Now You See Me hinges on its final twist. How you react to that twist will define what you think of the movie. Cynics would argue that it’s a rather trite and cliché way of wrapping up a generic mystery with flash distracting from substance, with director Louis Leterrier frantically trying (and failing) to paper over the ever-widening cracks in narrative logics. Others will forgive it as theatrical excess, acknowledging that – though crucial – the denouement isn’t all that is worth appreciating in a magic trick. True magic is an artform, a narrative worth appreciating for technique and wit as much as to grasp the final turn.
The last act might let it down a bit (quite a bit), but Now You See Me spends most of its runtime as an enjoyable romp watching charming people engage in amusing set pieces. There’s a showmanship to it, an energy and flair. Leterrier often feels like he’s cobbling the film together as it threatens to rocket away from him, but there a pulpy energy that manages to hold the house of cards together until the last possible moment.
Lighting up the room…
Filed under: Non-Review Reviews | Tagged: Dave Franco, film, Isla Fisher, jesse eisenberg, louis leterrier, magic, mark ruffalo, Morgan Freeman, Now You See Me, Performing Arts, Plot twist, woody harrelson | 5 Comments »
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