• Following Us

  • Categories

  • Check out the Archives

  • Awards & Nominations

The Six Faces of 007: Timothy Dalton

To celebrate James Bond’s 50th birthday on screen (and the release of Skyfall), we’re going to take a look at the character and his films. We’ve already reviewed all the classic movies, so we’ll be looking at his iconic baddies, and even at the character himself.

Timothy Dalton’s tenure as Bond is almost as divisive as that of George Lazenby, the only actor to serve a shorter term in the iconic role. However, in the years since Dalton departed the franchise, I’ll admit that I’ve grown quite fond of his interpretation of the British secret agent. Between The Living Daylights and Licence to Kill, I think that Dalton portrayed the most human and most tangible of the character’s screen personas, and I think that he suffers from being cast twenty years too early in the part. Certainly, one can see a lot of Daniel Craig’s whittled-down take on the character in Dalton’s two outings as 007.

Dalton’s taken quite a beating…

Continue reading

Non-Review Review: The Living Daylights

This post is part of James Bond January, being organised by the wonderful Paragraph Films. I will have reviews of all twenty-two official Bond films going on-line over the next month, and a treat or two every once in a while.

The Living Daylights is a forgotten Bond film, sitting as it does between the twin “duds” of A View to a Kill and Licence to Kill (although I am not quite as critical of those films as most). It’s the first of the Bond films to feature Timothy Dalton, taking over from Roger Moore – who by this stage seemed as likely to be getting a free bus pass as he was to foil enemy spies. Although the word didn’t quite exist in media circles when the movie originally came out, there’s a strong smell of “reboot” about the film, as if the powers behind the scenes are attempting to consciously remodel the franchise in the wake of a disappointing previous film. Though not quite as obvious (or as far-reaching) as subsequent reboots in GoldenEye and Casino Royale, The Living Daylights isn’t a bad Bond film – it’s just a really poorly dated one.

Tim, you scared the Living Daylights out of me…

Continue reading