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My Best of 2011: The Guard & Loving Irish Film…

It’s that time of the year. To celebrate 2011, and the countdown to 2012, I’m going to count down my own twelve favourite films of the year, one a day until New Year’s Eve. I’m also going to talk a bit about how or why I chose them, and perhaps what makes this list “my” best of 2011, rather than any list claiming to be objective.

The Guard is number eleven. Check out my original review here.

I imagine anybody who lives a country about the same size of Ireland has that same essential insecurity about their national cinema. Unless you live in a major market, it seems that home-produced films are generally relegated to the less mainstream cinemas and subject to less promotion or publicity, unless they happen to star one (or more) of your home-grown talents who happens to have been successful overseas. And, as you discuss or review your own cinema, you start to question yourself: are you harder or softer on a particular film because it came from your country? or should you be harder or softer on those films? Do you hold the films produced by your own country to a higher or a lower standard than those produced in major markets? When I recommend a film produced in Ireland, I catch myself, asking “if this weren’t produced here, would it be notable?”

I think there are far more films that are notable than most might imagine, and I also think The Guard is almost definitely one of them. It’s a distinctly Irish film, but one that doesn’t exclude the outsiders looking in.

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Non-Review Review: Goon

Goon is a movie that works surprisingly well. It’s hilarious, brutal, and yet surprisingly sweet. It’s the quintessential sports movie, featuring a plucky young protagonist trying to find his place in the world, while developing his one sporting talent, but it never feels as coy or manipulative as other movies of that type. A large portion of the credit for that charm has to go to Jay Baruchel and Evan Goldberg for their witty and incredibly quotable script, but I think that most of the movie’s success rests on Seann William Scott as Doug Glatt, the eponymous goon.

He's a blood mess...

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The Adventures of Tintin: Flight 714 (Review)

To celebrate the release of The Adventures of Tintin: The Secret of the Unicorn in the United States later this month, I’ll be taking a look at some of nineties animated television show. Check back daily!

Note: This is our review of the animated episode, check out our review of the book here.

Towards the end of his Adventures of Tintin, you could tell that Hergé was growing increasingly experimental, taking the series well outside comfort zone of pulp thrillers and global adventures. Tintin in Tibet was an introspective meditation on hope and faith. The Castafiore Emerald was a combination of plot threads that never really managed to tie together into an adventure. Flight 714 reads as if it were a parody of a Tintin story, instead of one itself. It’s a collection of incredible coincidences, elaborate schemes and recurring villains, all written in a wry style that tends to divide fans. Some appreciate the tongue-in-cheek nature of the story, while other find the inclusion of aliens to be a ridiculously fantastical element. It’s certainly not a conventional Tintin story. And, to be honest, I think this poses a bit of a problem for the team handling the adaptation. They’ve done a stellar job tying together the more straight-forward entries in the series, but seem to struggle with some of the stranger instalments.

And this, I’m afraid, is very strange.

Departure lounging around...

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My Best of 2011: Rango & Justifying Personal Choices…

It’s that time of the year. To celebrate 2011, and the countdown to 2012, I’m going to count down my own twelve favourite films of the year, one a day until New Year’s Eve. I’m also going to talk a bit about how or why I chose them, and perhaps what makes this list “my” best of 2011, rather than any list claiming to be objective.

Rango is number twelve. Check out my original review here.

It’s December, so that means it’s list time. Critics and pundits will be ranking their “top ten” of everything, and I suppose that I should defer to tradition and offer my own opinion on the “top ten” films of the year. I don’t want to make just another list, though, lost in a sea of opinions of individuals far my experienced and qualified than myself to advise you on the current state of cinema. So I decided that I’d list my own personal choices, by talk about why I chose them and bit and why they appealed to me. I have, after all, already reviewed them all, so I’m not going to try to convince you of their quality (or even my opinion of their quality). Instead, I’m going to talk a bit about why they appealed to me. My list will undoubtedly look very different to yours and – I suspect – to the vast majority of opinions, but the fun in making lists like this lies in defending, debating and justifying your choices.

So, let’s talk about the bottom entry on the list, and the one I feel will be toughest to justify: Rango.

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The Dark Knight Rises Trailer…

It’s officially on-line. The trailer of The Dark Knight Rises has, after a weekend of bootlegging, been officially released. It looks impressive, and gives us our first sense of anne Hathaway as Selina Kyle. If the theme is to reflect the recession (as much as The Dark Knight could have been said to reflect the war on terror), I imagine Selina will be quite important to the story. We’ve seen a lot of Bane, and there’s relatively little of him here. And, is that a bearded younger Bruce (back in his League of Shadows days) being told that the chant means “rise?” But enough crazy theories for now. I’ll have more of them later in the week.

