old order is waking from a deep sleep any my masters… they hunger for knowledge of this new world.

– Leviathan Disciple

Secret Warriors is an interesting ride. It’s a rather bold narrative, crafted with a great deal of skill by author Jonathan Hickman, exploring an interesting underbelly of the Marvel Universe, while providing a pretty compelling exploration of Marvel’s super-spy Nick Fury. It reads like a densely-packed pulpy espionage thriller, with Hickman cleverly layering the story and gradually peeling back the skin to reveal wheels within wheels. While the climax of the story isn’t as strong as it should be, Secret Warriors still makes for an interesting read, a relatively long-running series that was carefully planned out from the beginning and executed with considerable style.

Secret Agent Man!

Note: There will be spoilers in this here review. Don’t worry, I’ll flag them before we reach them, but given the twisty nature of the narrative, I thought I’d let you know up-front.

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Ultimate Spider-Man – Vol. 12 (Hardcover) (Review)

You know, Jeph Loeb actually managed to make quite the impression on Marvel’s Ultimate line of comics. While his Ultimatum was intended to serve as a “shot in the arm” to a comic book line with waning sales and interest, it’s telling that Marvel organised another event almost directly afterwards, with The Death of Spider-Man serving to reorganise that fictional universe once again. This collection, the twelfth in the Ultimate Spider-Man line, sees author Brian Michael Bendis guiding the book between Ultimatum and The Death of Spider-Man. (Indeed, the next book in the set is the Death of Spider-Man omnibus collection.)

As such, it’s not too surprising that these fourteen issues feel a bit disjointed and uneven, as Bendis deals with the aftermath of one radical status quo change while gearing up for another. That said, I still think that Ultimate Spider-Man represents the single most consistent run on the title, and Bendis still manages to keep things interesting, even if this collection doesn’t quite compile the author’s strongest run of issues.

Spider-Men…

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Ultimate Marvel Team-Up (Review/Retrospective)

Ultimate Marvel Team-Up occupies a strange place in Marvel canon. Written by Brian Michael Bendis and illustrated by a rake of top-tier talent, it was essentially a series designed to showcase these impressive artists while adding a bit of depth and breadth to the then-fledgeling Ultimate Marvel Universe. Essentially a continuity that had been launched from scratch, with the goal of attracting new fans put off by decades of back story in the regular shared universe, Brian Michael Bendis had pioneered the line with his superb Ultimate Spider-Man, a book that he is still writing today (albeit in a slightly different form). Due to its nature, Ultimate Marvel Team-Up is a somewhat disjointed effort, where quality varies almost from issue-to-issue, but it’s still worth a look for anybody with any interest in Bendis’ Ultimate Spider-Man work.

Who says there aren’t crocodiles in the sewer?

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Chris Claremont’s Run on Wolverine (Vol. 2) (Review/Retrospective)

With our month looking at Avengers comics officially over, we thought it might be fun to dig into that other iconic Marvel property, the X-Men. Join us for a month of X-Men related reviews and discussion.

Although his extended run on Uncanny X-Men is one of the most renowned runs in comic book history, it’s easy to forget just how massively Claremont developed the X-Men franchise beyond that core book. He did, after all, launch spin-off titles like New Mutants or X-Calibur. The writer also shepherded the development of Wolverine outside the Uncanny X-Men book, producing the original Wolverine miniseries with Frank Miller, Kitty Pryde & Wolverine with Al Milgrom and even Save the Tiger in Marvel Comics Presents. Claremont also drafted nine of the first ten issues of Wolverine’s first on-going solo title and, while not the writer’s finest work by a significant stretch, it is a pulpy and entertaining read – one more firmly grounded in pop culture conventions than grim violence and anti-heroic nihilism. The issues are a light, fun collection of stories featuring the character, nothing more and nothing less.

A cut above the rest?

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