• Following Us

  • Categories

  • Check out the Archives









  • Awards & Nominations

Star Trek: Enterprise – Carbon Creek (Review)

Next year, Star Trek is fifty years old. We have some special stuff planned for that, but – in the meantime – we’re reviewing all of Star Trek: Enterprise this year as something of a prequel to that anniversary. This April, we’re doing the second season. Check back daily for the latest review.

Although it was the second episode of the season broadcast, Carbon Creek was the first episode of the second season produced.

There are a variety of reasons for this. The fact that it only featured three primary cast members would have meant that everybody else got a little extra vacation time. With a lot of location shooting and a production design outside the Star Trek norm, it likely made sense to get it out of the way first. From a budgeting and production standpoint, the show likely benefited from a bit more time than episodes like Shockwave, Part II or Minefield.

"We come in peace...

“We come in peace…”

However, even outside of these pragmatic production concerns, Carbon Creek helps to set the tone for the second season of Star Trek: Enterprise. It is a largely nostalgic and romantic exercise, a rather light stand-alone episode that feels like it wallows in the iconography and conventions of Star Trek. Indeed, the teleplay is credited to Chris Black, the only new writer to survive the writing staff departures that Mike Sussman jokingly referred to as “purges.”

Black is in many respects the first “native” Enterprise writer – the first writer to last more than a season who had not worked on Star Trek: Voyager. As such, it seems only appropriate that he should set the tone for the season ahead.

Vulcan hustle...

Vulcan hustle…

Continue reading

Star Trek: Enterprise – Shockwave, Part II (Review)

Next year, Star Trek is fifty years old. We have some special stuff planned for that, but – in the meantime – we’re reviewing all of Star Trek: Enterprise this year as something of a prequel to that anniversary. This April, we’re doing the second season. Check back daily for the latest review.

Shockwave, Part I was one of the stronger episodes of the first season of Star Trek: Enterprise.

Shockwave, Part II is not one of the stronger episodes of the second season of Star Trek: Enterprise.

"Tell me how many seasons we get!"

“Tell me how many seasons we get!”

Continue reading

Star Trek: Enterprise – Season 1 (Review)

Next year, Star Trek is fifty years old. We have some special stuff planned for that, but – in the meantime – we’re reviewing all of Star Trek: Enterprise this year as something of a prequel to that anniversary. This January, we’re doing the first season. Check back daily for the latest review.

The first season of Star Trek: Enterprise is caught at a crossroads.

On the hand, it needs to be something new and exciting. The first Star Trek show of the new millennium, Enterprise has to find a way of updating the franchise and pushing forward. It has to find a way to challenge audience expectations and demonstrate that – after fourteen consecutive years and twenty-one overlapping seasons – Star Trek still has something fresh and exciting to offer fans. After all, the television landscape had changed significantly since the late eighties. It was time for Star Trek to change with it.

ent-brokenbow3

On the other hand, there’s a clear desire to seek familiar comforts. Star Trek has been on the air consistently for over a decade now. That wouldn’t be the case if the franchise didn’t have its own merits. There’s a sense that the first season of Enterprise is drawn to the idea that it can keep doing what worked before, offering generic Star Trek stories with a new cast and a new theme tune. This is still Star Trek, after all. There’s nothing gained by changing it to the point where it is unrecognisable.

Throughout the first season, these two impulses seem to be at odds with one another, leading to a surreal sense of whiplash. Episodes that feel as unique as Breaking the Ice, Dear Doctor or Shuttlepod One sit alongside generic shows like Civilisation, Sleeping Dogs or Rogue Planet. The show frequently pushes itself in interesting directions, only to pull relent as it approaches the point of committal. The result is a first season that is uneven, but intriguing, one that has great potential – if not necessarily the will to fulfill it.

ent-shockwavepart1m Continue reading

Star Trek: Enterprise – Shockwave, Part I (Review)

Next year, Star Trek is fifty years old. We have some special stuff planned for that, but – in the meantime – we’re reviewing all of Star Trek: Enterprise this year as something of a prequel to that anniversary. This January, we’re doing the first season. Check back daily for the latest review.

