This November (and a little of December), we’re taking a trip back in time to review the third season of The X-Files and the first (and only) season of Space: Above and Beyond.
Avatar is really the first time that The X-Files relies on a member of its supporting cast to carry a story all by themselves.
Later seasons will get a bit more adventurous when it comes to sharing screen time. Musings of a Cigarette-Smoking Man and En Ami both offer viewers a glimpse at the man behind the cigarette. The Lone Gunmen prepare for their own spin-off with The Unusual Suspects and Three of a Kind. Even Skinner gets a couple more character-centric episodes with Zero Sum and S.R. 819. In a way, Hungry is a day-in-the-life episode of a monster of the week.
Pushing Mulder to the background…
Avatar is an episode that demonstrates that these kinds of stories are possible – that The X-Files can lift the focus off of Mulder and Scully for a week and flesh out those characters who exist at the periphery of the series. Just under two years after he was first introduced, Mitch Pileggi has proven himself invaluable to the series. Asking him to carry an episode like this demonstrates the show’s faith in the character.
Avatar is a bit rough around the edges, struggling to decide whether it is part of the show’s conspiracy mythology or a stand-alone monster tale in a season that has worked hard to delineate the two types of show. Still, it’s an ambitious late-season installment that makes a lasting impression on what The X-Files can be.
Don’t look now…
Filed under: The X-Files | Tagged: assistant director, conspiracy, david duchovny, Mitch Pileggi, monster of the week, mystery, night hag, Skinner, stand-alone, succubus, the x-files, Walter Skinner, x-files | 2 Comments »
the m0vie blog 
Space: Above and Beyond – Dear Earth (Review)
This November (and a little of December), we’re taking a trip back in time to review the third season of The X-Files and the first (and only) season of Space: Above and Beyond.
In many respects, Dear Earth serves as a mirror to Toy Soldiers.
Both stories are based around familiar wartime story beats. Both are very sentimental hours of television. Both are firmly anchored in the idea that Space: Above and Beyond is largely about reworking the narratives of the Second World War for a futuristic outer space setting. There is a lot of overlap between Dear Earth and Toy Soldiers, with the episodes feeling like two peas in a pod. They both appeal to the same aspects of Space: Above and Beyond.
You’ve got mail…
However, Dear Earth works a lot better than Toy Soldiers did. It is dealing with a similar collection of iconic imagery and ideas associated with the Second World War, touching on many of the same themes and ideas; it is just that the execution is considerably stronger. Dear Earth is a show that not only has a lot more charm than Toy Soldiers did, but a lot more humanity. It is an episode that does a lot to remind viewers why they have come to care for the show’s ensemble.
Dear Earth is a very well-made piece of television.
Astro-turf…
Continue reading →
Filed under: Space: Above & Beyond | Tagged: black market, character development, commentary, dear earth, dear john, discrimination, documentary, fandom, invitroes, millennium, prejudice, richard whitley, space: above and beyond, the x-files, Winrich Kolbe | 2 Comments »