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Non-Review Review: The Mummy (1932)

The Mummy is often unfairly dismissed as an inferior attempt to emulate the success of Dracula. It’s from the same writer, John L. Balderston, and the credits are even set to the same music – the powerful Swan Lake theme that opened that other iconic horror. I’d argue that the influence of Frankenstein can also be keenly felt on the picture, and not just in its leading actor. However, I think The Mummy is often unfairly overlooked when examining the Universal Monster Movies, playing more like a creepy existential romantic epic than a conventional creature feature horror film.

He needs his beauty sleep…

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Non-Review Review: Frankenstein (1931)

We are about to unfold the story of Frankenstein, a man of science who sought to create a man after his own image without reckoning upon God. It is one of the strangest tales ever told. It deals with the two great mysteries of creation – life and death. I think it will thrill you. It may shock you. It might even – horrify you. So if any of you feel that you do not care to subject your nerves to such a strain, now’s your chance to – uh, well, we warned you.

James Whale’s Frankenstein tends to be overshadowed by its sequel, The Bride of Frankenstein, as perhaps the definitive take on the mad scientist and his creepy, tragic monster. While the script for Universal’s 1931 Frankenstein is occasionally a bit too loose for its own good, it’s still a stunning piece of classic monster movie cinema. I had the pleasure of watching the recent blu ray release of the film, and it looks just as good now as it ever did.

“It’s aliiiive!”

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Non-Review Review: Dracula (1931)

I have a soft spot for classic Universal horror. Not that it should come as a surprise – I’m a sucker (ha!) for some vintage Hammer Horror as well, and all other forms of classical horror (even if they may occasionally veer into the realm of kitsch). It’s really hard to overstate the massive influence that the 1931 Universal version of Dracula had on the subsequent adaptations of Stoker’s truly iconic novel. I honestly don’t believe that the character would the same without Bela Lugosi’s truly magnificent central performance, as seen here. Sure, I’m less than convinced about the ending, but most of Tod Browning’s adaptation is a feast for the eyes and pulpy horror classic.

Stairway to heaven?

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Grant Morrison’s Seven Soldiers of Victory: Frankenstein (Review/Retrospective)

December is “Grant Morrison month” here at the m0vie blog, as we take the month to consider and reflect on one of the most critically acclaimed (and polarising) authors working in the medium. We’ve got a special treat for you this week, which is “Seven Soldiers Week”, so check back each day for a review of one of the Seven Soldier miniseries that Morrison put together.

Sometimes we all get too caught up in Morrison’s wonderful symbolism, mysticism and deeper meaning. Sometimes comic books don’t need to be anything more than a ridiculous premise executed in wonderful style. The covers to this miniseries tell you all you need to know, as does the opening splash page, featuring the monster striding into action as an off-screen character declares, “Die, Frankenstein, die!” You know you’re in for a wonderful high-concept action adventure which isn’t going try to be anything more than effortlessly cool. It’s moments like this which remind you, quite simply, that Grant Morrison loves comics, just as much as you and I do.

Words cannot describe how awesome this is...

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Non-Review Review: Targets

Targets still feels quite a bit ahead of its time, which is quite something for a film intended to transition between the classic horror monster movies and the more sinister and grounded modern horrors. Indeed, Boris Karloff’s last starring role seems to prefigure a shift in the type of horror movies flooding the cinemas, years ahead of the more iconic and mundane “slasher” icons who succeeded Dracula and Frankenstein as the monsters at the matinée. Targets is an intriguing and remarkable little film, charmingly understanded and perhaps appealing for the lack of pomp it attempts to generate.

The horror!

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Non-Review Review: Jane Eyre

This latest in the long line of Jane Eyre adaptations stands quite well among them. My better half, whom I readily defer to in matters of culture (if not, sadly, also taste), assures my that it represents a relatively faithful and incredibly thorough exploration of the classic gothic romance, condensed down into a relatively short two-hour-and-ten-minute film. It really is a well-made film, produced with genuine skill and class from everybody on board, and I’d go so far as to suggest that the few problems I had with it stemmed directly from its source material.

Love is in the Eyre...

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What Measure is a Monster? or Sympathy for the Devil…

I loved Super 8. It was just a wonderfully made coming-of-age tale that paid excellent homage to those old Spielberg films (even those he produced, like The Goonies, not just the ones he directed). However, as I got thinking about the film, and the plot that focuses on a rather ugly-looking alien escaped from government custody, I did find myself somewhat conflicted in what to make of the menace. Was it a poor victim of torture and inhumane treatment at the hands of the United States military, or was it a genuinely evil creature that deserved to be put down? It’s interesting how Abrams manipulates us into feeling sympathy for the creature, despite the fact it tends to feast on innocent human flesh.

Well, it's certainly alien...

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Non-Review Review: The Wolfman

The Wolfman was clearly intended to kickstart a relaunch of Universal’s Monster Movie franchises, updating them for a whole new generation of movie-goers. It was intended to call back to a whole generation of horror films, starring Lon Chaney and Boris Karloff and so on. However, director Joe Johnston’s attempt to update the monster movie for a new generation is a muddled affair, simple and straight-forward, but clouded with unnecessary blood, gore and CGI.

No escape claws...

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The Monster Movie Genre – It’s Aliiiiive!

Well, if Hollywood is going to aggressively continue its campaign of remakes in a 3D era, I suppose there are worse genres to resurrect than the old “Universal Monster Movie” horror sub-genre. We really should have seen this coming with the impending release of The Wolf Man later in the year, but there are confirmed remakes of The Bride of Frankenstein and The Creature from the Black Lagoon in the works. It seems that Hollywood is as keen to cannibalise its trashy glories as it is to remake its celluloid classics.

Something fishy's going on...

Something fishy's going on...

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