Re-watching a television show with the benefit hindsight is a particularly intriguing experience. Knowing that certain plot lines or character threads will or won’t pay off can be a liberating experience. While a disappointing ending to a particular story can undermine a lot of what came before, foreknowledge of the inevitable anticlimax allows the viewer to manage their expectations and temper their enthusiasm. It stops the viewer from getting too involved with threads that lead to dead ends, and heightens appreciations for those that pay dividends.

The Temporal Cold War plot on Star Trek: Enterprise never went anywhere. This is rather obvious in hindsight, given that it has been a decade since the end of the show. However, it’s worth acknowledging that many viewers correctly predicted as much on the initial airing of Broken Bow in late 2001. None of the questions raised will be answered, none of the plot threads will be resolved. It will just sit there, nestled snugly in the heart of this Star Trek spin-off, possibly embodying the show’s unfulfilled potential.

Enterprise isn't quite going to make it to seventh (season) heaven...

Enterprise isn’t quite going to make it to seventh (season) heaven…

While the Temporal Cold War lacks a clear resolution, it does provide the impetus for some pretty good storytelling on its own terms. In many respects, the plot works best when it exists as a driving force in the background of an episode – rather than being pushed to the fore. This is probably why Cold Front and Shockwave, Part I work much better than episodes like Shockwave, Part II – episodes that use the Temporal Cold War as a jumping off point to character work and development, rather than an end of itself.

Shockwave, Part I is notable for ending the first season of Enterprise on a cliffhanger. This was the first time that the opening season of a Star Trek had show had closed on a cliffhanger. The other shows closed out their freshman season with open-ended stand-alone stories, with the last episodes in the first seasons of Star Trek: Deep Space Nine and Star Trek: Voyager emphasising how far their cast had come. In contrast, Shockwave, Part I closes the first year of Enterprise on an honest to goodness “to be continued.” And a good one at that.

Seeking a friend at the end of the world...

Seeking a friend at the end of the world…

Continue reading

Star Trek: Enterprise – Two Days and Two Nights (Review)

Next year, Star Trek is fifty years old. We have some special stuff planned for that, but – in the meantime – we’re reviewing all of Star Trek: Enterprise this year as something of a prequel to that anniversary. This January, we’re doing the first season. Check back daily for the latest review.

To be fair to Two Days and Two Nights, the episode itself isn’t a bad idea.

The stronger episodes of the first season have been those willing to allow the cast a bit of room to define their characters, luxuriating in the human side of mankind’s first real adventure to the stars. Episodes like Breaking the IceCold Front and Shuttlepod One were all built around character moments and interactions, featuring relaxed plotting that left room for the cast to develop their roles.

"So I'm coolin' at a bar, and I'm lookin' for some action.  But like Mike Jagger said, I can't get no satisfaction."

“So I’m coolin’ at a bar, and I’m lookin’ for some action.
But like Mike Jagger said, I can’t get no satisfaction.”

In theory, Two Days and Two Nights does the same thing. Essentially a “holiday episode”, the show features the senior staff of the Enterprise taking two days of vacation time on the surface of Risa. A series of loosely-connected adventures ensue, following members of the main cast as they try to take a break from it all. No points for guessing that very few members of the crew actually get the relaxing vacation they had hoped for.

The problem is that the plot threads all feel a little tired and awkward, coalescing into a Star Trek comedy episode that simply isn’t funny.

It all falls down...

It all falls down…

Continue reading

Star Trek: Enterprise – Fallen Hero (Review)

Next year, Star Trek is fifty years old. We have some special stuff planned for that, but – in the meantime – we’re reviewing all of Star Trek: Enterprise this year as something of a prequel to that anniversary. This January, we’re doing the first season. Check back daily for the latest review.

Fallen Hero works quite well. While it isn’t sturdy or tight enough to stand with the very best of this first season, it is an engaging diplomatic thriller elevated by a fantastic guest performance, a nice focus on T’Pol and a surprisingly warm approach to the Vulcans. Easily the strongest episode between Shuttlepod One and Shockwave, Fallen Hero is a solid adventure that offers a glimpse of a more promising future.

