the m0vie blog

Whatever Happened to Ron Underwood? One-Shots, Wash-Ups & Never-Has-Beens…

Posted on January 20, 2012 by Darren

I think it’s happened to all of us. We’re flicking through the television channels, and we hit on an old movie we like. In my case, it was the superb 1990 B-movie Tremors. As we’re watching it, and remembering how much we loved it, our mind gets to wondering, “Whatever happened to that guy?” It could be an actor, an actress, a director or a writer. It’s somebody who showed a decent amount of talent (or, in the most frustrating circumstances, a phenomenal amount of talent), but who seemed to fade from view, and who we never heard from again. In this case, it was the director of the film, Ron Underwood. Whatever happened to that guy? Are they still alive? Are they still working? Why haven’t I heard from them since this one really good film I’m watching?

One shot at fame and fortune?

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Filed under: Movies | Tagged: Adventures of Pluto Nash, arts, Carrie Underwood, charlie sheen, City Slickers, Clockwork Orange, Dog, film, Filmmaking, Internet Movie Database, M. Emmet Walsh, Malcolm McDowell, Mike Fisher, Movie, Ron Underwood, Rooney Mara, Tremors, Underwood | 3 Comments »

Non-Review Review: Carnage

Posted on January 19, 2012 by Darren

Carnage is pretty much an excuse to watch four very skilled actors ripping chunks out of one another. What’s not to like?

This means Warhol!

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Filed under: Non-Review Reviews | Tagged: alan, carnage, christoph waltz, film, God of Carnage, jodie foster, john c. reilly, kate winslet, Michael, Movie, Nancy, non-review review, Penelope, review, roman polanski, Yasmina Reza | 12 Comments »

Generation Next: The Changing of the Cinematic Guard…

Posted on January 19, 2012 by Darren

There are times when I feel quite young. I was born on the same day that The Joshua Tree was released. My dad took me to the cinematic re-release of Star Wars. I was mainly introduced to the great directors through video and DVD. Hollywood as it exists today is not markedly different from the Hollywood that I grew up with. However, as I sat in the cinema last week, it occurred to me: perhaps I have sat through my first real changing of the cinematic guard, so to speak. It’s an occurance so subtle and gradual that I never really noticed it, and yet it must, by necessity, be part of Hollywood’s seasonal cycle.

Putting the older generation out to feed?

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Filed under: Movies | Tagged: adam sandler, al pacino, Benedict Cumberbatch, brad pitt, bruce willis, dennis hopper, george clooney, Gerard McSorley, hollywood, Juliette Lewis, Kevin Costner, michelle forbes, Niels Arestrup, robert deniro | 9 Comments »

Non-Review Review: J. Edgar

Posted on January 18, 2012 by Darren

I’ll concede that I’m surprised how much I liked J. Edgar. Acknowledging that I’ve been a lot fonder of Clint Eastwood’s more recent output than most, and accepting that this film (like many of his recent films) has considerable flaws, I found it a fascinating examination of twentieth century America, explored through the lens of one character’s life. While it isn’t nearly objective enough (and is far too sensationalist) to be considered a truly effective account of the life of one John Edgar Hoover, it does offer a thoughtful meditation on the relationship between old and young, the corruption of moral responsibility and the lingering doubt that maybe our generation’s elders have somehow disappointed us. It’s in these reflective moments that Eastwood is at his strongest, hitting on themes the director knows especially well. Unfortunately, it is undermined by its handling of the famed FBI director’s personal and sexual life, if only because it completely lacks subtlety and nuance.

There's a lot on the line...

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Filed under: Non-Review Reviews | Tagged: Clint Eastwood, Clyde Tolson, Dustin Lance Black, eastwood, Eleanor Roosevelt, film, Hoover, J Edgar, j edgar hoover, Leonardo diCaprio, Movie, non-review review, review | 2 Comments »

Meme of the Moment: Hello, Is It This You’re Looking For?

Posted on January 18, 2012 by Darren

I try to avoid just using the blog to post random nonsense, but I found this on-line, and I could resist sharing it.

Best use of Lionel Richie… ever. Okay, maybe the second best after the Miami Vice pilot.

Filed under: Movies | Tagged: films, hello, lionel richie, Movies | 2 Comments »

Brightest Day (Hardcover Vol. 1-3) (Review/Retrospective)

Posted on January 18, 2012 by Darren

This January, I’m going to take a look at some of DC’s biggest “events.” This one’s not so much an “event” as a bi-weekly miniseries, but let’s count it anyway…

Balancing the internal storylines is a tough task for any anthology, especially one running over the course of an entire year. In this respect, 52 feels like the exception rather than the rule. It’s a fairly fundamental problem with Brightest Day that not all of the plotlines are interesting (and certainly not all of the time). It’s a rather strange phenomenon: the early issues try to balance the characters somewhat evenly across the issues, and feels somewhat awkward in trying to devote an equal amount of space to stories that aren’t equally compelling; on the other hand, the second and final thirds seems more comfortable devoting large stretches of single issues to certain characters (and to have other members of the ensemble go unheard from for issues at a time), which has the bizarre effect of meaning that a cliffhanger or two isn’t picked up for two or three chapters. It’s a tough balance to get right, and I’m sad to say that Brightest Day doesn’t acquit itself particularly admirably. It’s a shame, because there are some interesting ideas here.

