• Following Us

  • Categories

  • Check out the Archives









  • Awards & Nominations

Ashes to Ashes: Dust to Dust…

My name is Alex Drake… and your guess is as good as mine.

– Alex introduces us to the third season

Ashes and Ashes wound up last week. It seems to be the time of year for shows wrapping up. I could remark on how I’m hooked on this eclectic collection of British and American shows, but can’t find a decent Irish television show to watch week-in-and-week-out, but I’ll save that rant. It would appear that we have seen the last of the iconic Gene Hunt. And, you know what, it was nice. As nice as an attempt to give the old-fashioned politically-incorrect copper some closure could ever really be.

Gene Hunt takes some parting shots...

Note: This article will discuss the final episode of Ashes to Ashes and also has the capicity to retroactively spoil Life on Mars. You have been warned.

Continue reading

You All Everybody: The Series Finale of Lost…

Those of us looking for an explanation of what the island is, how throwing a body down a well creates a smoke monster or why Locke getting off the island was a bad idea were undoubtedly a little disappointed (as I predicted they would be). In fact, I’ve spoken to a few at work, so I know that they are disappointed. However, I was still quite taken with The End, because it was… well, an end. It was a fitting coda to the series, wrapping up most of the major character arcs and giving the audience a sense of closure.

Excuse me, I was Lost in your eyes...

Note: This post will contain spoilers for the final episode of Lost which has already aired worldwide. Still, consider yourselves warned.

Continue reading

Lost for Words? Do We Really Need an Explanation for Lost?

Lost is entering its final phase. Just two weeks left and it will all be over. I have no doubts that The End, the final episode, will be a bit of a phenomenon – ABC are reportly charging nearly $1m for advertising space during the finale. However, I imagine that a lot of people tuning in will be disappointed – as I expect a large number of viewers will be expecting an easy answer or several to (in fairness, perfectly reasonable) questions like “what is the island?”, “why was there a polar bear on the island and how did it survive?” and “what the hell happened?” To be honest, some of these questions have already been answered (not necessarily satisfactorily), but I still don’t think that the answers – even if they are provided – will be offered in a viewer-friendly mode. And I’m actually reasonably okay with that.

Lost at sea?

Continue reading

And the Angels did Weep: Are the Weeping Angels the first truly iconic villains of NuWho?

The Time of Angels aired on Saturday on BBC and managed to singlehandedly demonstrate that Stephen Moffat is the master of scary Doctor Who and also that the show’s budget cuts were nowhere near crippling. Looking absolutely stunning in High Definition and looking every part, as Moffat alluded, like a big budget Hollywood blockbuster, The Time of Angels also offered the second appearance of Moffat’s own creation, the Weeping Angels, following their initial appearance in Blink a few years back. Part of me wonders if Moffat has, four hours into his first season, done what Russell T. Davies spent his entire run attempting – has he introduced a classic recurring Doctor Who monster?

Angels and demons...

Continue reading

Sympathy for the Daleks: Steven Moffat & The Shifting Status Quo

I suppose you could bring them back, but I’d be slightly puzzled, because they were robots that went wrong. Generally speaking, and maybe Russell wouldn’t agree with a word I’m saying right now, but my favorite Doctor Who story is the one with brand new monsters that you see once and once only. The moment you start crowding the universe with familiar monsters, I think it’s less interesting. Two of the words that you could reasonably apply to the Daleks are ‘reliably defeatable.’ You know those guys are going to lose at the last minute anyway, and you always know what they’re up to, so the best bit about bringing back old monsters is the reveal. After that, it’s all downhill. It’s like Agatha Christie deciding that the butler should always do it, because it was successful in the last book, so that’s not my favorite kind of Doctor Who story. I like brand new monsters.

– Steven Moffat

That answer comes from an interview he gave waaaay back in 2006 – about the time he was writing The Girl in the Fireplace, his second story for the relaunched Doctor Who. I don’t know if he knew then that he was heir apparent to the throne and would succeed Russell T. Davies, but I wonder if being positioned as showrunner has somewhat changed his perspective. In his inaugural year running the show, we’ve already had the return of the Daleks, three episodes in with Victory of the Daleks, next week we’ll witness Moffat returning to one of his own monstrous creations in The Time of Angels and previews have already confirmed that the Cybermen themselves – foes dating from the show’s first leading actor – will be returning as well (with Roman centurians). I’m not complaining at all (a writer as talented as Moffat can do pretty much whatever he wants and I’ll trust him), but I can’t help wondering if perhaps Moffat is playing his own long game with the franchise in his opening season.

