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Non-Review Review: Talladega Nights – The Ballad of Ricky Bobby

Talladega Nights: The Ballad of Ricky Bobby is not as good as Anchorman. That said, this reunion of Will Ferrell with Adam McKay has its charm – helped along by the fact that its comedy is framed inside a wonderful little story, and acted out by all manner of skilled performers. I think, if anything, the movie stands as a testament to the huge difference that a sympathetic and engaging protagonist and strong supporting cast can make to a comedy.

A breath of fresh air...

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GoSave Deals…

The guys over at Simply Zesty sent this link on, and it’s something close to my better half’s heart, so I thought I’d share it. Basically, GoSave.ie is a website that runs deals on Irish businesses, and donates a certain percentage of their costs back to charity. It’s a very handy way of supporting the local economy, which is – understandably – a source of concern for many people in this day and age. If you’re Irish, and interested in this, you can check them out on Facebook here or by clicking the link below.

Note: I am sharing this link because I think it’s the kind of thing that might be important people viewing the blog, and I know that supporting local industry matters to some people very close to me in my personal life. I’m not earning or receiving anything in return for this post, nor does it represent a direct endorsement of the service – I’m merely sharing something that some readers might find interesting. It’s unfortunate that this sort of thing needs to be clarified, but it’s important that I am open and transparent with you, the reader, on why I post a link to a corporate website.

Non-Review Review: Wall Street

It’s interesting that Wall Street, a movie set in the time that it was made, begins with a titlecard reminding the audience that it’s 1985. Maybe it’s because director Oliver Stone realised that the movie would be dated almost as swiftly as it had been released – financial services are very much a product of their time, anchored in a specific moment. “By four o’clock, I’m a dinosaur!” one character exclaims over the phone as he tries to get information – information that will be redundant if he waits too long. However, I don’t think Wall Street is in anyway redundant. The current financial crisis suggests that – if anything – the original film is as relevant now as when it was released (and is the only reason I am not flat-out dreading the release of Wall Steet: Money Never Sleeps). No, I think that it is because, even in the midst of the decade that it was produced, Stone could see the movie would perfectly capture that moment in time. Seriously, despite the fact that its core ideas are as insightful as they were twenty-five years ago, the movie itself feels like the pure essence of the eighties distilled into a two-hour film. That titlecard isn’t there to remind viewers that this is a dated film, it serves as a stamp or a label. Not to say “this is set in 1985”, but “this is 1985″.

Gordon takes stock...

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Are Spin-Offs the New Sequels?

It seems that year-on-year, the cinemas are flooded with sequels to banal action movies. This year we have Iron Man 2, Shrek 4, Predators and Sex and the City 2, among others. It’s been that way for years. If you summer blockbuster isn’t an adaptation (of television show, novel, comic book, earlier film or even video game), chances are that it is a sequel (or a prequel). It makes shrewd business sense. Given the huge amount of money spent on these tentpoles ($150m for just the production budget, let alone other costs), so it feels somewhat safer to spend it on a known quantity. Franchises have built in fanbases, more merchandise, already had several DVD releases (which means more people are aware of it than casual cinema goers), which means a bigger audience, more awareness and more money. It can be quite exhausting, however, from a cinema goer prospective. However, Hollywood likes to innovate in its own insanely boring way. Much as they redefined cinema by bringing back a gimmick from the fifties, and turned the glut of sequels into prequels, it appears Hollywood has found a new way of generating money from established properties: the spin-off.

Think of the Gross, baby!

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