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Acts of Vengeance: The Punisher vs. Doctor Doom (Review/Retrospective)

April (and a little bit of May) are “Avengers month” at the m0vie blog. In anticipation of Joss Whedon’s superhero epic, we’ll have a variety of articles and reviews published looking at various aspects of “Earth’s Mightiest Heroes.”

In celebration of the release of The Avengers, this weekend we’re taking a look at the massive 1989-90 crossover “Acts of Vengeance”, which pitted various villains against some unlikely heroes. I’ll be looking at some of the most fun match-ups. This arc is collected in the companion omnibus.

I tend to like my Punisher stories with a hint of the ridiculous about them. I seem to be the only person who thought that Garth Ennis did his best work on the character as part of Marvel Knights rather than Punisher MAX, because I tend to think the character works best as a sort of an absurd straight man in mainstream comics. He is, after all, a character who uses superhero iconography (a giant skull on his chest, no matter how stripped-down the iteration) while being a guy with a gun who likes to kill criminals. I’ve always felt that the character required a suspension of disbelief that that only really worked if he was played just slightly ridiculous. Of course, that’s my opinion, and I seem to be in the minority on this, but it probably explains why I found Mike Baron’s tie-in to Acts of Vengeance – pitting the Punisher against Doctor Doom – to be so much damn fun.

Closing in to seal his doom…

Note: The always wonderful Chris Simms took a more indepth look at this unlikely crossover on Comics Alliance, perfectly capturing the wonderful insanity of it all.

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Kurt Busiek’s Avengers – Avengers Assemble! Vol. 5 (The Kang Dynasty) (Review/Retrospective)

April (and a little bit of May) are “Avengers month” at the m0vie blog. In anticipation of Joss Whedon’s superhero epic, we’ll have a variety of articles and reviews published looking at various aspects of “Earth’s Mightiest Heroes.”

I’ll be honest. I am still not sure what to make of Kurt Busiek’s Avengers run, republished here in five lavish oversized hardcovers. The first three volumes of the set included the stellar artwork of George Perez, but the fifth and final volume contains the entire Kang Dynasty (aka Kang War) saga. For those unfamiliar with the storyline, it was a fairly massive plot told over fifteen issues and an annual, and marked the climax of Busiek’s five-year tenure on the title. For better or for worse, it’s a more than adequate conclusion to his run – complete with many of the flaws which chipped away at it, but also possessing many of the recognisable strengths.

"Don't blame me, I voted for Kodos!"

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“I Want to Read Comics After Seeing the Avengers”: Post-Avengers Comic Book Recommendations…

The Avengers opened in a lot of major markets this weekend. It is opening in the United States this Friday. It’s set to be huge and has been quite well received by critics and audiences. Now, I know that this massive blockbuster movie won’t convert the millions of avid movie-watchers into comic book fans, if only because other comic books have failed to see that appreciable a gain from success in other media. However, on the off chance that somebody comes out of the cinema thinking “hey, I really like that and would like to check out the source material”, I’ve compiled a handy list of recommendations that should be readily available and easy to find for would-be fans looking to get a taste for the iconic characters in their original media.

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Non-Review Review: The Lucky One

It’s hard not to feel a tad manipulated by The Lucky One, a story that seems to want to be about the relationship between fate (or chance) and choice. Following a veteran of a foreign conflict as he tries to adjust to life back home, trying to make sense of his survival in a war that claimed the lives of countless friends and colleagues, I don’t doubt that The Lucky One was intended as a profound meditation on those themes. However, what we end up with is a rather muddled romance that never truly gets off the ground thanks to a lackluster central performance from Zac Efron and some rather uncomfortable subtext.

Not quite picture perfect...

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What Does It Take To Get You To See a Movie Twice In the Cinema?

Going to the cinema is expensive. In fact, it’s been getting progressively more expensive these past few years, which seems to be a contributing factor in steadily decreasing theatre attendance. (The behaviour of fellow patrons and lax enforcement of basic cinema etiquette might be another.) Still, there’s something inherently romantic about a trip to the cinema, seeing the lights go dark and the images projected on a big screen, as they were intended to be seen. While a home cinema system offers its own perks, there’s just something inherently appealing about the real deal. Last Friday, I had the pleasure of seeing Cabin in the Woods with my better half – the second time I’d seen the film. I very rarely double-dip on cinema trips, but there were a variety of factors that alleviated my guilt. What does it take you to see a film more than once in a cinema?

Cinema is a cottage industry...

