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Non-Review Review: The Artist

It’s funny that The Artist should end up being so accessible. It’s a black-and-white silent film, shot in an abandoned aspect ratio, set in old Hollywood from a French director. It sounds like an exercise in arthouse excess, and yet it’s easily one of the most charming and engaging stories in recent memory. It’s hard to put a finger on which part of the film works so well, so I’m going to opt for a massive copout: they all do. It’s a love letter to cinema, but not necessarily to “classic cinema” – the movie feels pretty timely for a story set in the twenties. In short, if you are any sort of cinephile, do yourself a favour and check it out. You won’t regret it.

Released just in time for New Year’s, it seems like 2011 might have saved the best for last.

Now THAT's Entertainment!

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The Adventures of Tintin: Land of Black Gold (Review)

To celebrate the release of The Adventures of Tintin: The Secret of the Unicorn in the United States later this month, I’ll be taking a look at some of the nineties animated television show. Check back daily!

Note: This is our review of the animated episode, check out our review of the book here.

Land of Black Gold feels like a rather conscious throwback to the earlier adventures in the series, stories like King Ottokar’s Sceptre or The Black Island or Cigars of the Pharaoh, dealing with relatively grounded political concepts and economic realities, rather than hidden treasure or lost civilisation or trips to the moon itself. Of course, there’s a very good reason – Land of Black Goldwas started before the outbreak of the Second World War, and Hergé put it on hold to write about more abstract and less political concerns. That’s why Haddock only appears in this episode five minutes from the end, because he hadn’t been created when the original story was told. I don’t dislike the adventure, but it does feel rather strange, situated where it is in the Tintin canon.

Petrol was always an explosive topic...

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Grant Morrison’s Seven Soldiers of Victory: The Guardian (Review)

December is “Grant Morrison month” here at the m0vie blog, as we take the month to consider and reflect on one of the most critically acclaimed (and polarising) authors working in the medium. We’ve got a special treat for you this week, which is “Seven Soldiers Week”, so check back each day for a review of one of the Seven Soldier miniseries that Morrison put together.

The Guardian really just gives Grant Morrison a chance to play with a whole bunch of high concept crazy ideas inside a loose superhero framework, while allowing the scribe to play with various outmoded comic book concepts. Of course, there are elements of that within the other stories (and, to be frank, within most other major superhero titles the author has ever written), but The Guardian stands out amongst these Seven Soldiers of Victory miniseries as perhaps the most “Morrison-esque” of them.

Making headlines...

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Non-Review Review: The Help

The Help is a well made film with a solid script, decent direction, and some very good performances from a superb ensemble. It’s hard not to get swept up in the drama as it unfolds, as the movie takes a harsh look at some of the prejudice festering in Mississippi during the sixties, where the phrase “hippie!”was an accusation that could destroy anyone’s social standing, it was not appropriate to fraternise with the help, and even raising the suggestion of racial equality was to open one’s self to prosecution for breaking the law. It’s powerful stuff. I was moved by it, particularly by the wonderful work put in by the cast. And, yet, I couldn’t help but feel that there was something very cynical unfolding before my eyes. The Help is a movie that seems built to fill a particular void, carefully measured and constructed to keep its audience well within their comfort zones, and a movie that feels like it might be sacrificing some of its depth for fear of actually challenging its audience.

Fraternising with the help...

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The Adventures of Tintin: Prisoners of the Sun (Review)

To celebrate the release of The Adventures of Tintin: The Secret of the Unicorn in the United States later this month, I’ll be taking a look at some of nineties animated television show. Check back daily!

Note: This is our review of the animated episode, check out our review of the book here.

When I was younger, I used to love The Adventures of Tintin because they’d transport me to far away places, and give me a chance to see environments and cultures that I wouldn’t get to see until I was much older, if ever. As such, the period of Hergé’s writing that appealed to me the most as a younger was the fantastical segment that covered the author’s work during an immediately after the Second World War. I wasn’t old enough to appreciated the political commentary and satire of stories like The Broken Ear or King Ottokar’s Sceptre, and I was mature enough to fully enjoy the reflective nature of the stories from The Calculus Affaironwards.

A little tied up...

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Grant Morrison’s Seven Soldiers of Victory: Frankenstein (Review/Retrospective)

December is “Grant Morrison month” here at the m0vie blog, as we take the month to consider and reflect on one of the most critically acclaimed (and polarising) authors working in the medium. We’ve got a special treat for you this week, which is “Seven Soldiers Week”, so check back each day for a review of one of the Seven Soldier miniseries that Morrison put together.

