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Non-Review Review: interMission

interMission is a fantastic piece of Irish cinema, a broadly accessible exploration of intersecting and overlapping life in Dublin with a witty script lending the film some distinctly Irish flavour. The structure owes a little bit of a debt to Tarantino’s Pulp Fiction or even Altman’s Short Cuts, capturing a variety of perspectives on life from a reasonably-sized ensemble who only occasionally overlap with one another. It’s a funny, clever, well-acted and well-directed slice of life.

Drive of your life...

Drive of your life…

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Watch! New Wolf of Wall Street Trailer!

I’m really looking forward to Wolf of Wall Street. It helps that it’s a Scorsese film starring Leonardo DiCarpio, but the first trailer just cements that enthusiasm, teaser a ride which looks completely and utterly insane. The trailer is a work of bizarre genius, a celebration of tasteless excess which seems to show an actor and director who aren’t worried about going over the top; in fact that’s the entire point.

Check it out below.

 

Watch! Extended Elysium Trailer!

I really liked District 9, even if my love for the film wasn’t quite unreserved. Director Neil Blomkamp is one to watch, and the latest trailer for his upcoming science-fiction film, Elysium, starring Matt Damon and Jodie Foster, has arrived. It’s out in the States on August 9th. The release date is – unfortunately – being staggered, so European audiences will have to wait two weeks to see the film. Hopefully it’s worth waiting for.

 

Watch! New Wolverine Trailer!

I’m actually slightly looking forward to The Wolverine. Yes, I’m aware that X-Men Origins: Wolverine was… less than good. On the other hand, I have a soft spot for James Mangold, and I like the idea of giving the character a (relatively) fresh start free from all the continuity and characters of the previous X-Men films. I’m not expecting an instant classic, just a nice popcorn film.

Enjoy!

 

Non-Review Review: World War Z

World War Z is a lesson in compromise, a Frankenstein’s monster stitched together out of necessity with the lines very clearly showing. It goes this way and then that way, never really sure where it wants to be in the next act, save that it’s a safe bet there might be zombies. World War Z isn’t as bad as it might have been, but the problem is that it feels like it’s trying so hard to find an ending that it never bothers to excel. It’s not that World War Z is bad, it’s a competently made thriller that works as well as it can with a script that spent most of production in triage. The problem is that it’s never bold enough to do anything genuinely exciting.

Pitting our best man against the zombie horde...

Pitting our best man against the zombie horde…

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Non-Review Review: Superman vs. The Elite

To celebrate the release of Man of Steel this month, we’re going Superman mad. Check back daily for Superman-related reviews.

Superman has struggled with his pop culture credibility for quite some time now. The character is seen as too old-fashioned or outdated to really resonate in the modern world, standing for an overly simplistic and unquestioning moral philosophy which doesn’t take into account the nuances of current realities. Superman vs. The Elite, adapted from Joe Kelly’s What’s so Funny About Truth, Justice & the American Way?, represents an attempt to counter this opinion of Superman as a character. Unfortunately, it never really does so be convincing us that the character is still relevant. Instead, it creates a bunch of convenient straw men to oppose our hero, and never allows him to win on his own terms.

Beware the Superman...

Beware the Superman…

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Non-Review Review: Man of Steel

There are moments of brilliance in Man of Steel. I like the golden-hued Malick-esque glimpses of Middle America, evoking the work of Norman Rockwell. (Indeed, the earliest glimpse of Clark Kent’s life on Earth seems to evoke Teacher’s Birthday.) I like the decision to cast Jor-El as a pulpy science hero rather than a stand-in for God. I like the way that the movie embraces the concept of exceptionalism, and doesn’t shy away from the American ideals embodied in Superman’s mythology. I appreciate the development of the Kents into more than generic slices of apple pie.

However, for all of these lovely moments, there’s a sense that Man of Steel resents the fact that it is a superhero origin film. It’s easy to understand why. Superman origins are a dime a dozen, and it’s hard to imagine anybody could be unfamiliar with the broad strokes of the story. However, Man of Steel does find an interesting and nuanced angle on that first crucial Superman story… only to become something radically different. A little under half-way through, the film morphs into a big budget superhero spectacle, sandwiched between the outline of an origin story and chunks peppered throughout like some form of tossed salad.

Man of Steel suffers because it’s a lot less interesting than it might have been, and it revels in that comfortable blockbuster mediocrity.

High flyin'...

High flyin’…

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Win! Tickets to the Jameson Cult Film Club screening of Intermission!

Brown sauce in your tea? Delish! The Jameson Cult Film Club returns to its home setting of Dublin for an electrifying screening of the gritty Irish crime flick interMission, on Tuesday June 18th.

Jameson Cult Film Club - Intermission

This event promises to transport the audience right into the world of this cult classic for an unforgettable viewing experience.  Attendees lucky enough to nab tickets to this event will be treated to much more than a typical screening, as actors, live theatre and special effects timed perfectly with on-screen action help to create an electric atmosphere throughout the screening.

Re-live the suspense, comedy and drama of this crime caper from the moment you arrive at Dublin’s ‘Mega Mart’ – the secret location revealed only to ticket holders.

Check out www.jamesoncultfilmclub.ie for more details and register to win FREE tickets to the screening on June 18th.

For your chance to nab one of two pairs of tickets to the screening, then simply complete the below quote from the movie and fill out your name and contact details.

Entrants must be over 18 years of age. Contact details will not be used for any purpose other than to contact the winners. Good luck!

The Competition is now closed. Winenrs will be notified shortly. Thanks for entering!

cultfilmjameson drinkaware 1 line 18pt

Non-Review Review: Behind the Candelabra

It’s a shame that Behind the Candelabra didn’t receive a theatrical release in the United States. It’s a shame for a lot of reasons. For one thing, it’s a shame that the studios think so little of American audiences that they’d refuse a relatively meagre $5m budget for a Liberace biopic which was “too gay.” It’s a shame that Steven Soderbergh’s last film will not be shown in American cinemas, given his recent discussions about the state of the medium. It’s a shame that none of the talented people involved in the film (from Michael Douglas through to make-up artists Todd Kleitsch and Christine Beveridge) will never garner the awards attention they so sorely deserve.

It’s also a shame because Behind the Candelabra is just a damn fine piece of cinema, and one which deserves a little time on the big screen.

Cloaked in mystery...

Cloaked in mystery…

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Non-Review Review: The Dark Knight Returns, Part II

To celebrate the release of The Man of Steel this month, we’re going Superman mad. Check back daily for Superman-related reviews.

The Dark Knight Returns is pretty much the classic Batman story, even more than Year One from the same author. It’s the story which – for better or worse – defined a lot of what we take for granted about Batman as a character today. So it makes sense that there would be an animated adaptation. And I respect the decision to split the story across two seventy-odd minute instalments, creating a two-part movie which still runs significantly shorter than Christopher Nolan’s The Dark Knight Rises.

Adapting Miller’s story from print was always going to be a tough proposition. After all, Miller’s comic isn’t just one of the defining Batman stories, it’s a turning point in mainstream comics. Transferring it from its home medium was always going to be tough. Still, the production team working on The Dark Knight Returns, Part II acquit themselves well in offering a satisfying take on a classic tale.

It's the Batman!

It’s the Batman!

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