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The Adventures of Tintin: Destination Moon (Review)

To celebrate the release of The Adventures of Tintin: The Secret of the Unicorn in the United States later this month, I’ll be taking a look at some of nineties animated television show. Check back daily!

Note: This is our review of the animated episode, check out our review of the book here.

I think that Destination: Moon represents perhaps the most significant challenge to the producers of the animated series so far. While they managed to harvest a plot from the disjointed collection of scenes Hergé knitted together to form Tintin in America, this is the perhaps the least standard instalment of the series they’ve tried to adapt until this point. I’m a big fan of Destination: Moon, reading it as a wonderful optimistic and enthusiastic reflection on mankind’s potential, coming from Hergé after the Second World War. However, it’s also a bit unstructured and episodic, almost a collection of short stories tied together by the plan to send a manned mission to the moon. The animated adaptation doesn’t have the luxury of cutting the adventure down to a single episode, and so it’s a standard two-parter. It seems that there was a bit of difficulty structuring the story for that format.

Blast off!

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The Adventures of Tintin: Land of Black Gold (Review)

To celebrate the release of The Adventures of Tintin: The Secret of the Unicorn in the United States later this month, I’ll be taking a look at some of the nineties animated television show. Check back daily!

Note: This is our review of the animated episode, check out our review of the book here.

Land of Black Gold feels like a rather conscious throwback to the earlier adventures in the series, stories like King Ottokar’s Sceptre or The Black Island or Cigars of the Pharaoh, dealing with relatively grounded political concepts and economic realities, rather than hidden treasure or lost civilisation or trips to the moon itself. Of course, there’s a very good reason – Land of Black Goldwas started before the outbreak of the Second World War, and Hergé put it on hold to write about more abstract and less political concerns. That’s why Haddock only appears in this episode five minutes from the end, because he hadn’t been created when the original story was told. I don’t dislike the adventure, but it does feel rather strange, situated where it is in the Tintin canon.

Petrol was always an explosive topic...

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The Adventures of Tintin: Prisoners of the Sun (Review)

To celebrate the release of The Adventures of Tintin: The Secret of the Unicorn in the United States later this month, I’ll be taking a look at some of nineties animated television show. Check back daily!

Note: This is our review of the animated episode, check out our review of the book here.

When I was younger, I used to love The Adventures of Tintin because they’d transport me to far away places, and give me a chance to see environments and cultures that I wouldn’t get to see until I was much older, if ever. As such, the period of Hergé’s writing that appealed to me the most as a younger was the fantastical segment that covered the author’s work during an immediately after the Second World War. I wasn’t old enough to appreciated the political commentary and satire of stories like The Broken Ear or King Ottokar’s Sceptre, and I was mature enough to fully enjoy the reflective nature of the stories from The Calculus Affaironwards.

A little tied up...

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The Adventures of Tintin: The Seven Crystal Balls (Review)

To celebrate the release of The Adventures of Tintin: The Secret of the Unicorn in the United States later this month, I’ll be taking a look at some of nineties animated television show. Check back daily!

Note: This is our review of the animated episode, check out our review of the book here.

I’ve always had a soft spot for The Seven Crystal Balls and Prisoners of the Sun. When I was younger, originally watching the show and reading the books, they were my favourite adventure, along with Cigars of the Pharaoh. Perhaps it was the exotic nature of the adventure, with Tintin setting off to far-off ports, or the fascinating occult and unexplained elements. I found it somewhat fascinating the Spielberg chose to make The Secret of the Unicornas his first film, since he makes the case that Tintin is a hero who shares a lot with Indiana Jones. I’d make the case that this adventure here is the one that most perfectly captures the strange occult vibe that Lucas and Spielberg tried to recreate with their whip-weilding explorer.

Not quite the boy scout he used to be...

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The Adventures of Tintin: Red Rackham’s Treasure (Review)

To celebrate the release of The Adventures of Tintin: The Secret of the Unicorn in the United States later this month, I’ll be taking a look at some of nineties animated television show. Check back daily!

Note: This is our review of the animated episode, check out our review of the book here.

It’s quite strange, given how lukewarm I was to The Secret of the Unicorn, that I am undeniably fond of Red Rackham’s Treasure. At a time when Hergé seemed to be aiming for fantastic escapism, perhaps to avoid dealing with wartime reality, I think that Red Rackham’s Treasure perfectly encapsulates a lot of what was fun about Tintin, at least for my inner child. There’s hidden treasure, untouched tropic islands, walks along the ocean floor, submarines and even a shark attack! It’s all very light and whimsical, but it’s pure adventure all the way through, with a giddy enthusiasm sustaining the narrative.

Pushing the boat out...

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The Adventures of Tintin: The Secret of the Unicorn (Review)

To celebrate the release of The Adventures of Tintin: The Secret of the Unicorn in the United States later this month, I’ll be taking a look at some of nineties animated television show. Check back daily!

