the m0vie blog

Star Trek: Voyager – Prototype (Review)

Posted on March 2, 2016 by Darren

This September and October, we’re taking a look at the 1995 to 1996 season of Star Trek, including Star Trek: Deep Space Nine and Star Trek: Voyager. Check back daily for the latest review.

In what is becoming a recurring theme for the second season of Star Trek: Voyager, Prototype is a mess.

As with a lot of the surrounding episodes, its production was fraught and tense; tensions seemed to be building among the production team as the season progressed. Prototype was an episode that was largely driven by Michael Piller, and one opposed by Jeri Taylor. Kenneth Biller was responsible for tweaking and rewriting Nicholas Corea’s script, but he does not seem particularly fond of the episode. These tensions and disagreements would build to a climax in the second half of the year.

Bride of 3947…

Prototype is not a good episode, by any measure. There are a lot of elements that are interesting on their own terms, but there is also something quite nasty and uncomfortable sitting at the heart of the hour. It is a story about motherhood, but one which suggests that unconventional motherhood must be monstrous and grotesque. Even beyond the awkward subtext of the episode, there are problems. Despite Piller’s attempts to energise storytelling on Voyager, the pacing of Prototype is atrocious.

Prototype is not the biggest misfire of the season. Given the season around it, this should not be misconstrued as an endorsement.

(Warp) core values…

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Filed under: Voyager | Tagged: b'elanna torres, Jeri Taylor, kenneth biller, Michael Piller, motherhood, paris, robot wars, robots, star trek, star trek: voyager, torres, voyager | 19 Comments »

Batman: Sword of Azrael (Review)

Posted on March 2, 2016 by Darren

This March sees the release of Batman vs. Superman. To celebrate, we’ll be looking at some iconic and modern Batman and Superman stories over the course of the month.

Given how messy Knightfall ended up, readers would be forgiven for assuming that the Batman editorial staff had been making it up on the fly.

To a certain extent, the editors and writers were effectively making it up as they went along. According to writer Greg Rucka, the big Batman events of the nineties were not so much mapped out as loosely plotted. The creative talent had some vague idea of where they wanted to go and what they wanted to accomplish, but not necessarily the particulars of how they would get there or how they would accomplish it. After all, Rucka’s novelised adaptation of No Man’s Land had a different ending to the comic book because the novel had to be finished ahead of time.

All fired up…

Reading Knightfall, it quickly becomes clear that the writers had no real idea about how they wanted the story to unfold. The event has a fairly solid first act, but its second act is cluttered and much of the resolution is messy and unsatisfying. At the same time, it is clear that the writers had some idea of what they were doing and where they were going; at least in the beginning. As much as the sprawling nineties even might bungle the pay-off, it benefits from a very careful and meticulous set-up.

A lot of the key elements of the Knightfall saga were set up and signposted ahead of time. The months leading up to the start of Knightfall in April 1993 were quite busy at the Batman offices. Shondra Kinsolving was introduced in November 1992. Bane was introduced in a special one-shot in January 1993, The Vengeance of Bane, that provided the back story of the new antagonist. Bridging these two milestones was the miniseries Batman: Sword of Azrael, introducing the character who would step into the vacancy left by the broken bat.

Medallion man.

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Filed under: Comics | Tagged: Azrael, bane, batman, batman: sword of azrael, comic books, Comics, dark knight, Denny O'Neil, joe quesada, Knightfall, sword of azrael | 4 Comments »

Star Trek: Deep Space Nine – Paradise Lost (Review)

Posted on March 1, 2016 by Darren

This February and March, we’re taking a look at the 1995 to 1996 season of Star Trek, including Star Trek: Deep Space Nine and Star Trek: Voyager. Check back daily Tuesday through Friday for the latest review.

Part of what is so remarkable about Star Trek: Deep Space Nine is how prescient it seems.

The Star Trek franchise is renowned for its central metaphors and allegories, its fondness for addressing contemporary issues through abstract philosophical discussions. Even the most casual of television fans can point to episodes like Let That be Your Last Battlefield or A Private Little War as examples of the franchise’s engagement with contemporary social issues. (Of course, they may not be able to actually name those episodes.) Of course, the reality was always more complicated than that, but this social engagement is part of the popular memory of the franchise.

Armed and dangerous…

While there is a tendency to overstate the importance of social commentary and engagement in the history of the Star Trek franchise, it is a massive part of the cultural behemoth. Although not every (and arguably not even most) Star Trek episodes are explorations of moral philosophy that apply to the contemporary world, they are an essential part of each and every Star Trek series. Sometimes these episodes are brilliant, and sometimes they are heavy-handed. Sometimes they are earnestly sincere, and sometimes they are hopelessly misguided.

