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Star Trek: Enterprise – Shockwave, Part I (Review)

Next year, Star Trek is fifty years old. We have some special stuff planned for that, but – in the meantime – we’re reviewing all of Star Trek: Enterprise this year as something of a prequel to that anniversary. This January, we’re doing the first season. Check back daily for the latest review.

Re-watching a television show with the benefit hindsight is a particularly intriguing experience. Knowing that certain plot lines or character threads will or won’t pay off can be a liberating experience. While a disappointing ending to a particular story can undermine a lot of what came before, foreknowledge of the inevitable anticlimax allows the viewer to manage their expectations and temper their enthusiasm. It stops the viewer from getting too involved with threads that lead to dead ends, and heightens appreciations for those that pay dividends.

The Temporal Cold War plot on Star Trek: Enterprise never went anywhere. This is rather obvious in hindsight, given that it has been a decade since the end of the show. However, it’s worth acknowledging that many viewers correctly predicted as much on the initial airing of Broken Bow in late 2001. None of the questions raised will be answered, none of the plot threads will be resolved. It will just sit there, nestled snugly in the heart of this Star Trek spin-off, possibly embodying the show’s unfulfilled potential.

Enterprise isn't quite going to make it to seventh (season) heaven...

Enterprise isn’t quite going to make it to seventh (season) heaven…

While the Temporal Cold War lacks a clear resolution, it does provide the impetus for some pretty good storytelling on its own terms. In many respects, the plot works best when it exists as a driving force in the background of an episode – rather than being pushed to the fore. This is probably why Cold Front and Shockwave, Part I work much better than episodes like Shockwave, Part II – episodes that use the Temporal Cold War as a jumping off point to character work and development, rather than an end of itself.

Shockwave, Part I is notable for ending the first season of Enterprise on a cliffhanger. This was the first time that the opening season of a Star Trek had show had closed on a cliffhanger. The other shows closed out their freshman season with open-ended stand-alone stories, with the last episodes in the first seasons of Star Trek: Deep Space Nine and Star Trek: Voyager emphasising how far their cast had come. In contrast, Shockwave, Part I closes the first year of Enterprise on an honest to goodness “to be continued.” And a good one at that.

Seeking a friend at the end of the world...

Seeking a friend at the end of the world…

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Star Trek: Enterprise – Cold Front (Review)

Next year, Star Trek is fifty years old. We have some special stuff planned for that, but – in the meantime – we’re reviewing all of Star Trek: Enterprise this year as something of a prequel to that anniversary. This January, we’re doing the first season. Check back daily for the latest review.

It is customary, these days, for television shows to map out their mythologies years in advance. Depending on when you ask him, executive producer Bryan Fuller boasts of having a six- or seven-year plan for Hannibal, despite the fact that the show spends each cancellation period on the bubble line for NBC. Indeed, the move away from the standard television pilot format means that shows are encouraged to have long-form plots and arcs mapped out.

However, that isn’t always the case. The X-Files was very much made up as it went along, with little real thought put into how the show’s sprawling alien mythology hung together beyond the immediate future. Even heavily serialised shows like Lost or 24 were plotted as they went along, with plans radically changing as the show evolved. Unlike film, where you (mostly) need a finished story before you start filming, television is a medium where you don’t really need an ending in mind as you begin telling the story.

There's a lot on the (time) line...

There’s a lot on the (time) line…

So it really shouldn’t be a surprise that Star Trek: Enterprise introduced the idea of the “Temporal Cold War” without any real idea of how the story was meant to develop or conclude. Although structured as something of a serialised arc among a (mostly) episodic couple of seasons, the Temporal Cold War is something that makes very little sense in the context of the show. Even years after the fact, the Temporal Cold War is a mystery, with Brannon Braga casually dropping the reveal that, well… Archer did it.

Of course, that plot development doesn’t make a lot of sense… but that’s par for the course. It is very hard to tie the various Enterprise time travel episodes together into a logical and cohesive narrative. Cold Front doesn’t even bother to answer questions immediately relevant to its own narrative, let alone hint at logical future developments for the series’ recurring time-travel plot line. It’s a story that seldom makes sense within individual episodes, let alone when they are strung together.

In space, all warriors are (temporal) cold warriors...

In space, all warriors are (temporal) cold warriors…

And yet, despite that, Cold Front is a pretty great episode. Part of that is down to the Temporal Cold War plot line, with Cold Front introducing a welcome sense of ambiguity to the conflict and selling the idea that Archer has wandered into something much larger than he can comprehend. On an otherwise quiet mission, Enterprise finds itself embroiled in a conflict between two forces that Archer does not fully understand, as if the ship and its crew have found themselves engaged on one front of a war in heaven.

However, Cold Front works just as well with the elements that exist outside the Temporal Cold War. As with Breaking the Ice, the episode plays like a regular day on board the Enterprise, as Archer and his crew find themselves welcoming religious pilgrims on board and making friendly first contact as they gather to watch some beautiful interstellar phenomenon. It’s an episode that draws attention to the quiet wonder and majesty of deep space exploration, elegantly and effectively.

Hang on in there...

Hang on in there…

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