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Bealtaine Film Tour Schedule

I’m always a fan of bringing cinema to as wide an audience as possible, especially to those who can’t or wouldn’t normally attend. After all, I think it’s a wonderful thing to share – but then you probably suspected as much, given you’re reading a blog about film and pop culture. Anyway, I just received the schedule for the Bealtaine 2012 festival. It celebrates creativity as we age, and involves a rich slate of cultural activities aimed at sharing culture with those who wouldn’t normally have access to it. accessCinema and the wonderful folks at the Irish Film institute (with support from Seven Seas Active 55) will be taking three films on tour, including Maggie Smith in My House in Umbria, the classic Gene Kelly film An American in Paris and the underrated Last Chance Harvey. I am quite fond of that one. For those in Dublin, the IFI will also be screening Little Miss Sunshine and Cinema Paradiso, both of which are genuine classics.

The full schedule for the May festival is below. I’d just like to reiterate how cool it is that they do this, and to encourage any readers with any elderly friends or relatives to consider checking out some of these. Visit their official website here. Continue reading

Non-Review Review: The Avengers (aka Avengers Assemble)

The Avengers has a lot of geeky charm to it – the sort of giddy “this is so cool!” spectacle that appeals to the popcorn-munching child in each of us. That’s more than enough help it coast through a somewhat muddled first act, through a stronger second act and into a truly awesome finale. I think that the carefully choreographed large-scale action sequence that caps the film off might be worth a ticket alone. While there seem to be some very fundamental problem juggling a cast this large in a movie that technically a sequel to at least four films, Joss Whedon knows his audience well enough to ensure that most of the individual moments are satisfying, even if the overall film feels a tad uneven.

Three of a kind...

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Does Cabin in the Woods Out- “Hunger Games” The Hunger Games?

Sometimes I form weird movie connections in my head – tying two particular films together even if there’s very little common ground on which to link them. For example, I sat through quite a bit of Shame thinking of Collateral, a film linked tangentially thematically, as both offered rather scathing portraits of anomie against the backdrop of a major American city. On the other hand, I also formed a rather strong connection between the superb Cabin in the Woods and the mega blockbusting phenomenon The Hunger Games. As I watched Joss Whedon and Drew Goddard’s powerful exploration of the horror genre, I couldn’t help but feel that this was exactly what The Hunger Games wanted to be, even if the film adaptation couldn’t quite manage it.

The show must go on!

Note: This article contains some background information on Cabin in Woods. Nothing too big, but I would honestly recommend that you see the film as blind as possible. It is, by some considerable margin, one of the best films of 2012, and entirely deserving of both your time and your money. This article will still be here when you get back.

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Non-Review Review: Cabin in the Woods

Part of me wonders when it’s appropriate to start ranking the year’s films. I say that, because I’ve just had the pleasure of catching The Cabin in the Woods, which is easily one of the best films of the year so far, and the best horror movie I’ve seen in a long, long time. I know those sound like trite clichés, but Joss Whedon and Drew Goddard’s exploration of the horror genre just bristles with a raw energy that sweeps up the audience.

It’s a rare horror film that has you laughing when it wants you to laugh, while keeping you anticipating shocks that you know it knows you know are coming. In many ways, it seems like Cabin in the Woods comes from a very raw and personal place from both director and writer, one conflicted over the genre as a whole. From the outset it’s clear that Whedon and Goddard truly love the conventions and the thrills, while loathing the inherent voyeurism and nihilism that is almost inseparable from those aspects. It’s a weird dichotomy, and Cabin in the Woods is a weird film, but weird in that most brilliant of ways.

Who is afraid of the big bad wolf?

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The Prestige & Schrödinger’s Magician: Would the Real Robert Angier Please Stand Up?

No one cares about the man who disappears, the man who goes into the box. They care about the man who comes out the other side.

– Robert Angier

I am a big fan of Christopher Nolan. Anybody who regularly reads the blog will attest to that. I believe, genuinely, that he’s one of the best directors working today. However, my favourite Nolan film is a rather eclectic choice. I appreciate all his films, but I think that The Prestige stands as the pinnacle of the writer’s work to date. After all, in a career built around movies exploring the power of narrative, it’s hard to resist the film that compares cinema to magic. I think it’s a deftly-constructed and cerebral film, one of the few movies that still intrigues and confounds me when I stick it on. Of course, the narrative is relatively straight-forward once Nolan reveals the technique and the tricks in the final act, but I always find it rewarding to chew over the implications in the film, the story of two dueling magicians who take their rivalry as far as possible, and even beyond that.

Are you watching closely?

Note: By its nature, this post will include spoilers for the film. I have written a review of it, in case you are looking for a recommendation. It’s the most divisive of Christopher Nolan’s films, and I’d recommend seeing it at least once – love it or hate it, it’s a film that you won’t quite forget.

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