Don't worry, this Cyberman is mostly 'armless...

Note: This article contains spoilers for the end of this week’s episode, The Victory of the Daleks, so those who haven’t caught it yet might want to look away or come back to this when they’ve seen the episode. You’ve been warned, so you have.

Continue reading

The Art of Bat-Deduction…

My copy of Grant Morrison’s Batman & Robin hardcover should be shipping from Amazon today. In recognition of that fact, and in acknowledgement of Grant Morrison’s description of his book as the Adam West television show filtered through the lens of David Lynch, I give you perhaps my favourite moment of 1960s Batman, from Batman: The Movie. Batman and the Boy Wonder have just been attacked by a shark, leading to the infamous “Bat Shark Repellent” scene, and the Caped Crusader (because it’s just… wrong to call Adam West’s version of the character the Dark Knight) must figure out who was behind the plot:

Batman: Pretty fishy what happened to me on that ladder.
Gordon: You mean, where there’s a fish, there could be a Penguin.
Robin: But wait! It happened at sea! See? “C” for Catwoman!
Batman: Yet — that exploding shark was pulling my leg!
Gordon: The Joker!
O’Hara: It all adds up to a sinister riddle… Riddle-er. Riddler?

And the scariest part? He’s 100% right. They don’t call him the world’s greatest detective for nothing.

On the phone? That's justice...

The Beastly Side: The Beast Below

Remember last week how I was said I was going to wait until the end of the year to post up one big post-season analysis of Matt Smith’s first season as the Doctor? Yeah, well I’m still gonna do that. But while the episodes still give us food for thought, I might want to post my thought on a given hour (or, in this case, the first episode of the show under an hour long in about two years). Maybe next week I’ll have nothing more to post than simply the fact that spitfires in space represent the coolest concept ever.

The belly of the beast...

Note: This post contains spoilers for The Beast Below, the second episode of the fifth season of Doctor Who (and if you’re going to argue about the given season number, you know exactly which season I’m talking about). I’ll flag them in the article below before I reach them, but consider yourself warned.

Continue reading

Why the Pacific Belongs on Sky Movies

Sky caused a bit of a kerfuffle (it’s a word!) when they announced that The Pacific, the really rather excellent Second World War miniseries, would be airing on Sky Movies instead of Sky One – their television station. Queue the sounds of protest from various sources decrying the event as a television show which belongs on Sky’s primary television station – Sky One. However, Sky responded with the argument that Sky One simply isn’t equipped to broadcast a show like The Pacific, designed to air unedited and uninterrupted without overlays or advertisements. I’m going to take the unpopular path and argue that Sky were right: having watched the first two episodes, The Pacific should air on Sky Movies.

War over The Pacific?

Continue reading

Firefly

Psychic, though? That sounds like something out of science fiction.

We live in a spaceship, dear.

So?

– Wash and Zoe, Objects in Space

Joss Whedon writing a science fiction show – a science fiction western, to be precise. Doesn’t that excite you? Just a bit? Well, it should, because they’re just so… very… pretty. Huh? Look at that chiselled jaw!

And yes, I am already quoting it. It’s going to be a fun review.

Male bonding... Or bondage, I'm not sure...

Continue reading

The Pacific: Parts One & Two

There are things men can do to one another that are sobering to the soul; and it’s one thing to square it with god, and another to square it with yourself.

– Leckie, Part One

I know that The Pacific is airing in the States a good few weeks ahead of us, but the first episode of the show (well, a double bill) just landed here in the UK and Ireland on the ever wonderful Sky Movies. I’m probably going to do a little summary of my thoughts on the whole show when it finishes airing, but I do have some initial thoughts that might bear putting into words. It’s a great time to be watching television, isn’t it?

It shouldn't be that hard to convince you to watch The Pacific...

Continue reading