• Following Us

  • Categories

  • Check out the Archives









  • Awards & Nominations

James Bond January in Review

It’s been a while since I’ve written one of these, and I’m not sure I should bring them back – but, hey, it might be nice to have an index of all the James Bond January shenanigans I got up to this January. Let’s start with the reviews  of the 22 films – all of them:

I also did some James Bond related posts in the month. I wondered about the “James Bond is just a codename” theory, pondered what Bond 23 might have in store for the franchise and wondered if Bond gets away with so much because we dismiss a lot of its British nationalism as “quaint”.

Apart from all that, I wondered if the film 300 was actually racist, and dared to suggest it wasn’t. I took a look at Matthew Vaughn’s upcoming X-Men: First Class and superhero nostalgia. I also pondered what Christopher Nolan’s Bane might look like. It was a fun month, and I hope that next month will be just as exciting.

Thanks again to Paragraph Films for throwing the whole “James Bond January” thing together. It was a joy to take part.

Non-Review Review: The Living Daylights

This post is part of James Bond January, being organised by the wonderful Paragraph Films. I will have reviews of all twenty-two official Bond films going on-line over the next month, and a treat or two every once in a while.

The Living Daylights is a forgotten Bond film, sitting as it does between the twin “duds” of A View to a Kill and Licence to Kill (although I am not quite as critical of those films as most). It’s the first of the Bond films to feature Timothy Dalton, taking over from Roger Moore – who by this stage seemed as likely to be getting a free bus pass as he was to foil enemy spies. Although the word didn’t quite exist in media circles when the movie originally came out, there’s a strong smell of “reboot” about the film, as if the powers behind the scenes are attempting to consciously remodel the franchise in the wake of a disappointing previous film. Though not quite as obvious (or as far-reaching) as subsequent reboots in GoldenEye and Casino Royale, The Living Daylights isn’t a bad Bond film – it’s just a really poorly dated one.

Tim, you scared the Living Daylights out of me…

Continue reading