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Superman Returns & The Question of Consent…

March is Superman month here at the m0vie blog, what with the release of the animated adaptation of Grant Morrison’s superb All-Star Superman. We’ll be reviewing a Superman-related book/story arc every Wednesday this month, so check on back – and we might have a surprise or two along the way. I figured that, today, I’d take a look at Superman-related movies.

As I was watched Superman Returns again for the first time in what seemed like years, a question occurred to me. It wasn’t exactly one that the plot addressed, but it was probably one of those idle little thoughts which is best reserved for the late hours, as one enjoys a pre-bed snack, or fodder for a wandering mind on a long bus journey. The title of this post kinda gives the game away, but read on for more.

A super night...

Note: This article contains fairly basic spoilers for Superman Returns, but I think you probably already know what I’m going to talk about.

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Non-Review Review: Superman Returns

March is Superman month here at the m0vie blog, what with the release of the animated adaptation of Grant Morrison’s superb All-Star Superman. We’ll be reviewing a Superman-related book/story arc every Wednesday this month, so check on back – and we might have a surprise or two along the way. I figured that, today, I’d take a look at Superman-related movies.

You know, Quentin Tarantino once boasted that he had a 20-page review of Superman Returns that the director had been drafting for some years now. This review is going to be long, but it’s – hopefully – not going to be that long. The film has divided fans, movie-goers and film critics since its initial release, killed an attempt to relaunch the “Superman” brand name in the new millennium, made a shedload of money (although not as much as Warner Brothers would have liked). It’s a movie that deserves a large amount of discussion and debate, and it sure has generated it. I’m not a staunch supporter of the film, but I don’t hate it, either. Superman as a character has endured far greater humiliation. Still, it’s a bit of a disappointing continuation to the on-going Superman mythology.

The weight of the world is on his shoulders...

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Batman: The Return of Bruce Wayne (Review)

March is Superman month here at the m0vie blog, what with the release of the animated adaptation of Grant Morrison’s superb All-Star Superman. We’ll be reviewing a Superman-related book/story arc every Wednesday this month, so check on back – and we might have a surprise or two along the way. In honour of the Scottish scribe, I thought I’d review the latest chapter in his on-going Batman epic.

It’s a testament to writer Grant Morrison how much I enjoyed his weird and fantastical six-chapter “Batman lost in time” adventure epic. Between this and his superb run on Batman & Robin, Morrison might have redeemed himself for the mess that was Batman R.I.P. That said, the collection isn’t for everyone, but it marks a rich exploration of the evolution of the Batman archetype through his various iterations – a meta-textual look at the elements which make Batman who he is, and why those elements are important to him. It also, of course, features Batman in a sword fight with Cthulhu.

You know you’re reading Grant Morrison’s Batman when something like this happens…

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Batman Beyond: Out of the Past (Review)

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. I’ll be looking at movies and episodes and even some of the related comic books. This is the last post of the week, and so I thought I should focus on where it all started, with the animated Bruce Wayne.

I don’t think Batman Beyond gets the credit that it so sorely deserves. It was really the first time that it was explicitly acknowledged that Bruce Wayne couldn’t be Batman forever – that, unlike so many other members of the DC pantheon, the character was a mere mortal who would pass away and that he couldn’t wear the cowl forever. The animated television show was the first to wonder what would happen to the concept of Batman, if Bruce couldn’t do it anymore. Would the hero die out and fade from memory? Or would he live on, somehow, enduring forever?

Batman always was a showman…

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Absolute All-Star Superman (Review/Retrospective)

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. I’ll be looking at movies and episodes and even some of the related comic books. With All-Star Superman confirmed as the next animated DC feature, I thought I’d take a look at Grant Morrison’s original comic book story. In case you haven’t noticed, it seems the DCAU guys are big Morrison fans.

Doomed Planet.

Desperate Scientists.

Last Hope.

Kindly Couple.

Superman.

– Grant Morrison reduces perhaps the most iconic origin story down to fewer words than this synopsis, …Faster… (Chapter 1)

I have to admit, nothing quite psyches me like holding a Grant Morrison book in my hand – save maybe holding an Alan Moore book in my hand. Sure, I might not love what he’s writing and it might not necessarily be the most complete narrative experience that could have been provided, but I always want to read it again after I’m done – even if I hated it. As a writer, Morrison can crank out crazy-yet-clever concepts like nobody’s business, finding a way to put a new slant on an old piece of mythology or making a change seem like a logical extension of what came before. All-Star Superman is perhaps his most widely respected work, an attempt to boil the iconic Man of Steel down into twelve easy-to-disgest chunks, for new and old fans alike. It’s a stunning piece of comic book literature and perhaps the closest experience one could have to holding the quintessential elements of Superman in your hands.

