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Batman: The Man Who Laughs

What we have here is an interesting companion story to Alan Moore’s seminal The Killing Joke, a sequel of sorts to Frank Miller’s classic Year One, a direct follow-on to the two Matt Wagner miniseries Batman and the Monster Men and Batman and the Mad Monk and a bit of an introduction to Jeph Loeb and Tim Sale’s The Long Halloween. That’s one hell of a nexus to find your story at the centre of, even if you weren’t trying to tell the definitive first encounter story between Batman and the Joker. So, does Brubaker pull it off?

What a Joker...

What a Joker...

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Riddle Me This… Is The Riddler Really An Ideal Choice for Batman 3?

Last week I outlined why I didn’t think that Harvey Dent should be brought back for the sequel to The Dark Knight. If Nolan comes back, I trust him to do whatever he feels like doing with the franchise – he’s demonstrated that he knows what he’s doing when it comes to directing Batman. If he wants to recast the role of the Joker – or if he doesn’t – that’s fine with me. So, it’s ultimately futile to speculate about films that haven’t even entered production, but that’s never really stopped me before, has it? It keeps coming down to the Riddler – Johnny Depp or Eddie Murphy or whoever. It seems that everyone is expecting The Riddler to be the villain (or at least play a supporting role) in the next film. But I’m skeptical.

When the Riddler heard he was the new host of Bullseye, he didn't know that people would take the title so literally...

When the Riddler heard he was the new host of Bullseye, he didn't know that people would take the title so literally...

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The Killing Joke

Hmm… Understandably quite a controversial comic (Alan Moore himself reportedly has very little time for it), The Killing Joke remains the most definitive comic to examine the dynamic between the Caped Crusader and his polar opposite. It also reveals a bit of twisted logic to the character, providing an almost logical motivation for his countless heinous actions. It also features some of the best artwork that you are liable to see on a Batman comic.

The Joker didn't get he was meant to bleach his HAIR...

The Joker didn't get he was meant to bleach his HAIR...

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Batman: Whatever Happened to the Caped Crusader? (Review/Retrospective)

I guess… I guess I always knew that this was how it was going to end. That we didn’t have him forever. That one day someone would say, ‘Hey, Jim. Whatever happened to the Caped Crusader?’ I’d tell them. ‘Pretty much what you’d expect. He’s dead.’

I just didn’t think it would be today.

– Commissioner James Gordon

I actually quite enjoyed Neil Gaiman’s Whatever Happened to the Caped Crusader?, even if I wasn’t overly in love with it. The prospect of doing a final, definitive Batman story – one not anchored in a particular event, but designed to encapsulate the history of the Dark Knight – must be daunting. Even Alan Moore’s sensational Whatever Happened to the Man of Tomorrow? served as a fond farewell to one particular iteration of the Man of Steel. Gaiman’s “last ever” Batman story is a tad more ambitious, bidding goodbye to alliterations of the character. I’m not entirely convinced that it succeeds, although it makes a more than valiant effort.

Clowning around!

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Grant Morrison’s Run on Batman – Batman & Son, The Black Glove & Batman RIP (Review/Retrospective)

I want to love Grant Morrison’s run on Batman. I really do. And I quite possibly would if I didn’t feel like I wasn’t particularly welcome at this massive gala birthday bash. I’ve decided to review all of Morrison’s run on Batman – collected in the hardback editions of Batman & Son, The Black Glove, two chapters of The Resurrection of Ra’s Al Ghul and Batman R.I.P. – as one, because it is all one story. In fact, I’m sure it’ll turn out to be the opening salvo of a gigantic story that Morrison is weaving where it all ties together, but it might be so massive it’s impossible to review all at once. So, how do I feel after the first act?

Who says parenting isn't tough?

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Random Thoughts on the Dark Knight Sequel…

We don’t know if Nolan’s coming back. We don’t know (though we doubt) if they’ll recast the Joker. We don’t know that Johnny Depp is the Riddler (though we know he’d like to be). We know nothing about the third film in the Batman trilogy.

Except know that there will be a third film.

You'll believe a man can glide...

You'll believe a man can glide...

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I’m a Grinner, I’m a Lover, I’m a Sinner…

… I’m a Joker, I’m a Smoker, I’m a Midnight Toker

What is it about the Joker that makes him such a great villain. He’s appeared in just about every media form where Batman has appeared since Batman #1 way back in 1940. He is one of only two villains to appear in both of the more recent Batman film franchises and he seems to be the only character in the history of the Batman family who has survived every era of the character unblemished. Be it the light comic relief of the Dick Sprang era reflected in the Adam West show (where Ceasar Romero is clearly wearing a mustache under his makeup), the darker sense of humour of the animated Joker voiced by Mark Hamill in The Animated Series through to the anarchist/nihilist terrorist portrayed by Heath Ledger in The Dark Knight – none of these incarnations are any less in character than any of the others. What is it about the Joker that makes him one of the great villains of our time?

The world's leading cause of coulrophobia...

The world's leading cause of coulrophobia...

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Non-Review Review: The Dark Knight

Even four years after is original release, The Dark Knight casts a pretty big shadow. Not only is it the best Batman movie ever produced, and easily one of the best stories to feature the character in any medium, it’s also a wonderful piece of cinema on its own terms. Christopher Nolan is an astounding craftsman, and one who constructed his superhero sequel without ever feeling the need to dumb down. The Dark Knight is a wonderfully effective and stunningly constructed piece of popcorn cinema, but it’s also the most profound and engaging (and, importantly, even-handed) meditations on the War of Terror that Hollywood has produced. It’s bold and accessible, but it’s also intelligent and engaging. More than an astoundingly impressive blockbuster, it’s just a superb piece of cinema.

It all goes up in flames…

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What Happens if Nolan Doesn’t Direct Batman 3?

Rumours are already circulating that Christopher Nolan may be calling it a day when it comes to his Batman franchise. Anonymous insiders – don’t you love ’em – are claiming the director has reached breaking point with the studio. Rumour has it that they want to recast The Joker and include him in the sequel, whereas Nolan is against the idea. It’s far too early to really start worrying about it – Nolan was initially reluctant to do a sequel to Batman Begins, for example. But, still, it’s a slow news day, so we’ll ponder it: What happens if Nolan doesn’t return?

There's no man like Nolan

There's no man like Nolan

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