I'll drink to that...

I’ll drink to that…

Continue reading

Star Trek: Enterprise – Vox Sola (Review)

Next year, Star Trek is fifty years old. We have some special stuff planned for that, but – in the meantime – we’re reviewing all of Star Trek: Enterprise this year as something of a prequel to that anniversary. This January, we’re doing the first season. Check back daily for the latest review.

Vox Sola is a rather sedate late-season instalment of Star Trek: Enterprise. Largely designed as a bottle show, Vox Sola has a rake of interesting ideas, but doesn’t offer any particularly insightful exploration. The alien creature of the week is unique and distinctive, but the episode constructed around it feels rather lacklustre. There’s a sense of late-season fatigue at work here, with Vox Sola feeling rather like a more low-key variation on the strange-space-phenomena-of-the-week story template that Star Trek: Voyager would use routinely.

"It's alive!"

“It’s alive!”

Continue reading

Star Trek: Enterprise – Detained (Review)

Next year, Star Trek is fifty years old. We have some special stuff planned for that, but – in the meantime – we’re reviewing all of Star Trek: Enterprise this year as something of a prequel to that anniversary. This January, we’re doing the first season. Check back daily for the latest review.

Detained is well-meaning, if a little clumsy and awkward.

It is a rather conscious effort to do a “message show” in the grand tradition of the Star Trek franchise, using the show’s science-fiction premise to offer a commentary on current events. Detained is very clearly structured as a response to the 9/11 attacks, even if Archer only explicitly references the internment of Japanese Americans at Manzanar. Detained is full of interesting ideas, and its heart is in the right place, but the execution feels decidedly rushed and haphazard. Detained works much better as a two-line moral than it does as a forty-five minute episode of television.

You can't call him Al...

You can’t call him Al…

Continue reading

Star Trek: Enterprise – Oasis (Review)

Next year, Star Trek is fifty years old. We have some special stuff planned for that, but – in the meantime – we’re reviewing all of Star Trek: Enterprise this year as something of a prequel to that anniversary. This January, we’re doing the first season. Check back daily for the latest review.

Oasis is an interesting story.

It was also an interesting story that time it was produced as Shadowplay during the second season of Star Trek: Deep Space Nine.

Ghosts of Star Trek's past...

Ghosts of Star Trek’s past…

Continue reading

Star Trek: Enterprise – Acquisition (Review)

Next year, Star Trek is fifty years old. We have some special stuff planned for that, but – in the meantime – we’re reviewing all of Star Trek: Enterprise this year as something of a prequel to that anniversary. This January, we’re doing the first season. Check back daily for the latest review.

Acquisition feels like a misstep for the first season of Star Trek: Enterprise.

It’s not the worst episode of the season. In fact, it falls rather comfortably into the show’s “big middle” – the random and generic episodes that take Star Trek clichés and execute them in a competent manner while overlooking the opportunity to do something a bit more novel and exciting. Acquisition ranks with failures like Civilisation or Sleeping Dogs or Rogue Planet. It is competently executed and contains a few moments of merit, but there’s a feeling that this has all been seen before.

"Take us to your leader."

“Take us to your leader.”

Of course, Acquisition serves to foreground a number of pressing concerns about the production of Enterprise. It’s something of a lightening rod to certain aggressive elements of fandom. Bringing back the Ferengi for a guest appearance proves that the show is more of a prequel to Star Trek: The Next Generation than to the original Star Trek. Glossing over continuity issues by refusing to name these marauding aliens demonstrates that the show clearly doesn’t care about continuity at all. Trying to do a comedy episode featuring the Ferengi demonstrates the producers have no idea what does and doesn’t work in Star Trek production.

All of this is, of course, nonsense. Acquisition isn’t a bad episode because it plays with continuity, or because it features the Ferengi. It’s a bad episode because it’s a comedy adventure that isn’t particularly funny or exciting.

"Hey, at least we got here before the Borg..."

“Hey, at least we got here before the Borg…”

Continue reading