Last sun of Krypton…

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All-Star Superman Trailer

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. I’ll be looking at movies and episodes and even some of the related comic books. We’ve reviewed the nine feature-length animations that Warner Brothers have produced to date. Although it isn’t released yet, All-Star Superman is planned to be the tenth. Enjoy the trailer.

Final Crisis (Review/Retrospective)

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. I’ll be looking at movies and episodes and even some of the related comic books. Later on today, we’ll be reviewing Superman/Batman: Apocalypse, so I thought I might take a look at a comic book tale which was heavy on Superman, Darkseid and Batman…

This epic elegy for a doomed civilisation, declining from splendor to squalor. This Final Crisis. This last ditch attempt to save creation itself from a loathing and greed beyond measure.

– Grant Morrison outlines the whole point of the book, in case you weren’t paying attention… in a narration which deserves to be read in the most pompously ridiculous style possible

Look, I could hitch a ride back with you. I have a real talent for gritty drama no one’s ever thought to exploit.

– Merryman makes a pitch for “relevance” in the hopes of escaping comic book “limbo”

Destruction or creation. Everything or nothing. A universe full or a universe empty. Life or anti-life. Grant Morrison certainly lives up to his reputation as a frustrating and challenging author – is Final Crisis the statement of a genre looking to make peace with itself, or nonsensical Silver Age surrealism repackaged for a modern world? Is it pretentious or profound? Insightful or devoid of interest? Can’t it be both, or are these mutually exclusive states?

We all knew Obama was Superman…

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Non-Review Review: Justice League – Crisis on Two Earths

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. This is one of the “stand-alone” animated movies produced by the creative team that gave us the television shows.

Okay, well maybe it’s not quite “stand-alone”, seen as it’s based off a script that was intended to bridge the two animated series Justice League and Justice League Unlimited. Anyway, some of these movies – such as Justice League: New Frontier – are excellent examples of Western animation in their right. Some – such as Wonder Woman – are spectacular introductions to characters that perhaps never really got the attention that they so sorely deserved. On the other hand, some are just animated versions of a Jerry Bruckheimer blockbuster production.

Justice League: Crisis on Two Earths is one of those.

Owlman is a bird of prey...

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Grant Morrison’s Run on Justice League of America – The Deluxe Edition, Vol. 3-4 (Review/Retrospective)

This post is part of the DCAU fortnight, a series of articles looking at the Warner Brothers animations featuring DC’s iconic selection of characters. I’ll be looking at movies and episodes and even some of the related comic books. With the review of Justice League: Crisis on Two Earths later on today, I thought I’d take a look at Grant Morrison’s graphic novel which inspired it in someway. However, I figure – given that large debt that the entire Justice League cartoon owes Morrison’s iconic tenure on Justice League of America – it’s time to take a look at the latter half of Morrison’s run on the title.

We have no powers, there are millions of them and there’s a child in there who needs us to save the world. Let’s go.

– another day at the office for Superman

I remarked in my review of the first two deluxe hardcovers collecting his work on the series that I was perhaps a lot less impressed than most with Morrison’s work on the title. It was grand and bombastic, but it ended up feeling more than a little hallow, especially measured against some of his bolder efforts within the superhero genre. Although time and a few re-reads have softened my perspective quite a bit, I will concede that I don’t measure this as the writer’s best work. It’s epic and smart and fun, but never really becomes anything too much more.

But, then again, they are the Justice League. If I want deep characterisation of philosophical meanderings, I can check out a different book.

It actually looks quite peaceful when you're not saving it...

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Peter Milligan & Michael Allred’s Run on X-Force – Famous, Mutant & Mortal (Review/Retrospective)

For the past few months, I’ve been taking a look at Marvel’s sometimes convoluted crossover chronology as a sort of lead-in to The Avengers, arriving in cinemas in 2012. Later on today, I’ll be reviewing Messiah War, a crossover between two of the series relaunched in the wake of Messiah Complex so I thought I might take a look back at some of the series leading into it beforehand. However, the two series – Cable and X-Force both have roots in the “darker and edgier” period of X-Men history known as the nineties. Driven by Rob Liefeld, the two series became by-words for ridiculous violence, convoluted storytelling, shallow characters and lots of guns. Lots of guns.

That is not the version of X-Force I’m going to look at today.

British writer Peter Milligan apparently laughed pretty hard when he was asked to write X-Force. However, the early part of the naughties was a different time at Marvel. Perhaps the financial collapse of the company in the nineties had made the company bolder, more willing to take creative chances. Perhaps they figured that, with Grant Morrison working on New X-Men, there wasn’t anything that much more radical that Peter Milligan could do. Either way, the author was granted incredible creative control and the chance to do something truly different. He took advantage of it, and produced one of the most fascinating comic books of the past decade.

At least he’s honest about it…

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