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Batman: Whatever Happened to the Caped Crusader? (Review/Retrospective)

I guess… I guess I always knew that this was how it was going to end. That we didn’t have him forever. That one day someone would say, ‘Hey, Jim. Whatever happened to the Caped Crusader?’ I’d tell them. ‘Pretty much what you’d expect. He’s dead.’

I just didn’t think it would be today.

– Commissioner James Gordon

I actually quite enjoyed Neil Gaiman’s Whatever Happened to the Caped Crusader?, even if I wasn’t overly in love with it. The prospect of doing a final, definitive Batman story – one not anchored in a particular event, but designed to encapsulate the history of the Dark Knight – must be daunting. Even Alan Moore’s sensational Whatever Happened to the Man of Tomorrow? served as a fond farewell to one particular iteration of the Man of Steel. Gaiman’s “last ever” Batman story is a tad more ambitious, bidding goodbye to alliterations of the character. I’m not entirely convinced that it succeeds, although it makes a more than valiant effort.

Clowning around!

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Grant Morrison’s Run on Batman – Batman & Son, The Black Glove & Batman RIP (Review/Retrospective)

I want to love Grant Morrison’s run on Batman. I really do. And I quite possibly would if I didn’t feel like I wasn’t particularly welcome at this massive gala birthday bash. I’ve decided to review all of Morrison’s run on Batman – collected in the hardback editions of Batman & Son, The Black Glove, two chapters of The Resurrection of Ra’s Al Ghul and Batman R.I.P. – as one, because it is all one story. In fact, I’m sure it’ll turn out to be the opening salvo of a gigantic story that Morrison is weaving where it all ties together, but it might be so massive it’s impossible to review all at once. So, how do I feel after the first act?

Who says parenting isn't tough?

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Rest in Peace, Batman…

Batman – or at least Bruce Wayne – has been ‘dead’ for about a year now. He was famously killed off by Grant Morrison through some weird timey-wimey thing I don’t even want to get into. Anyway, it has been a year, and a year since the release of The Dark Knight and seventy years since the Caped Crusader first appeared. He’s come a long way since then and I thought it might be interesting to think about what his obituary might look like, if it were run in a news paper like The Guardian. Sure he’s coming back, but from what we saw last summer, The Gotham Times are all about publishing the premature obituaries. Anyway, here’s what I think it might look like…

Who says he never embraced the camp side of his life? And I bet he has all the accessories too...

Who says he never embraced the camp side of his life? And I bet he has all the accessories too...

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Random Thoughts on the Dark Knight Sequel…

We don’t know if Nolan’s coming back. We don’t know (though we doubt) if they’ll recast the Joker. We don’t know that Johnny Depp is the Riddler (though we know he’d like to be). We know nothing about the third film in the Batman trilogy.

Except know that there will be a third film.

You'll believe a man can glide...

You'll believe a man can glide...

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I’m a Grinner, I’m a Lover, I’m a Sinner…

… I’m a Joker, I’m a Smoker, I’m a Midnight Toker

What is it about the Joker that makes him such a great villain. He’s appeared in just about every media form where Batman has appeared since Batman #1 way back in 1940. He is one of only two villains to appear in both of the more recent Batman film franchises and he seems to be the only character in the history of the Batman family who has survived every era of the character unblemished. Be it the light comic relief of the Dick Sprang era reflected in the Adam West show (where Ceasar Romero is clearly wearing a mustache under his makeup), the darker sense of humour of the animated Joker voiced by Mark Hamill in The Animated Series through to the anarchist/nihilist terrorist portrayed by Heath Ledger in The Dark Knight – none of these incarnations are any less in character than any of the others. What is it about the Joker that makes him one of the great villains of our time?

The world's leading cause of coulrophobia...

The world's leading cause of coulrophobia...

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Non-Review Review: The Dark Knight

Even four years after is original release, The Dark Knight casts a pretty big shadow. Not only is it the best Batman movie ever produced, and easily one of the best stories to feature the character in any medium, it’s also a wonderful piece of cinema on its own terms. Christopher Nolan is an astounding craftsman, and one who constructed his superhero sequel without ever feeling the need to dumb down. The Dark Knight is a wonderfully effective and stunningly constructed piece of popcorn cinema, but it’s also the most profound and engaging (and, importantly, even-handed) meditations on the War of Terror that Hollywood has produced. It’s bold and accessible, but it’s also intelligent and engaging. More than an astoundingly impressive blockbuster, it’s just a superb piece of cinema.

It all goes up in flames…

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Launching The Dark Week – A Week of Batman Features…

It’s a year since The Dark Knight arrived on cinema screens, smashing various records and earning a massively positive critical and commercial reaction. The Bat himself turned seventy earlier this year and his influence over popular culture shows no sign of fading – even if Bruce Wayne is ‘dead’. Over the next week, to celebrate these two facts, we’ll be running a series of articles looking both at the film and the character – from a review of the film to a look at the iconic status of the Joker and why we love the Nolan franchise so much, as well as thoughts on where it might go next and an obituary for a character who has enjoyed an incredibly varied seventy-year existence in countless mediums.

All this stuff is pre-prepared, so it won’t interrupt our coverage of other pop culture happenings. In the meantime, what better way to kick off proceedings than with a review of The Dark Knight?

Not bad for an OAP...

Not bad for an OAP...

What Happens if Nolan Doesn’t Direct Batman 3?

Rumours are already circulating that Christopher Nolan may be calling it a day when it comes to his Batman franchise. Anonymous insiders – don’t you love ’em – are claiming the director has reached breaking point with the studio. Rumour has it that they want to recast The Joker and include him in the sequel, whereas Nolan is against the idea. It’s far too early to really start worrying about it – Nolan was initially reluctant to do a sequel to Batman Begins, for example. But, still, it’s a slow news day, so we’ll ponder it: What happens if Nolan doesn’t return?

There's no man like Nolan

There's no man like Nolan

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Non-Review Review: Batman Begins

Batman Begins has been somewhat overshadowed by the success of The Dark Knight, but Christopher Nolan’s original reimagining of the Batman mythos is a compelling and clever examination of one of pop culture’s most enduring icons. I think there’s a case to be made that Batman Begins represents the best superhero origin story ever told in film – and quite possibly the definitive introduction to Batman and his world. The key isn’t collecting bits of trivia to explain the finer details, although the script from the Nolan brothers and David Goyer certainly does that. Instead, Nolan dares to examine the psychology of Batman. Richard Donner’s Superman famously boasted that you’d believe a man could fly. Nolan makes you believe that a man would dress up as a giant bat to fight crime.

Swooping ahead of the competition…

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Green Lantern… The Other, Other Hot DC Comics Property

Everyone knows Batman and Superman. Those dudes – and their supporting casts – are the nearly the only ambassadors for DC Comics to the world of mainstream cinema. With the exception of the odd stand-alone project, such as Watchmen or Road to Perdition, DC seems to be having a hardtime transitioning its properties to film. Marvel has managed to secure franchises for many of their lights, both greater and lesser – ask the X-Men, Spiderman, Fantastic Four, Blade, Iron Man, The Hulk and even The Punisher – leading me to wonder why DC has taken so long to get out there. Sure, perhaps Superman and Batman (and Wonder Woman) are the most iconic of their stable, but I’d also suggest that the Flash and Green Lantern also carry name recognition (though not to the same degree). I’m greatly anticipating Green Lantern as the second-biggest superhero event of next year (because Iron Man II has one of the best casts… ever), but I’m left to wonder: what the hell took you so long?

Doesn't he know that domino masks are sooooooo Silver Age?

Doesn't he know that domino masks are sooooooo Silver Age?

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