However, Deep Space Nine stands out in comparison to its contemporaries. Even twenty years after the show aired, it seems like Deep Space Nine speaks to contemporary anxieties and uncertainties.

The Changeling Face of Evil…

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Filed under: Deep Space Nine | Tagged: 9/11, deep space nine, fear, home front, paradise lost, security, star trek, star trek: deep space nine, timeliness, war on terror | 16 Comments »

Non-Review Review: Zootropolis (aka Zootopia)

Posted on March 1, 2016 by Darren

This film was seen as part of the Audi Dublin International Film Festival 2016.

Zootropolis is a solidly entertaining family film that strains under the weight of its core premise.

There is a great idea in here, a detective film set in an anthropomorphised world featuring a rabbit and fox who must team up to solve a number of mysterious disappearances. Along the way, writers Jared Bush and Phil Johnston fashion the story into an allegory rich with social commentary about race and class issues in American cities. It helps that the script is light on its feet and packed with enough fast gags that it breezes along without ever getting stuck in the same place for too long.

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However, this becomes a problem in and of itself. There is a sense that Zootropolis struggles to do too much in the space afforded to it. The plot covers quite a lot of ground as our plucky heroes embark on their investigation, including extended (and overt) riffs on pop culture standards like The Godfather and Breaking Bad. There are points at which it feels like Zootropolis might be a much stronger film if it slowed down a bit, instead of hopping from one set-up to the next in the style of its rabbit protagonist.

Zootropolis largely works, but it never comes together in the way that the best Disney outings do. There are points at which Zootropolis feels more like a turducken than a chimera.

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Filed under: Non-Review Reviews | Tagged: adiff, adiff 16, allegory, animated, anthropomorphic, commentary, disney, non-review review, racism, review, zootopia, zootropolis | 4 Comments »

Non-Review Review: Whiskey Tango Foxtrot

Posted on February 29, 2016 by Darren

This film was seen as part of the Audi Dublin International Film Festival 2016.

It can be difficult to balance tone when setting a comedy inside a warzone.

That difficulty only increases when setting that comedy in the aftermath of the United States invasion of Afghanistan. America’s military intervention in Iraq and Afghanistan remains a defining moment in twenty-first century history; although the Obama administration might have worked hard to reduce commitment to the region, the conflicts remain divisive and controversial. As such, setting a comedy drama against the backdrop of the Afghan conflict is a dicey proposition.

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Whiskey Tango Foxtrot struggles to pitch itself at the right tone, unsure whether it is an absurdist comedy about the excesses of modern war or a character study of what it must be like to live in such an environment or whether it is a more mature reflection on life during wartime. Whiskey Tango Foxtrot tries to have the best of all possible world, which leaves the film bouncing between extremes. There are moments of irreverent irony followed by earnest sincerity. The movie alternates between bitter cynicism and saccharine optimism.

The result is a movie that feels uneven and unfocused, tonally lost and wildly variable. And not in a way that reflects the conflict unfolding in the background.

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Filed under: Non-Review Reviews | Tagged: film, non-review review, review, whiskey tango foxtrot | 2 Comments »

The Adventures of Superman – The Sound of One Hand Clapping (Review)

Posted on February 29, 2016 by Darren

This March sees the release of Batman vs. Superman. To celebrate, we’ll be looking at some iconic and modern Batman and Superman stories over the course of the month.

Max Landis has a relatively unique path to writing for Superman.

Landis is one of the most striking young writers to emerge from Hollywood in quite some time, making a strong impression through his collaboration with Josh Trank in the low-budget found-footage superhero film Chronicle. Landis has diversified somewhat since that original screenplay; a filmography that includes films like Mr. Right, American Ultra and Victor Frankenstein suggests that Landis’ interests lie more in unconventional pairings than in the superhero genre itself.

The Joker’s gags really bombed…

Nevertheless, Landis is a writer who does seem fascinated with the mechanics and underlying logic of superhero storytelling. A year before the release of Chronicle, Landis put together a short film that served as an extended discussion of The Death and Return of Superman featuring a variety of top tier talent like Mandy Moore, Elijah Wood, Ron Howard and Simon Pegg. At once reveling in the absurdity of the massive nineties comic book crossover and interrogating its central character’s identity crisis, it was a potent piece of pop culture criticism.

In the years following his initial success, Landis has remained relatively connected with the Man of Steel. He drafted an eight-page origin for the Atomic Skull for the first annual of DC comics’ relaunched Action Comics run, and would get a change to craft his own origin story for Clark Kent in American Alien. However, he also wrote a short two-issue story as part of DC’s digital-first The Adventures of Superman comic, scripting Superman’s first encounter with the Clown Prince of Crime.

