Little Women is immensely charming and highly engaging.
As is the style of the time, writer and director Greta Gerwig offers something of a “remix” of Louisa May Alcott’s classic American novel. It’s an approach that infuses the film with an appealing poppy sensibility, as the story weaves through time and navigates on theme more than plot. It tells a story of the lives of the four March sisters as they journey from their teenage years into adulthood, wrestling with all the opportunities and challenges that such an adventure offers them.

Come what Chalamet.
Little Women works well for a number of reasons. The most obvious reason is the immensely talented cast. Gerwig reunites with a number of cast members from Lady Bird on Little Women, including Saoirse Ronan in the lead role and supporting turns from both Tracy Letts and Timothée Chalamet. These veterans team up with some of the most charismatic actors working today, including players like Meryl Streep, Laura Dern and Bob Odenkirk. The restructuring of the film plays to the strength of the cast, Gerwig effectively reworking the text as a hangout movie with some pretty cool people.
That said, there is an uncomfortable tension that simmers in the background of the film, in which two of its central themes collide in ways that the movie isn’t quite able to handle.

Women during war.
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