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New Podcast! The X-Cast – Season 3, Episode 19 (“Hell Money”)

I’m back on The X-Cast this week, covering Hell Money with the great Carl Sweeney.

This is an interesting one. Everybody has their own personal underrated favourites, whether in film or on television or in any other media. Pieces of art on which we feel much more strongly than the consensus, and in which we see a bit more than our fellow audience members. In my case, this is true of quiet a few episodes of The X-Files, typically episodes that meet with a shrug from the collective audience, but with which I’ve fallen head-over-heels in love. Hell Money is one of those episodes.

The truth is in here. You can listen to the episode here, or click the link below.

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The X-Files – Hell Money (Review)

This November (and a little of December), we’re taking a trip back in time to review the third season of The X-Files and the first (and only) season of Space: Above and Beyond.

Hell Money is an oft-overlooked episode of The X-Files.

The positioning in the third season probably doesn’t help. It comes directly after Teso Dos Bichos, probably the season’s weakest episode. It is also positioned in the gap between Pusher and Jose Chung’s “From Outer Space”, two broadly-loved episodes that serve as pitch-perfect examples of The X-Files both on- and off-format. In contrast, Hell Money is something a little stranger. It is not as conventional as Pusher, nor as radical as Jose Chung’s “From Outer Space.”

Seeing is believing...

Seeing is believing…

Instead, Hell Money is an episode of The X-Files that loosely fits the show’s format. Mulder and Scully investigate a bunch of macabre murders where sinister forces are at work. However, in keeping with the broad themes of the third season, the evil in Hell Money takes a particularly banal form. There are no monsters here; at least, not any supernatural monsters. The only ghosts that haunt the narrative are metaphorical. There is a culture alien to our leads, but one a bit more grounded than extraterrestrials.

Hell Money is a clever and thoughtful piece of television that feels subtly and harrowingly subversive.

The writing is on the wall...

The writing is on the wall…

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