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Y: The Last Man – The Deluxe Edition, Book V (Review)

In an effort to prove that comic books aren’t just about men in spandex hitting each other really hard, this month I’m reviewing all of Brian K. Vaughan’s superb Y: The Last Man. In April, I took a look at all the writer’s Ex Machina.

You know, I think I’m not entirely sure what to make of the conclusion to Brian K. Vaughan’s superb Y: The Last Man, which wraps up here after sixty issues. It’s strange, as if the saga wraps up almost more than I expected, while still remaining the wonderfully intimate adventure that roped me in from the start.

Colour me sad that it's coming to an end...

Note: As we’re reaching the end, expect spoilers. Lots of them. And big ones too. If you want a recommendation… well, go read one of the earlier reviews, or just pick up the first collection and give it a shot.

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Green Lantern’s Light: Why I’m Holding Out For a Hero…

You know, I’m actually really impressed with how this summer’s slate of superhero-themed blockbusters are coming together. Despite fears about market saturation, I honestly think that the four big pictures this summer offer enough distinct flavour to avoid generation some superhero fatigue coming in. X-Men: First Class is a Cold War Civil Rights action adventure. Thor the story of a god, humbled. Captain America: The First Avenger is a bit of pulpy history set against a World War II backdrop. Green Lantern is an epic space opera about an intergalactic police squad. There’s enough variety there that it isn’t just wave after wave of people in silly costumes.

Still, Green Lantern holds particular interest to me. It’s been interesting to watch the buzz on-line, following the seemingly disappointed first trailer through the four minutes of footage from Wonder Con towards the well-received second and third trailers. Still, my affection for the character and the movie aren’t necessarily drawn from Warner’s publicity campaign.

You see, Green Lantern was really the character that introduced me to modern comics.

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Y: The Last Man – The Deluxe Edition, Book I (Review/Retrospective)

In an effort to prove that comic books aren’t just about men in spandex hitting each other really hard, this month I’m reviewing all of Brian K. Vaughan’s superb Y: The Last Man. In April, I took a look at all the writer’s Ex Machina.

Alas, poor Yorick! I knew him, Horatio, a fellow of infinite jest, of most excellent fancy. He hath bore me on his back a thousand times, and now how abhorr’d in my imagination it is! My gorge rises at it.

Hamlet, Act V, Scene I

Y: The Last Man is perhaps a triumph of comic book story telling. Told over the course of sixty issues, it’s the story of (as the title implies) the last human male on the planet following the death of every other male mammal (save his monkey) in a mysterious plague. It’s not necessarily the most original idea – in fact, it brings to mind Frank Herbert’s The White Plague (although in that case it was a plague which killed all the women) – but it’s a well told story by author Brian K. Vaughan. Indeed, his work here would see him hired as a writer on Lost, perhaps the strongest affirmation that a multi-layere pop culture author can aspire to. All told, Y: The Last Man is a smart, fascinating a bold comic book narrative which perhaps demonstrated to the mainstream what geeks like us have known for years: superheroes aren’t the only thing in comic books.

Trying to figure out "Y"...

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Ultimate Comics: Thor (Review/Retrospective)

With the release of Marvel’s big-budget superhero action movie Thor this summer, we’re taking a month to celebrate the God of Thunder. Check back each Wednesday for a Thor-related review.

“It burns,” Thor tells us as the comic opens. “The world tree burns… Surely this is the end of all things…” Yes, Jonathan Hickman suggests, it is indeed the end, but it is also the beginning. The lives of gods, like the myths themselves and the comic books they inspire, are cyclical and endless. This scene, as Nazi stormtroopers and frost giants march on Asgard, might be the end, but it is also the beginning.

Thor Smash!

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Thor & Loki: Blood Brothers (Review/Retrospective)

With the release of Marvel’s big-budget superhero action movie Thor this summer, we’re taking a month to celebrate the God of Thunder. Check back each Wednesday for a Thor-related review.

One of the slew of hardcovers released to coincide with Kenneth Branagh’s epic adaptation of the classic Marvel comic book Thor, Thor & Loki: Blood Brothers is basically just a repackaging of the classic four issue Loki miniseries written by Robert Rodi and painted by Esad Ribic in the nineties. Much like Lex Luthor: Man of Steel, the miniseries was repackaged with a slew of extras and re-released in order to capitalise on a hungry market place. (Luthor, as it was rebranded, was released after the success of the another villain-themed graphic novel from the same creative team, the superb Joker). Still, despite the fact that the “Thor &” part of the title was just stuck on there to tie the book to the film, it’s a lovely little story which perfectly captures a lot of the charm and appeal that the Norse backdrop offers to epic comic book stories.