In the mean time, enjoy. For more analysis, click here.

The Adventures of Tintin: The Castafiore Emerald (Review)

To celebrate the release of The Adventures of Tintin: The Secret of the Unicorn in the United States later this month, I’ll be taking a look at some of nineties animated television show. Check back daily!

Note: This is our review of the animated episode, check out our review of the book here.

The Castafiore Emeraldis certainly a strange title to adapt for an animated television series. Essentially an excuse for Hergé to play with the assorted tropes and clichés he had established for the series, the story is a mystery that refuses to conform to what Tintin and the audience might expect it to, with each and every avenue of exploration turning into a dead end. As such, it allows Hergé to explore the more personal interactions of his supporting cast (like Haddock and Calculus), while having a bit of fun with his lead character – the boyish reporter. While it makes for an interesting book, I’m not convinced that it could ever really work as an animated episode.

Faithful to the letter...

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Follow Me: The Lost Art of the Sequel Hook…

I had the pleasure of seeing David Fincher’s The Girl With the Dragon Tattoo on Friday, and it was a very good film. It smoothed out some of the issues I had with the original adaptation, was beautifully acted and directed, and was just a very nice piece of film. However, I was a bit disappointed with the ending of the film, which served as a twenty-minute trailer for the sequel. This is a sequel that hasn’t been greenlit yet, and hasn’t even been written. I appreciate the enthusiasm, but I do think there is a point where setting up a later instalment undermines the original film.

Leaving the series with snow where to go?

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The Adventures of Tintin: Tintin in Tibet (Review)

To celebrate the release of The Adventures of Tintin: The Secret of the Unicorn in the United States later this month, I’ll be taking a look at some of nineties animated television show. Check back daily!

Note: This is our review of the animated episode, check out our review of the book here.

Tintin in Tibet is a wonderful book. It’s probably, despite coming towards the end of the series, the perfect book to give somebody who wants to try to read The Adventures of Tintin. It’s a perfect encapsulation of all the heart and warmth that makes Hergé’s series so fascinating, and an illustration of how appealing and endearing his two leads are. More than that, though, Hergé’s story is one of hope and faith, and it’s hard not feel a little bit warm inside after reading it. So the animated adaptation has quite a lot to work with. While they don’t surpass the original book – which would be quite a considerable accomplishment – they do it proud.

It's Snowy out there...

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The Adventures of Tintin: The Red Sea Sharks (Review)

To celebrate the release of The Adventures of Tintin: The Secret of the Unicorn in the United States later this month, I’ll be taking a look at some of nineties animated television show. Check back daily!

Note: This is our review of the animated episode, check out our review of the book here.

In many ways, The Red Sea Sharks feels like a conclusion to The Adventures of Tintin. Drawing together countless plot threads and supporting characters into one massive confrontation between Tintin and Rastapopoulos, providing some nice set pieces and a tour of the globe, the adventure feels like it’s really wrapping up all the left over bits and pieces the series has accumulated since Cigars of the Pharaoh. The four adventures that followed would have a markedly different tone, to the point where they almost felt like an epilogue, examining what happened after Tintin’s globe-trotting adventures had concluded. The animated adaptation of the episode seems to treat it as an adventure relatively epic in scope, and again makes a surprising case for an unconventional candidate for a potential movie adaptation.

Just plane trouble...

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Grant Morrison’s Seven Soldiers of Victory: Zatanna (Review/Retrospective)

December is “Grant Morrison month” here at the m0vie blog, as we take the month to consider and reflect on one of the most critically acclaimed (and polarising) authors working in the medium. We’ve got a special treat for you this week, which is “Seven Soldiers Week”, so check back each day for a review of one of the Seven Soldier miniseries that Morrison put together.

Zatanna is undoubtedly the most recognisable DC comics character among Morrison’s seven-character line-up. Sure, Frankenstein is a cultural icon and Mister Miracle is a member of Kirby’s New Gods, but Zatanna is an iconic part of the DC Universe, with her own rich and established history which has played into large events within the fictional universe repeatedly. As such, it’s no surprise that she is the only member of the Seven Soldiers ensemble to have a current on-going series – written by long-time Batman author Paul Dini. Of course, Dini mostly handles his own interpretation of the stage magician, to the point that this little four-issue series might really have never happened. Still, I’m glad it did, if only because Morrison gets to handle some pretty important character beats and acknowledge the character’s rich history at the same time.

I take my hat off to Morrison...

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