Note: This is our review of the animated episode, check out our review of the book here and our review of the film here.

I have to admit that I was never a big fan of The Secret of the Unicorn. I know it’s strange, given how much praise and respect the film gets in various critical circles, and near universally high esteem that fans of the series seem hold for the adventure. I don’t hate it, and I don’t dislike it. I am just not especially fond of it, especially compared to some of the adventures around it. While the animated adaptation does make the case for The Secret of the Unicornas a solid Tintin adventure, I do have to be a bit disappointed with the transfer quality on the blu ray disc.

If it ain't broke...

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The Adventures of Tintin: The Shooting Star (Review)

To celebrate the release of The Adventures of Tintin: The Secret of the Unicorn in the United States later this month, I’ll be taking a look at some of nineties animated television show. Check back daily!

Note: This is our review of the animated episode, check out our review of the book here.

I like The Shooting Star. It’s one of the stranger entries in the series, and so it tends to divide fans – much like the equally surreal Flight 714. Part of the reason I enjoy it so much is the wonderful atmosphere Hergé generates early in the story, as if channeling his own fears and uncertainties about a Europe that was (at the time) on the brink of war. I also enjoy the way that the adventure allowed Hergé to cut loose with his imagination – the final few pages allowing the artist to indulge his own zany imagery in a manner similar to the wonderfully odd dream sequences in Cigars of the Pharaoh and The Crab With the Golden Claws. The animated adaptation does a decent job of translating the story from one medium to another, but I can’t help but feel a little disappointed with it.

Magic mushroom...

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The Adventures of Tintin: The Crab With The Golden Claws (Review)

To celebrate the release of The Adventures of Tintin: The Secret of the Unicorn in the United States later this month, I’ll be taking a look at some of nineties animated television show. Check back daily!

Note: This is our review of the animated episode, check out our review of the book here.

Though the blu ray box set of the animated series includes the episodes in the order of the stories Hergé published, the studio actually produced the adventures in a different order, spread across three seasons. In fact, the first episode we reviewed, Tintin in America, was the last produced. So The Crab With the Golden Claws was actually the first animated adaptation in this particular series. And it makes sense to use this adventure as a good place to start any adaptation of Tintin – indeed, it appears Steven Spielberg and Peter Jackson would agree, as this is the first of three stories adapted in The Adventures of Tintin: The Secret of the Unicorn. It has everything you need from a Tintin adventure – a mystery, an exotic locale, international criminals.

Oh, and it also introduces Captain Haddock.

Haddock can't hold his liquor...

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The Adventures of Tintin: King Ottokar’s Sceptre (Review)

To celebrate the release of The Adventures of Tintin: The Secret of the Unicorn in the United States later this month, I’ll be taking a look at some of nineties animated television show. Check back daily!

Note: This is our review of the animated episode, check out our review of the book here.

In a way, King Ottokar’s Sceptre feels like the end of an era. King Ottokar’s Sceptre is the last adventure in the series that Tintin would spend alone (save for the company of the loyal companion, Snowy). Although Hergé began work on The Land of Black Gold next, the next completed story (The Crab With the Golden Claws) would introduce Captain Haddock, who would follow Tintin for the rest of the series.  It was also the last story that Hergé completed before the outbreak of the Second World War, and the sense of paranoia is palpable. After this story, Hergé would remove a lot of the more overt political commentary from the series, preferring to offer more subtle and biting commentary. I’m delighted to say that the animated adaptation retain pretty much all of the spirit of Heré’s original story, which I was a little worried about given how deeply rooted the story is in the European politics of the thirties.

Keys to the kingdom...

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The Adventures of Tintin: The Black Island (Review)

To celebrate the release of The Adventures of Tintin: The Secret of the Unicorn in the United States later this month, I’ll be taking a look at some of nineties animated television show. Check back daily!

Note: This is our review of the animated episode, check out our review of the book here.

I’ve always had a bit of a soft spot for The Black Island. There are probably multiple reasons for this. Snowy is my favourite member of the Tintin ensemble, and The Black Island is as close as possible to a Snowy-centric adventure. I also tend to enjoy the pulpier stories in Hergé’s series, the ones that have aged so well that they perfectly evoke the serialised fiction of the era without feeling trapped in it – stories like The Cigars of the Pharaoh, which is in series competition to be my favourite Tintin adventure. The Black Island is undoubtedly a product of the thirties, with the German counterfeiting ring in England and the homage to King Kong, but it never feels that old. In a way, the bright colours and wonderful depiction of rural England (and other stereotypical elements like the police constables) always made me think of the British pop culture of the sixties. I think that’s the appeal of the adventure to me, in a nutshell.

And most of it made it to this animated adaptation.

Something to think about...

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