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72. RoboCop – This Just In/Easter Sunday/April Fool’s Day 2018 (#∞)

Hosted by Andrew Quinn and Darren Mooney, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every Saturday at 6pm GMT, with the occasional bonus episode thrown in.

This time, an Easter treat and a new entry: Paul Verhoeven’s RoboCop.

In an apocalyptic Detroit, a giant corporation announces its plans to privatise local law enforcement. In order to further this end, the company announces plans for a cybernetic law enforcement official. All that they need is a volunteer.

At time of recording, it was ranked the ∞th best movie of all time on the Internet Movie Database.

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Doctor Who: Planet of the Dead (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

Planet of the Dead originally aired in 2009.

Hello, I’m the Doctor. Happy Easter!

– the Doctor sets the mood

Planet of the Dead is light-weight Doctor Who. That wouldn’t normally be a problem. In fact, there’s a significant portion of each season devoted to light-weight run-around adventures. The problem is that it didn’t air as part of a season. It aired as the first piece of Doctor Who since Christmas and the next aired around Halloween. This was something of an attempt to tide fans over, to remind everybody that Doctor Who was still on the air while Steven Moffat and Matt Smith prepared to take over the TARDIS, the BBC got used to filming in HD and David Tennant pursued his career beyond the show.

As a result, the special feel a little funny. In a way, they seem like an attempt to truncate a standard season of Davies’ Doctor Who. The Next Doctor fits the mould of Christmas special quite well. It even snows! The Waters of Mars is the darker second two-parter of the season, dealing with bigger ideas and adult fears. The End of Time is very much a spiritual successor to Journey’s End. All of this is a way of pointing out that Planet of the Dead is clearly designed to serve as the bombastic family-friendly adventure two-parter that typically aired after the first two episodes of a given season.

As such, the logical point of comparison is Rise of the Cybermen, The Sontaran Stratagem or Daleks in Manhattan. Indeed, Planet of the Dead is conspicuous for its gratuitous location shooting; the last time the production team went abroad to film a story was Daleks of Manhattan, even if the cast stayed at home that time. The problem is that those light two-parters are tolerable in the context of a longer series. On its own, Planet of the Dead is far from satisfying.

Egging him on...

Egging him on…

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Doctor Who: Blink (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

Blink originally aired in 2007.

But listen, your life could depend on this. Don’t blink. Don’t even blink. Blink and you’re dead.

– the Doctor

Like Love and Monsters, Blink is a “Doctor-lite” episode, an effective time- and money-saving measure from the show’s production staff, built around filming an episode that requires the minimal involvement from the lead actors. Also like Love and MonstersBlink is an episode of Doctor Who that is about Doctor Who.

Granted, Steven Moffat’s script doesn’t engage with fandom as directly as Russell T. Davies did. Here, the fans trying to find their own meaning in the show are the anonymous net-izens on forums and fan sites, rather than a friendly group of eccentric individuals enriched by contact with one another.

While Love and Monsters is about how Doctor Who fandom tends to serve to unite diverse people beyond an interest in Doctor Who itself, forming bonds that become more significant and important than the interest in the show, Blink is very much a story about trying to make sense of the show itself.

Rocking the boat...

Rocking the boat…

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Non-Review Review: Rise of the Guardians

Rise of the Guardians might be the best-looking addition to the Dreamworks canon. It’s a visual feast, a testament to the imaginations of those working behind the scenes, with a vivid visual aesthetic that is often breathtaking. Even with the colours toned down by the 3D glasses, it still looks good, and the particles of snow and dust lends themselves to an immersive 3D presentations. The cast is also charming bringing the titular fairy tale team to life, with a wonderful group dynamic  and an enthusiasm that’s hard to dismiss.

Just in the Nick of time!

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