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Mighty Avengers: Dark Reign (Review/Retrospective)

April (and a little bit of May) are “Avengers month” at the m0vie blog. In anticipation of Joss Whedon’s superhero epic, we’ll have a variety of articles and reviews published looking at various aspects of “Earth’s Mightiest Heroes.”

Read our review of The Avengers here.

Dan Slott’s Mighty Avengers is so distinct from Brian Michael Bendis’ run on the second Avengers flagship book that it might as well have been a different title. Indeed, the name (and, arguably, the use of thought balloons) represent perhaps the only ties to the second major Avengers title. While still defined by it, the status quo has little to do with the aftermath of Civil War, and the lineup is markedly different. In a way, you could argue that Bendis and Slott had similar goals with the title: an attempt to tell more bombastic and traditional Avengers stories, with high stakes and a global focus, in contrast to the relatively “urban” feel of Bendis’ New Avengers. There’s no denying, however, that Slott handles the nostalgia and conventional superheroics with far more aplomb than his predecessor.

Not so Mighty...

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Brian Michael Bendis’ Avengers – Dark Avengers (Hardcover) (Review/Retrospective)

April (and a little bit of May) are “Avengers month” at the m0vie blog. In anticipation of Joss Whedon’s superhero epic, we’ll have a variety of articles and reviews published looking at various aspects of “Earth’s Mightiest Heroes.”

Dark Avengers actually reads quite well as a self-contained volume. It’s relatively short, running sixteen issues (fourteen of which are collected here, with the other two collected in Utopia) and an annual. It sits between two gigantic crossovers, Secret Invasion and Siege, so it isn’t as frequently derailed as Bendis’ New Avengers was (or even Mighty Avengers was). Instead, it feels like a nice little self-contained chapter in the epic superhero saga that Bendis has been writing for quite some time, dating back to the first issue of New Avengers, an exploration of the modern superhero myth in this cynic world so keen to deconstruct our idols in the wake of classics like Watchmen and The Dark Knight Returns. It’s not a perfect book, but it’s a clever and succinct summary of the themes the author has been exploring, in a fun and dynamic sort of way.

Maybe it should be called “Moodily-lit Avengers”…

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Brian Michael Bendis’ Avengers – New Avengers Vol. 5-6 (Hardcover) (Review/Retrospective)

April (and a little bit of May) are “Avengers month” at the m0vie blog. In anticipation of Joss Whedon’s superhero epic, we’ll have a variety of articles and reviews published looking at various aspects of “Earth’s Mightiest Heroes.”

You know, at this stage I’m wondering what an Avengers book might look that wasn’t plowing from one event (Secret Invasion), through another event (Dark Reign), towards yet another event (Siege). I actually quite enjoyed Bendis’ opening two arcs on New Avengers, before the book effectively became the primary tie-in to whatever big crossover event was happening in the Marvel Universe on a given month. It was Grant Morrison who once wrote that every panel in a comic book should be an event, and I agree – stand-alone series don’t gain any extra validity by tying themselves in to a big crisis crossover. Make the stories themselves compelling and worry about the “event” later.

The evil empire…

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Brian Michael Bendis’ Avengers – New Avengers Vol. 1-2 (Hardcover) (Review/Retrospective)

This is the first in a series of comic book reviews that will look at the direction of Marvel’s “Avengers” franchise over the past five or so years, as they’ve been attempting to position the property at the heart of their fictional universe. With The Avengers planned for a cinematic release in 2012, I thought I’d bring myself up to speed by taking a look at Marvel’s tangled web of continuity. Get an overview of what I’m trying to take a look at here.

Alright. I figure I sound a bit hypocritical complaining about the impact of big events on Marvel’s storytelling continuity without reading said big events. Well, actually, I don’t think I’m a hypocrite – I think it’s perfectly reasonably that a reader should be able to pick up Ed Brubaker’s Captain America without having to worry about Mark Millar’s massive Civil War crossover which they either don’t know enough to care about or know enough not to care about. However, I feel like maybe – just maybe – I should try to ride this “cross-continuity” thing out just once and see if the story somehow justifies the damage it causes to the cohesion of individual runs.  Yes, I’m going to jump head-first into the event-populated minefield of continuity which is recent Marvel history, and I will be using New Avengers as a checklist to that. I’m going down the rabbit hole, following the arc from Civil War through to Siege.

Sentry is responsible for the Carnage in this run...

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Ultimate Spider-Man – Vol. 10-11 (Hardcover) (Review)

This represents the final volume of Ultimate Spider-Man, the relaunch of the popular character created by marvel as a way of introducing the iconic webslinger to the those who might be understandably wary of the backstory and continuity tangles the character has found himself in (did you know the character sold his marriage to the devil?). It’s been a landmark run, and a popular one and – by any measure – a successful one. There’s a reason that this ‘reboot’, to borrow a cinematic term, was famous for outselling the mainstream titles. So, as it winds down, what do we think?

What a Shocker…

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Brian Michael Bendis’ Run on Ultimate X-Men – Vol. 4 (Hardcover)

Talk about a change of pace. Apparently it was originally conceived that Bendis would be in charge of both Ultimate Spider-Man and Ultimate X-Men during their run. Instead he’s spent almost a decade at this stage with the web-spinner, but he did migrate over to the sister title for a year at the end of Mark Millar’s run. The run is unfortunately too short to fully develop the potential of Bendis on the title, but it represents a massive upwards swing in the quality of the book from the crazy illogical and teen-angst-filled Millar run. It’s still far from a classic, but – read in the context of the entire series – it is perhaps a better representation of what Ultimate X-Men could have been.

And he still doesn't shave...

And he still doesn't shave...

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Ultimate Spider-Man – Vol. 4-6 (Hardcover)

It’s probably hard writing the same comic with the same artist for the bones of a decade. Setting things up years in advance only to have them pay off down the line, trying to put a new slant on an existing mythology while updating it for a new audience. This middle section of the Bendis/Bagley run on Ultimate Spider-Man isn’t necessarily bad per se, but it lacks the energy and reckless fun which defined the start of the run and the sense of resolution that approached at the end of the run. It just is.

Not that there’s anything wrong with that.

Your spidey-sense should be tingling...

Your spidey-sense should be tingling...

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Ultimate Spider-Man Collection (Hardcover Volumes #1-3) (Review/Retrospective)

In 2000, Marvel did something genuinely bold with one of its pop culture icons. Of course, the early part of the last decade saw a breath of fresh air at the House of Ideas, with iconic and influential (and occasionally iconoclastic) runs on books like New X-Men, Fantastic Four, Amazing Spider-Man, X-Statix, Punisher and other titles like Daredevil or Alias. However, the formation of the Ultimate line of comics was perhaps the most significant creative gamble taken at the time. The idea was simple, and the timing perfect. With Sam Raimi’s Spider-Man around the corner, and Bryan Singer’s X-Men proving that superheroes were the stuff of summer blockbusters, it seemed like a perfect opportunity to launch a line of books that would be easily accessible to new readers, free from decades of tangled continuity and plot developments.

And, appropriately enough, the character chosen to spearhead this new line was arguably Marvel’s most iconic character, Spider-Man.

spidey

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