Sometimes we all get too caught up in Morrison’s wonderful symbolism, mysticism and deeper meaning. Sometimes comic books don’t need to be anything more than a ridiculous premise executed in wonderful style. The covers to this miniseries tell you all you need to know, as does the opening splash page, featuring the monster striding into action as an off-screen character declares, “Die, Frankenstein, die!” You know you’re in for a wonderful high-concept action adventure which isn’t going try to be anything more than effortlessly cool. It’s moments like this which remind you, quite simply, that Grant Morrison loves comics, just as much as you and I do.

Words cannot describe how awesome this is...

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The Adventures of Tintin: The Seven Crystal Balls (Review)

To celebrate the release of The Adventures of Tintin: The Secret of the Unicorn in the United States later this month, I’ll be taking a look at some of nineties animated television show. Check back daily!

Note: This is our review of the animated episode, check out our review of the book here.

I’ve always had a soft spot for The Seven Crystal Balls and Prisoners of the Sun. When I was younger, originally watching the show and reading the books, they were my favourite adventure, along with Cigars of the Pharaoh. Perhaps it was the exotic nature of the adventure, with Tintin setting off to far-off ports, or the fascinating occult and unexplained elements. I found it somewhat fascinating the Spielberg chose to make The Secret of the Unicornas his first film, since he makes the case that Tintin is a hero who shares a lot with Indiana Jones. I’d make the case that this adventure here is the one that most perfectly captures the strange occult vibe that Lucas and Spielberg tried to recreate with their whip-weilding explorer.

Not quite the boy scout he used to be...

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Grant Morrison’s Seven Soldiers of Victory: The Bulleteer (Review/Retrospective)

December is “Grant Morrison month” here at the m0vie blog, as we take the month to consider and reflect on one of the most critically acclaimed (and polarising) authors working in the medium. We’ve got a special treat for you this week, which is “Seven Soldiers Week”, so check back each day for a review of one of the Seven Soldier miniseries that Morrison put together.

There’s a whole class of people in hospital wards, Mrs. Harrower, people who’d do just about anything to hang out with the skintight crowd. They expose themselves to radioactive materials or drink home-made potions… They interact with venomous insects and dangerous animals in the expectation of receiving some totem power.

There’s not a lot of sympathy among medical staff who have to clean up the mess.

The Bulleteer is a wonderful deconstruction of the superhero world we see so often reflected in the comics of Marvel and DC. These characters were created decades ago, in a different world. Writing elsewhere last year, I wondered if the very concept of a secret identity is outdated, a genre convention which doesn’t reflect the modern world. Clark Kent is a modest cover for Superman, a creation which afford him the opportunity to pretend to be normal, a humble camouflage that seemed perfectly quaint in the thirties. These days, I wonder if people would even bother. After all, in this era of instant celebrity and reality television, with the entire world aspiring to become “special”, why would you ever want to be normal?

What happens when the shine comes off?

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The Adventures of Tintin: Red Rackham’s Treasure (Review)

To celebrate the release of The Adventures of Tintin: The Secret of the Unicorn in the United States later this month, I’ll be taking a look at some of nineties animated television show. Check back daily!

Note: This is our review of the animated episode, check out our review of the book here.

It’s quite strange, given how lukewarm I was to The Secret of the Unicorn, that I am undeniably fond of Red Rackham’s Treasure. At a time when Hergé seemed to be aiming for fantastic escapism, perhaps to avoid dealing with wartime reality, I think that Red Rackham’s Treasure perfectly encapsulates a lot of what was fun about Tintin, at least for my inner child. There’s hidden treasure, untouched tropic islands, walks along the ocean floor, submarines and even a shark attack! It’s all very light and whimsical, but it’s pure adventure all the way through, with a giddy enthusiasm sustaining the narrative.

Pushing the boat out...

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The Adventures of Tintin: The Secret of the Unicorn (Review)

To celebrate the release of The Adventures of Tintin: The Secret of the Unicorn in the United States later this month, I’ll be taking a look at some of nineties animated television show. Check back daily!

Note: This is our review of the animated episode, check out our review of the book here and our review of the film here.

I have to admit that I was never a big fan of The Secret of the Unicorn. I know it’s strange, given how much praise and respect the film gets in various critical circles, and near universally high esteem that fans of the series seem hold for the adventure. I don’t hate it, and I don’t dislike it. I am just not especially fond of it, especially compared to some of the adventures around it. While the animated adaptation does make the case for The Secret of the Unicornas a solid Tintin adventure, I do have to be a bit disappointed with the transfer quality on the blu ray disc.

If it ain't broke...

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