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Getting Animated – The Revival of Old-Fashioned Animation?

We live in the era of 3D and CGI. I remember back in they day there were worries and complaints by all the unions in Hollywood that the advent of perfect CGI would mean the end of actors in Hollywood – why pay Jim Carrey $20m a film when you can create a character for a fraction of that? Needless to say it hasn’t happened yet and I doubt it will. Hollywood and movies have always been the land of personalities. Get rid of those personalities and you have very little. It isn’t the antics of directors and writers that fuel the tabloid industry. So it’s logical that the part of the industry that has been most threatened by the marching on of science is the one where there is already minimal personality. I speak of course of the death of 2D animation. Although I hope I’m being premature – there have been two stories in the past 24 hours that indicated that old-fashioned non-live action films may not be quite dead.

Just a fraction less sophisticated than the animation Wes Anderson employs...

Just a fraction less sophisticated than the animation Wes Anderson employs...

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Non-Review Review: Kung-Fu Panda

There’s nothing like a nice relaxing movie that you can cuddle up on the couch and just enjoy. Another testament to what was a fantastic summer last year, Kung Fu Panda may not have been the best animated film of the year – that honour goes to Wall-E – but it was still a fun, enjoyable and lively romp which should leave you smiling for most of the runtime.

Everybody was Kung-Fu fighting...

Everybody was Kung-Fu fighting...

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The Once and Future King (Kong)…

Wow, looks like those monster movie revivals show no signs of abating. King Kong is apparently next in line, getting the prequel treatment. There’s apparently an adaptation of a book Kong: King of Skull Island. It seems a rather quick revival for Kong, who seems to go through thirty-to-forty-year cycles of popularity.

Quit Monkeying Around...

Quit Monkeying Around...

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The Magic of Pixar

How do Pixar continue to do it? Of the ten films they have produced so far, nearly all are considered animated classics (though I remain skeptical of A Bug’s Life). Somehow the company seems to have found a way to not only compress the whole spectrum of human emotion (though it has been suggested that they do better with loss and depression than triumph and love), and distill these precious elements into a technically marvelous computer-animated form. With Up seemingly continuing the trend, how can they continue to do it?

Carl knew it wouldn't all be plane sailing...

Carl knew it wouldn't all be plane sailing...

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