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Non-Review Review: Jumanji – Welcome to the Jungle

Jumanji: Welcome to the Jungle is a weird and interesting experiment, in part because it is a nostalgic and belated sequel that remains caught between its past and the present.

Welcome to the Jungle joins a long (and perhaps undistinguished) line of twenty-first century franchise revivals for beloved nineties properties. The original Jumanji was a hardly a breakout hit, even if it did make an impression on a younger generation who would have grown up on it as part of Robin Williams’ nineties family-friendly oeuvre along with Hook or Ms. Doubtfire. Indeed, Jumanji is arguably the nineties Robin Williams film most perfectly suited to a revival like this, in that it involves a premise that can be divorced from its iconic and beloved star.

Franchises find a way.

At the same time, Jumanji is undoubtedly near the bottom of nineties adventure films in need of a revival, lurking in the shadow of other resurrected blockbusters like Independence Day or Jurassic Park. Perhaps because of this distance, and perhaps because of the lack of a true cult iconography, Jumanji serves as an interesting control case. This is a film with one leg in the present, aimed at what modern families expect from blockbuster entertainment. The other leg it planted firmly in the past, harking back to certain aspects of formula that seem almost quaint.

Welcome to the Jungle is not a particularly good film, but it is an interesting one. It serves as a prism through which certain aspects of nostalgia might be deconstructed and explored.

Players.

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