The first Star Trek pilot, The Cage, was produced in 1964. To celebrate its fiftieth anniversary, this December we are reviewing the second season of the original Star Trek show. You can check out our first season reviews here. Check back daily for the latest review.
Return to Tomorrow is similar to By Any Other Name in a number of ways.
Most superficially, it’s an episode about aliens in human bodies, who find themselves learning (or, in this case, remembering) how to appreciate all that mankind has to offer. The plot similarity is rather broad, but it seems strange that By Any Other Name and Return to Tomorrow would be produced right after one another, and that no significant effort would be made to space them apart on initial broadcast. (Both aired in February of 1968.)
However, there are more fundamental and underlying similarities between Return to Tomorrow and By Any Other Name. Both are episodes that are very much engaged with the underlying philosophy of the franchise, particularly concerning humanity’s place in the universe. Indeed, there’s an argument to be made that Return to Tomorrow and By Any Other Name both work much better as statements of philosophical intent than they do as stories in their own right.
Co-written by Gene Roddenberry, Return to Tomorrow is a rather generic piece of television, but one that feels like a considered statement of the franchise’s central themes.
Filed under: The Original Series | Tagged: ancient astronauts, androids, chariots of the gods, credit, credit jumping, Diana Muldaur, Federation, gene roddenberry, James Doohan, john kingsbridge, john t. dugan, religion, return to tomorrow, risk is our business, sargon, sargon's people, star trek, star trek: the original series, the original series, themes, tos, writing | 2 Comments »