Commander and (mis)chief...

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Ex Machina: The Deluxe Edition – Volume IV (Review)

In an effort to prove that comic books aren’t just about men in spandex hitting each other really hard, this month I’m reviewing all of Brian K. Vaughan’s superb Ex Machina. And in June, I’ll be reviewing his Y: The Last Man.

What’s weird about the fourth ane penultimate volume of Brian K. Vaughan and Tony Harris’ superb superhero political science fiction mish-mash comic book is simple how much fun it is. I’m not suggesting for a moment that the first three volumes were anything less than superb, but there’s a sense of playfulness in this volume which just makes it seem like the creators are have the time of their lives. I was worried after the last volume that the underlying “conspiracy” story would overwhelm the saga as it reached completion, but it’s still just as fascinating and unpredictable as it was back when it began.

Justice for all?

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Ex Machina: The Deluxe Edition – Volume III (Review)

In an effort to prove that comic books aren’t just about men in spandex hitting each other really hard, this month I’m reviewing all of Brian K. Vaughan’s superb Ex Machina. And in June, I’ll be reviewing his Y: The Last Man.

We’re at the half-way point in this saga of the superhero mayor of New York City, so that means that Vaughan and Harris are turning things up a few notches. The three central threads of the series – Mayor Hundred’s time in office, his history as a superhero and the conspiracy surrounding his origin – are beginning to intertwine and collide in a variety of interesting ways. Being entirely honest, I’ve always been a bit skeptical about how the series hopes to balance all these different elements, particularly with a relatively short run of fifty issues. As things begin to move to a head, it becomes clear which of these particular threads that Vaughan is going to focus on.

Talk about catching the bus...

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Ex Machina: The Deluxe Edition – Volume II (Review)

In an effort to prove that comic books aren’t just about men in spandex hitting each other really hard, this month I’m reviewing all of Brian K. Vaughan’s superb Ex Machina. And in June, I’ll be reviewing his Y: The Last Man.

It’s interesting how times change. Ex Machina was originally published in August 2004, written by a New Yorker as something of a response to the terrorist attacks of 9/11. It’s an exploration of a time when the country needed heroes and figureheads more than it needed politicians and diplomats. Is a superhero in Gracie Mansion any more insane than a cowboy in the White House? However, reading it now it’s interesting to see the similarities between Vaughan’s protagonist, the Honorable Mayor Mitchell Hundred, and Barack Obama. It’s the sign of a good storyteller that the tale remains relevant years after initial publication. It’s the sign of a great storyteller that the tale becomes even more relevant in the years that follow.

He's got the whole world, in his hands...

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Ex Machina: The Deluxe Edition – Volume I (Review)

In an effort to prove that comic books aren’t just about men in spandex hitting each other really hard, this month I’m reviewing all of Brian K. Vaughan’s superb Ex Machina. And in June, I’ll be reviewing his Y: The Last Man.

I don’t think that any creator has had quite the success of Brian K. Vaughan when it comes to original comic book series over the past decade (okay, maybe Robert Kirkman). Both of his famous original books recently came to a close after runs of over fifty issues each, and are both being collected in superb deluxe editions. Ex Machina doesn’t quite have the same dramatic hook or clarity of focus as Y: The Last Man does, but that’s not to say that it isn’t a stunning example of pulp fiction – wonderfully well-written social fantasy which is cleverly observed and even more smartly constructed.

All cogs in The Great Machine...

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Does Whatever a Spider Can: How Sam Raimi “Got” Spider-Man…

This is a post as part of “Raimi-fest”, the event being organised by the always wonderful Bryce over at Things That Don’t Suck.

Watching all three of Sam Raimi’s Spider-Man trilogy back-to-back, it becomes increasingly obvious that the director harbours an honest and genuine affection for the source material. In fairness, it’s hard to believe that the cult director seemed like a safe option for a multi-million dollar movie franchise, but it worked out remarkably well – just look at the box office figures and the critical acclaim (of at least the first two films). So what is it about Raimi that really “clicks” with Spider-Man? How does the director get the character so well?

Goblin it all up…

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