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New Escapist Column! On the Myths and Lies of “Barry”…

We’re launching a new column at The Escapist, called Out of Focus. It will publish every Wednesday, and the plan is to use it to look at some film and television that would maybe fall outside the remit of In the Frame, more marginal titles or objects of cult interest. With the end of Barry this week, it seemed like a good opportunity to take a look the show’s final season.

Barry is a show about Hollywood, but it is also a show about America. It is a show about mythmaking and self-delusion, about the stories that people tell themselves to feel better and about the stories that are told about people to make everybody else feel better. It’s a black comedy about a hitman who becomes an actor, but over the course of its four seasons it evolved into something decidedly more complex and compelling. Like Succession, it is a show that speaks perfectly to the current moment, holding a mirror to a nation in crisis.

You can read the piece here, or click the picture below.

New Podcast! The Recap – “Succession and Barry Are Masterclasses in Series Finales…”

We’re thrilled to be launching a weekly multimedia podcast at The Escapist, called The Recap. I’m hoping to be a regular fixture of it, stremaing live every Tuesday evening. This is kinda cool, because we’re helping relaunch the magazine’s film content – so if you can throw a subscription our way, it would mean a lot.

This week, with the ending of Succession, Barry and Ted Lasso, it seemed like a good opportunity to ruminate on what it means to actually end a long-running series. What is is that makes a finale compelling and effective?

New Escapist Column! On “Into the Spider-Verse” as a Postmodern Superhero Remix…

I published a new In the Frame piece at The Escapist this evening. With the release of Spider-Man: Across the Spider-Verse this weekend, it seems like as good an opportunity as any to take a look back at Spider-Man: Into the Spider-Verse.

Into the Spider-Verse is arguably the best superhero movie of the previous decade. A large part of the film’s appeal is that it is a superhero movie built around the understanding that its audience has seen other superhero movies and understands the classic beats of the superhero origin story. As such, it can speed them up and slow them down, iterate over them and subvert them, using the audience’s familiarity to create a postmodern meditation on the very idea of Spider-Man.

You can read the piece here, or click the picture below.

336. Jeepers Creepers: Reborn (-#37)

Hosted by Andrew Quinn and Darren Mooney, this week joined by special guests Joey Keogh and Billie Jean Doheny, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every second Saturday at 6pm GMT, with the occasional bonus episode between them.

This week, Timo Vuorensola’s Jeepers Creepers: Reborn.

Twenty-three years after its last feeding frenzy, the mysterious “Creeper” has emerged from its rest, and it hungers. Finding itself drawn to a horror convention in Louisiana, the Creeper plans to unleash a nightmare all of its own upon the unsuspecting cosplayers.

At time of recording, it was ranked 37th on the list of the worst movies of all time on the Internet Movie Database.

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325. Child’s Play (#—)

Hosted by Andrew Quinn, Darren Mooney and Charlene Lydon, this week joined by special guest Bren Murphy, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every second Saturday at 6pm GMT, with the occasional bonus episode between them.

This week, Tom Holland’s Child’s Play.

Young Andy Barclay just wants one thing for his birthday: a Good Guy Doll. However, the coveted toy is outside his mother’s price range. Luckily, fate brings a discount doll into her hands, but things quickly become complicated. Andy finds himself at the centre of a series of mysterious deaths and is convinced that his beloved companion has taken on a life of his own, inheriting the spirit of the serial killer Charles Lee Ray, better known as “Chucky.”

At time of recording, it was not ranked on the list of the best movies of all time on the Internet Movie Database.

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335. Guardians of the Galaxy, Vol. 3 (#135)

Hosted by Andrew Quinn and Darren Mooney, this week joined by special guests Graham Day and Luke Dunne, The 250 is a (mostly) weekly trip through some of the best (and worst) movies ever made, as voted for by Internet Movie Database Users. New episodes are released every second Saturday at 6pm GMT, with the occasional bonus episode between them.

This week, James Gunn’s Guardians of the Galaxy, Vol. 3.

A shocking and unprovoked attack on the community of Knowhere leaves Rocket fighting for his life. His old friends, the Guardians of the Galaxy, embark on a mission to save his life. In doing so, they find themselves journeying back into a past that he has never discussed and heading into conflict with a mysterious figure known as the High Evolutionary.

At time of recording, it was ranked 135th on the list of the best movies of all time on the Internet Movie Database.

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