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Non-Review Review: Buried

Buried is a great high-concept thriller, with one hell of a hook and a fascinating premise. Basically the story of kidnap victim Paul Conroy, who is kidnapped by “insurgents” (or “criminals” or “terrorists”, depending on who you ask) and buried alive in Iraq. With only a limited source of light, and even less time, the truck driver is given mere hours to come up with a ridiculously large ransom or he’ll be left in the ground to rot forever.

It's a dirty job...

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Non-Review Review: Finding Nemo

You know, even after all this time, I think that Finding Nemo views with The Incredibles as my favourite Pixar production. I respect and appreciate the sheer artistry and technical skill that went into Wall-E and I think Uprepresents the company’s most mature work to date, but I think Nemo perfectly captures everything that I love about the company – the maturity, the humour, the adventure, the technical skill of it all. Plus it has perhaps the best voice cast of the films.

The life aquatic...

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Non-Review Review: Jane Eyre

This latest in the long line of Jane Eyre adaptations stands quite well among them. My better half, whom I readily defer to in matters of culture (if not, sadly, also taste), assures my that it represents a relatively faithful and incredibly thorough exploration of the classic gothic romance, condensed down into a relatively short two-hour-and-ten-minute film. It really is a well-made film, produced with genuine skill and class from everybody on board, and I’d go so far as to suggest that the few problems I had with it stemmed directly from its source material.

Love is in the Eyre...

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Non-Review Review: The Sum of All Fears

The Sum of All Fears is a strange little beast. By changing the nature of the movie’s threat from Middle Eastern terrorists to a secret cult of Nazis, the film seems to want to avoid seeming “heavy” or “relevent.”However, any form of entertainment that depicts a nuclear attack on a US city on the same scale as that depicted here, seems to carry a lot of weight with it anyway. I think that’s really the core problem with an otherwise reasonable solid film, the fact that it has difficulty balancing what should be an uncomfortable viewing experience with an attempt not to upset anyone.

Ryan, Jack Ryan...

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Non-Review Review: Three Days of the Condor

Reflecting the political climate of the time, the seventies produced any number of high-quality conspiracy thrillers. I think what helps Three Days of the Condor stand above most of the rest is a great leading performance from Robert Redford at the height of his charisma, confident direction from Sydney Pollack and a rather clever central premise that feels interesting in its own right, rather than just a vehicle to create a palpable sense of paranoia.

Branching out...

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Non-Review Review: Tinker Tailor Soldier Spy

Tinker Tailor Soldier Spy is a movie that can be measured against the very best of John la Carré adaptations, and among the very best that the espionage subgenre has to offer. I make that assertion based upon a single viewing, convinced that revisiting the movie will be something of a wonderful experience, an attempt to decode and sift through the film seeking what Control cynically describes as “treasure.” Tomas Alfredson, who established himself with Let the Right One In makes one hell of an English-language debut, providing a film that embodies the culture as much as the language, an elegant and stately affair, never feeling forced or rushed or dumbed down. I think that, with its intriguing structure and manner of suggesting ideas (rather than stating plot points), Tinker Tailor Soldier Spy might represent that mythical ideal: the perfect film for grown-ups.

Never gets Oldman...

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Non-Review Review: Supernova

I’m going to be honest. I like B-movies. I have a soft-spot for a nice cheesy bit of entertainment that doesn’t demand to be taken seriously, and I can forgive a movie some bad acting or dodgy special effects, if the core ingredients are at least marginally interesting. Hell, I actually honestly enjoyed Event Horizon, something not too many other people will confess to. However, watching Supernova, a surprisingly lame rip-off that comes from a handful of directors (including Francis Ford Coppola), I found myself struggling to find anything to remotely enjoy. Instead, I spent most of its relatively short runtime counting down the seconds until it was over.

Guess which one of these gives the least mechanical performance...

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Non-Review Review: Talladega Nights – The Ballad of Ricky Bobby

Talladega Nights: The Ballad of Ricky Bobby is not as good as Anchorman. That said, this reunion of Will Ferrell with Adam McKay has its charm – helped along by the fact that its comedy is framed inside a wonderful little story, and acted out by all manner of skilled performers. I think, if anything, the movie stands as a testament to the huge difference that a sympathetic and engaging protagonist and strong supporting cast can make to a comedy.

A breath of fresh air...

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Non-Review Review: A Lonely Place to Die

A Lonely Place to Die is a well-made little film. Barring a few minor (and one major) faults, it’s an innovative little film that makes the most of a beautiful setting and a wonderfully quirky supporting cast to offer a thriller that feels genuinely original. It’s a movie that takes a rather clever high concept, and does as much with it as it as it can, without ever stretching itself too thin. As far as autumn thrillers go, it’s worth a look for those who like something just a bit outside the norm.

If you go down to the woods today...

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Non-Review Review: Total Recall

Total Recall, to quote the lead character, whoever or whatever he may actually be, might just be “the best mind%&@! yet.”

"Dammit Cohagen, give these people some air!"

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