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Non-Review Review: Licence to Kill

This post is part of James Bond January, being organised by the wonderful Paragraph Films. I will have reviews of all twenty-two official Bond films going on-line over the next month, and a treat or two every once in a while.

Licence to Kill is the Bond movie that almost killed the franchise. The gap between the release of this movie in 1989 and GoldenEye in 1995 is the longest period that the film series has been left dormant. Although the legal issues surrounding the series hardly helped ensure the British secret agent’s return to the big screen, there’s also the fact that this movie was something of a box office dud in the States. (Although it was quite successful elsewhere.) Licence to Kill is perhaps the most divisive of the Bond movies – even more so than On Her Majesty’s Secret Service. Detractors see it as a poor attempt to emulate Miami Vice, indulging in ridiculously over-the-top violence and darkness for the sake of darkness. Fans argue that the movie is a lot closer to Ian Fleming’s original novels, and feels more like the recent relaunch of the franchise – it’s a perfect bedfellow with Casino Royale or Quantum of Solace. My opinion is somewhere in the middle.

Bond always uses protection in bed…

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Is 300 Racist? A Counter-Argument…

I know that we’re officially about five years past this discussion, but I was thinking about it lately. 300, as imagined by Zack Snyder and Frank Miller, gets a lot of slack for its perceived Islamophobia and racism towards Persians (modern-day Iranians). There’s a rather excellent article here outlining one perspective, which makes the argument that it’s a fundamentally racist film. I sat down and I watched it, and I kept the ideas in mind, and I jotted down some thoughts. it should be noted that I’m just a layman, I’m an expert or a professor in film or literature, but it seemed to me that a lot of the critics were taking the film far too seriously at face value.

I'd want to make this argument on sure footing...

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Non-Review Review: The Living Daylights

This post is part of James Bond January, being organised by the wonderful Paragraph Films. I will have reviews of all twenty-two official Bond films going on-line over the next month, and a treat or two every once in a while.

The Living Daylights is a forgotten Bond film, sitting as it does between the twin “duds” of A View to a Kill and Licence to Kill (although I am not quite as critical of those films as most). It’s the first of the Bond films to feature Timothy Dalton, taking over from Roger Moore – who by this stage seemed as likely to be getting a free bus pass as he was to foil enemy spies. Although the word didn’t quite exist in media circles when the movie originally came out, there’s a strong smell of “reboot” about the film, as if the powers behind the scenes are attempting to consciously remodel the franchise in the wake of a disappointing previous film. Though not quite as obvious (or as far-reaching) as subsequent reboots in GoldenEye and Casino Royale, The Living Daylights isn’t a bad Bond film – it’s just a really poorly dated one.

Tim, you scared the Living Daylights out of me…

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The Cat’s Out of the Bag: Catwoman and Bane Confirmed as Villains of The Dark Knight Rises (Batman 3)

Read our in-depth review of the film here.

Yesterday was a big day for fans of superhero cinema. Along with photos from X-Men: First Class (and an interview with Kevin Bacon which suggests he’s having a lot of fun, so I likely will too), Warner Brothers released some more photos of Green Lantern and a little bit of news concerning The Dark Knight Rises. Tom Hardy will be playing the steroid-fueled villain Bane, while Anne Hathaway will be playing Catwoman. I’ll just let that sink in.

“Tell me who the villains are!”

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Non-Review Review: A View to a Kill

This post is part of James Bond January, being organised by the wonderful Paragraph Films. I will have reviews of all twenty-two official Bond films going on-line over the next month, and a treat or two every once in a while.

A View to A Kill is not fondly remembered. In fact, it frequently finds itself listed amongst the dregs of the Bond films when the time comes to rank the worst of the British secret agent’s on-screen adventures. Truth be told, I find that rather harsh – I’d argue that it’s a significantly stronger effort than The Man With The Golden Gun, at least – as well as possibly Octopussy and Moonraker. After all, both Roger Moore and Christopher Walken look like they are having such a ridiculously good time.

Not quite a towering accomplishment…

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Flashpoint

After spending the tail end of last year looking at the tangled inter-continuity crossovers at Marvel, I thought I’d spend January looking at some of the looser “out of continuity” tales at the major companies.

Flashpoint is the first big event of Geoff Johns’ relaunched run on The Flash. If Flash: Rebirth was intended to echo Green Lantern: Rebirth, fan anticipation and speculation suggest that his Flashpoint – a five-part miniseries – will serve as a counterpart to Sinestro Corps War on his Green Lantern run. However, the title Flashpoint has connotations for the character – it was the title of a relatively recent story featuring the character, one of DC Comic’s Elseworlds. I figured, with the big event coming it up, it might be worth a bit of a retroactive review of the title which perhaps inspired the event.

He moves like lightening...

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Non-Review Review: Octopussy

This post is part of James Bond January, being organised by the wonderful Paragraph Films. I will have reviews of all twenty-two official Bond films going on-line over the next month, and a treat or two every once in a while.

Despite having quite possibly the most awkwardly unfortunate name in the history of the English language, the most enduring image from Octopussy is Roger Moore, flailing wildly and trying to be taken seriously, while dressed as a clown. Oddly appropriate, eh?

Moore, Moore, Mo- Too Much!

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Swanky Lady: Spare a Thought for Hilary Swank…

I feel sorry for Hilary Swank right now, but also a little hurt and confused. Swank should be a respected character actor at the very least, and I’d argue that she has the potential for a distinguished and competent leading lady. After all, the woman has two Oscars on her shelves and she’s not even forty (for Million Dollar Baby and Boys Don’t Cry). That’s some kind of spectacular acting accomplishment right there. We should be looking at the next Meryl Streep, a woman who can grow old with dignity and remain a well-respected and admired performer. So, I am quite surprised to find that Swank is starring in a direct-to-video Hammer horror film, The Resident.

And I’m trying to understand how that can happen.

I thought an Oscar was supposed to open doors...

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On Second Thoughts Re-View Review: The Town (Extended Cut)

Sometimes when I see a movie a second time, I see a little bit more. Sometimes it’s watching an alternate cut or something, but it can be as simple as watching the movie a second time and knowing how it’ll end the whole way through. So I thought I’d try something new. I’d make notes on what I thought of certain films when I saw them a second time – let’s call it a “re-view review”, eh? Maybe they’ll become a semi-regular fixture.

When I first caught The Town, I admitted to being a bit disappointed with it. It was a good film, but it wasn’t quite as consistently brilliant as many people had led to me to believe. Don’t get me wrong – I enjoyed it (get more of my thoughts on it by checking out the review) but it just seemed like something was missing from the film, even if I didn’t know what. So, when dad returned from the video shop with it on Friday, we all sat down to watch the special “extended cut” of Ben Affleck’s film. And I absolutely loved it.

Hamming it up a notch...

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Non-Review Review: For Your Eyes Only

This post is part of James Bond January, being organised by the wonderful Paragraph Films. I will have reviews of all twenty-two official Bond films going on-line over the next month, and a treat or two every once in a while.

The Bond film also known as “the one that even people who dislike Roger Moore Bond films enjoy.”

Bond plays “Eye, Spy”…

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