Last laugh…

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Filed under: Comics | Tagged: batman, Comics, continuity, dc comics, Jock, joker, Max Landis, superman, the adventures of superman | 11 Comments »

Non-Review Review: Hitchcock/Truffaut

Posted on February 28, 2016 by Darren

This film was seen as part of the Audi Dublin International Film Festival 2016.

Hitchcock/Truffaut is incredibly light and fluffy.

In many respects, Kent Jones’ documentary about the eponymous piece of classic film literature plays like something of a late night infomercial populated with nerdiest film endorsements imaginable. Hitchcock/Truffaut is not so much interested in exploring and expanding its source text, instead settling for celebration. Wes Anderson boasts that his copy of the book is so well-used that it is held together by rubber bands; Kiyoshi Kurosawa explains that the only thing holding him back from blatantly stealing from the book is a promise to himself.

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There is not anything particularly wrong with this. There is something quite fun in watching film-makers get evangelical about their craft. All of the talking heads offer some insight into their own work when they expand upon what Alfred Hitchcock means to them. Martin Scorsese’s joy as he journeys shot-by-shot into Psycho is infectious, and it is clear that everybody involved with the project holds Hitchcock in the highest possible regard and embraces him as a cornerstone of modern movie-making.

Hitchcock/Truffaut‘s biggest issue is also its strongest virtue; this is a cheerful and superficial acknowledgement of its subject, one that decides particularly in-depth coverage of the auteur is secondary to rendering the material accessible to neophytes.

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Filed under: Non-Review Reviews | Tagged: adiff, adiff 16, documentary, film, hitchcock/truffaut, non-review review, review | 2 Comments »

Star Trek: Deep Space Nine – Homefront (Review)

Posted on February 26, 2016 by Darren

This February and March, we’re taking a look at the 1995 to 1996 season of Star Trek, including Star Trek: Deep Space Nine and Star Trek: Voyager. Check back daily for the latest review.

Homefront and Paradise Lost are a fascinating example of what Star Trek: Deep Space Nine does best, both in terms of theme and storytelling.

In many ways, Homefront and Paradise Lost are among the most culturally relevant episodes produced during the series’ seven-season run. The two-parter speaks to a lot of concerns and anxieties that were part of the public consciousness during the nineties, but exploded in the early years of the twenty-first century. Homefront and Paradise Lost feel more powerful in the era of airport security screenings and extraordinary powers than they did on their original broadcast. These are among the most important episodes the franchise ever produced.

Broken link…

However, the two-parter is also a great example of how the production team on Deep Space Nine approach storytelling. Not just in terms of arc-building and serialisation, but also in terms of structure and pacing. Unlike The Way of the Warrior, which was very clearly a single ninety-minute episode of television, Homefront and Paradise Lost are very clearly structured as two separate episodes of television. It is a subtle distinction, but one which has a significant impact in how the creative team tell their story.

More than that, Homefront and Paradise Lost represent a great example of the strengths of the production team’s improvisational approach to long-form plotting.

More like Starfleet INsecurity, amirite?

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Filed under: Deep Space Nine | Tagged: deep space nine, homefront, long-form storytelling, paradise lost, serialisation, star trek: deep space nine | 13 Comments »

Non-Review Review: Mammal

Posted on February 26, 2016 by Darren

This film was seen as part of the Audi Dublin International Film Festival 2016.

Mammal is a psychosexual exploration of grief with a strong sense of direction and two strong central performances, albeit one that manages the rare feat of feeling both sensationalism and lifeless in the same instant.

Writer and director Rebecca Daly has a strong sense of tone, creating a palpable uncertainty and anxiety that pervades the first half of the film. Daly crafts an engaging sense of ambiguity, allowing tensions and uncertainties to simmer beneath the surface of the relationship between her two central characters. The performances help a great deal, with Rachel Griffiths doing great work as the divorced and isolated Margaret and Barry Keoghan offering strong support as the mysterious Joe. Mammal is filled with awkward silences and tense foreboding.

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Unfortunately, all of those tension and anxiety has to build to something, and Mammal suffers in how it decides to deliver upon and follow through on all that suspense and ambiguity. Mammal really struggles during its second act, offering twists that should be shocking but are ultimately entirely predictable. Mammal seems to try to escalate in its final act, but the film suffers quite a bit from its own efficiency at setting the mood. In its last forty minutes, the film is left nowhere to go but the most expected directions, the blows softened by the fact they’ve been awkwardly signposted.

Mammal works best when it focuses on the interiority of its characters, but struggles when it asks them to act upon one another.

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