Everything burns...

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Filed under: Comics | Tagged: blackest night, boston, brightest day, Brightest Day (DC comics), Captain Boomerang, captain cold, dc universe, flash, geoff johns, green lantern, green lantern: rebirth, Greenlantern, Martian Manhunter, maxwell lord, peter tomasi, reverse flash, The Flash: Rebirth | 2 Comments »

Non-Review Review: Haywire

Posted on January 17, 2012 by Darren

Steven Soderbergh is an interesting film maker. Even when his films don’t really come together as well as one might hope, you can’t help but admire some of his bold ambition. Contagion was probably one of the boldest major releases of last year, and it was always fascinating even when it was just short of brilliance. Haywire falls into a similar trap, with some nice ideas, some great scenes, but nothing that really melds into a particularly compelling film. Indeed, Soderbergh’s spy thriller is messy, undoubted as the director intended – but it doesn’t seem like a highly-energised kinetic mess so much as poorly-plotted and muddled mess. The result is a film that is occasionally invigorating, but also quite infuriating.

On top of it...

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Filed under: Non-Review Reviews | Tagged: Antonio Banderas, casino royale, Channing Tatum, ewan mcgregor, film, Gina Carano, Haywire, ian fleming, jason bourne, martin campbell, Michael Fassbender, Movie, non-review review, Paul Greengrass, review, Soderbergh, Steven Soderbergh | 3 Comments »

Alan Moore’s Run on Swamp Thing – Saga of the Swamp Thing (Books #5-6) (Review/Retrospective)

Posted on January 17, 2012 by Darren

This January, I’m going to take a look at some of DC’s biggest “events.” You can probably guess which event I’m leading into, but I don’t want to spoil it…

Alan Moore’s Swamp Thing is a run to treasure. I mean, I’m looking forward to getting my hands on Scott Snyder’s new run on the character, especially since DC have decided to release it in hardcover, but Moore’s Swamp Thing remains one of Moore’s longer runs in mainstream comic books, demonstrating that it is possible for an extended in-continuity run on a (relatively) mainstream character to still transcend the expectations of the superhero genre. The eighties were full of fascinating creative ideas in comics, both in miniseries, independent and mainstream books, but I’d still argue that Moore’s Swamp Thing is remarkable due to its work redefining the superhero genre and its impressive length.

Into the sunset...

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Filed under: Comics | Tagged: Adam Strange, alan moore, All Flesh is Grass, batman, books, comic books, dc comic, dc comics, environmentalism, lex luthor, Loving the Alien, Moore, My Blue Heaven, rick veitch, Scott Snyder, swamp thing | 1 Comment »

Non-Review Review: Never Let Me Go

Posted on January 16, 2012 by Darren

Never Let Me Go is a mess of a film. Adapted from the highly-praised novel of the same name by Kazuo Ishiguro (who also wrote the novel that inspired The Remains of the Day), the movie is never really sure what it is talking about, or how it’s talking about it, or even what the point of it all is. There are two superb performances at the middle of the movie, but there’s not nearly enough constructed around them to really make it interesting. Director Mark Romanek cannot decide whether he’s telling a conventional love story in an unconventional setting (with the clear moral that “there’s never enough time”) or if he’s exploring the issue of bio-ethics through the prism of human nature. Ultimately, the film tries to both at the same time, which becomes impossible with Romanek’s cold and efficient direction, which left me feeling quite unsatisfied.

Stumbling out of the gate...

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Filed under: Non-Review Reviews | Tagged: Hailsham, Kazuo Ishiguro, M. Night Shyamalan, Mark Romanek, michael bay, never let me go, non-review review, Remains of the Day, review, Romanek, Sex & The City | 6 Comments »

Alan Moore’s Run on Swamp Thing – Saga of the Swamp Thing (Books #3-4) (Review/Retrospective)

Posted on January 16, 2012 by Darren

This January, I’m going to take a look at some of DC’s biggest “events.” You can probably guess which event I’m leading into, but I don’t want to spoil it…

I have never read Swamp Thing before. This trip through these lovely (but sadly not oversized or filled with extras) hardcover editions of Alan Moore’s iconic run on the title has been my first encounter with the character. This is Moore’s longest tenure on a mainstream comic book, and the one which introduced him to the mainstream. What’s astounding here is not only how Moore manages to offer something which still stands up as something unique and challenging, but also offers a fairly exciting and well-written book on his own terms.