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Watch! Spike Lee’s Oldboy Trailer!

If you haven’t watched the original Oldboy, you should really do so now. I’m not as head-over-heels in love with it as most, but it’s a stunningly powerful piece of film making, “visceral” in the strongest sense of the word. After years of trying to get the film off the ground, the American remake is incoming. I remember when there was gossip about a Steven Spielberg and Will Smith version, which it’s hard to imagine working anywhere near as effectively as the original. The team of Spike Lee and Josh Brolin, on the other hand, looks more likely to deliver something as twisted and bold as Pan Chan-wook’s original.

Anyway, the trailer’s below. So have a look and let me know what you think.

Non-Review Review: Pacific Rim

The generic way of describing Pacific Rim seems to be Transformers vs. Godzilla, which really says more about how hard it is to sell an original blockbuster these days than it does about the quality of the film itself. There are obvious and superficial similarities between Pacific Rim and the two film series cited – giant robots and monsters from the ocean – but that cynical synopsis doesn’t do justice to director Guillermo Del Toro’s bold vision.

Pacific Rim is a punchy old-school summer blockbuster, one which remembers that characters are the foundation of drama, and which imbues its flesh-and-blood cast with as much personality as the flesh-and-blood spectacle unfolding overhead.

Here there be monsters...

Here there be monsters…

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Watch! Only God Forgives UK Trailer!

Only God Forgives is just about my most anticipated movie of the year. Drive was my favourite film of 2011, so the re-teaming of director Nicholas Winding Refn and lead Ryan Gosling immediately piques my interest. Coupled with the power of the premise and the beauty of the clips we’ve seen so far, it’s very hard not to get too excited about the film. Luckily, it’s only a month away from release in the UK and Ireland. That’s not too long, and to tide us over, here’s the latest beautiful-looking UK trailer.

 

Non-Review Review: Superman Unbound

To celebrate the release of Man of Steel this month, we’re going Superman mad. Check back daily for Superman-related reviews.

Superman Unbound is a little disappointing. These direct-to-video animated films can offer brilliant and energetic takes on established comic book characters and stories. The recent two-part adaptation of The Dark Knight Returns and the animated version of New Frontier come to mind. However, Superman Unbound seems to be just treading water, offering a fairly generic Superman story with no real insight into the character and his world.

Up, up and away...

Up, up and away…

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Non-Review Review: Now You See Me

Now You See Me hinges on its final twist. How you react to that twist will define what you think of the movie. Cynics would argue that it’s a rather trite and cliché way of wrapping up a generic mystery with flash distracting from substance, with director Louis Leterrier frantically trying (and failing) to paper over the ever-widening cracks in narrative logics. Others will forgive it as theatrical excess, acknowledging that – though crucial – the denouement isn’t all that is worth appreciating in a magic trick. True magic is an artform, a narrative worth appreciating for technique and wit as much as to grasp the final turn.

The last act might let it down a bit (quite a bit), but Now You See Me spends most of its runtime as an enjoyable romp watching charming people engage in amusing set pieces. There’s a showmanship to it, an energy and flair. Leterrier often feels like he’s cobbling the film together as it threatens to rocket away from him, but there a pulpy energy that manages to hold the house of cards together until the last possible moment.

Lighting up the room...

Lighting up the room…

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Non-Review Review: The Internship

When did Owen Wilson and Vince Vaughn get so old? The two rose to fame as part of the “frat pack” in the late nineties and the early part of the last decade, with The Internship serving as a reunion eight years after their collaborative effort in The Wedding Crashers. It’s interesting to look at how radically their screen personas have shifted. The Wedding Crashers positioned the two men as teenagers afraid to grow up, while The Internship joins them as two middle-aged men with life experience to share.

There’s a sense that something’s missing here, that we skipped a crucial step in the transition from rogue youngsters to hip uncles. The Internship doesn’t feel reckless or energetic. It feels safe and comfortable. If The Wedding Crashers saw the pair joyriding in a stolen Ferrari, The Internship feels more like a cruise in the family sedan.

A brand new day...

A brand new day…

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Non-Review Review: Despicable Me 2

Despicable Me 2 doesn’t quite have the same charm as Despicable Me. It’s not that there’s any aspect of the production that is noticeably weaker, it’s just that the original film had a much stronger hook. The story of a supervillain who adopts three young girls as a means to an end, only to find himself coming to care for those kids, might seem a bit cliché (okay, it might sound a lot cliché), but it worked because the film had a solid emotional core.

Despicable Me 2 doesn’t have the same emotional core or stakes. There are subplots and character development (with the sequel going to a lot of effort to make sure almost every returning character has something to do), but the stakes don’t seem quite as high. It’s stunningly well-animated, it’s consistently funny and the cast are as charming as ever, but it just feels a tiny bit shallower than the first film.

You're hot and you're cold...

You’re hot and you’re cold…

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Non-Review Review: Citadel

Citadel marks a promising feature-length directorial début from Ciaran Foy. It’s a very grimy and gritty horror, evoking the sort of trashy horror aesthetic of the seventies or eighties video scene. It’s unpleasant and nasty stuff, which is exactly what you’d expect from a horror film. On the other hand, it occasionally seems too nasty. Horror films, by virtue of their genre, often wind up feeling a little reactionary. Citadel is an urban horror film, reflecting the concerns and the nightmares of inner-city living, turning happy-slapping hoodies with ASBOs into literal monsters.

I got you, babe...

I got you, babe…

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Jameson Cult Film Club: interMission

The Jameson Cult Film Club screening of interMission was a wonderful evening, as usual. Converting a warehouse at the end of Hanover Quay into the film’s MegaMart, the gang provided the usual celebratory screening atmosphere. Appropriately enough, brown sauce seemed to be the theme of the event, with crates serving as make-shift tables, bottles served along with tasty grub for those looking to customise their burgers.

(I will confess, though, that I did not see anybody mixing brown sauce with their Jameson, although I’m sure some adventurous soul out there made an attempt.)

Click to enlarge...

Click to enlarge…

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Watch! New Anchorman 2: The Legend Continues Trailer!

Comedy sequels are, as a rule, a dodgy proposition. After all, you generally assume that the first film – if was successful – had really mined the premise for all it was worth. There’s a tendency to turn comedy sequels into remakes starring the same cast, as there’s an understandable reluctance to meddle too heavily with a successful formula and cast. So I’ll admit that I am a little nervous about Anchorman 2: The Legend Continues.

Still, the trailer looks promising, and updating the characters to the eighties (complete with obligatory Journey soundtrack) could provide enough of a shake-up to keep things interesting. It helps that the original film has – I’d argue – one of the great comedy ensembles, and I trust Ferrell, Carrell, Rudd and Koechner to keep the sequel fresh. It looks worth a shot at least, and it certainly reminds me of what I liked so much about the original Anchorman without seeming like too much of a retread.

Check it out below.