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Night Stalker – The Source (Review)

This January, to prepare for the release of the new six-part season of The X-Files, we’re wrapping up our coverage of the show, particularly handling the various odds and ends between the show’s last episode and the launch of the revival.

The Source was the last episode of Night Stalker to air on ABC.

Night Stalker died an ignominious death, especially considering that ABC had actively sought out producer Frank Spotnitz specifically to reboot the classic series. After six episodes, aired over seven weeks, Night Stalker was quietly retired from the schedule. The series did not survive its first Sweeps period, dying a quiet death before it could even reach the Christmas hiatus. Although ten episodes had been produced, ABC opted not to broadcast the four remaining stories; instead, they filled the slot with an episode of Primetime Live focusing on Anna Nicole Smith.

Night falls on the Night Stalker...

Night falls on the Night Stalker…

To be fair, the odds were heavily stacked against Night Stalker from the beginning. The realities of twenty-first century television have made it increasingly difficult to launch a new show. Audiences seem more fickle than ever, and networks can no longer afford to grow audiences over time. With more sources of media competing for the attention of eager young audiences, there is seldom time to fix something that does not work out of the gate. It has become increasingly common to just ditch a dysfunctional show at the first sign of trouble.

At the same time, it is hard to mourn Night Stalker as a forgotten classic that was cut down in its prime. The series’ limited ten episode run suffered from a host of identity anxieties and uncertainties. The series had trouble finding an audience, but it also seemed to have trouble finding itself. While The Source and The Sea might represent a step in the right direction, they are perhaps too little too late.

Zombie bikers from hell!

Zombie bikers from hell!

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Massive X-Files Fandom Poll!

So, for the past two years or so, I’ve been delving into the cultural history of The X-Files, doing long-form reviews of everything from the show itself to spin-offs to comic books to crossovers to pop singles. It’s been great fun, and a pleasure from beginning to end. However, that end is fast approaching, and I was thinking of a nice way to mark the occasion. So I thought it might be fun to do a poll of the show’s run, and just get a sense of the broad consensus of fandom’s opinion on the best of the show’s nine-plus year run.

So, that’s what I’m doing.

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The poll is open to anybody who wants to vote. It will be open until Babylon airs on the 15th February 2016. I’ll then take a little while to tabulate results, and offer a glimpse of fandom’s favourite episode before My Struggle II airs 22nd February 2016. Submission is simple; just compile a list of up to thirty of your favourite episodes (in order) and mail them directly to email address xfilespoll@gmail.com. (Or, if you don’t want to share your email with a stranger, fill out the form here.) Please include the word “Poll” in your subject to weed out the spam, but I’ll be checking the address fairly regularly.

I’ll go through the “rules” below, but it is worth mentioning why I thought this was a good idea. The most obvious is that I’ve spent more than two years talking about The X-Files. It might be worth hearing somebody else’s opinion.  More than that, it is a nice way to acknowledge all the readers of my reviews, and to involve you guys in some way in this project. It’s been great fun for me, and I’ve greatly enjoyed engaging with fans on twitter and in the comments, so I thought this might be a great way to involve everybody.

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As an aside, I am surprised at the lack of fandom polls for The X-Files compared to other popular franchises like Doctor Who or Star Trek. Fandom polls are a great way to measure popular opinion over long periods, to see how consensus has changed or solidified over long periods of time. With the revival, now seems a good moment to take  a measure. It has been over a decade since the show went off the air, but it’s very much at peak popularity. It feels like this might be useful for the next rewatch or go-round.

As an aside, please feel free to spread word of this poll. Basically, the more people take part, the more interesting the results will be and the more accurately that the results will reflect X-Files fandom at this particular moment. So share it, tweet it, facebook it. Get the word out, even if you just send out the email address and an instruction to send up to thirty ranked choices for the best X-Files episodes ever. I hope this can become something special and cool, a snapshot of where the popular opinion is on The X-Files at this moment in time.

xfilespoll

Now for the boring stuff. Organising a poll means having rules, so the results are somewhat transparent. They should be straight-forward enough, but any questions, please sound off in the comments:

Thanks for reading! Have fun! Any questions or comments, sound off below!

Note: Per feedback, people might be understandably uncomfortable emailing a random address. So I’ve put up a form you can fill out using just your alias and providing your list. The form is accessible here.

Night Stalker – Malum (Review)

This January, to prepare for the release of the new six-part season of The X-Files, we’re wrapping up our coverage of the show, particularly handling the various odds and ends between the show’s last episode and the launch of the revival.

Malum is a mess of an episode.

It has a number of very strong ideas, and some interesting twists along the way. However, the script has no idea how to fashion any of those ideas into a compelling narrative with tangible stakes. Instead, Malum gets tangled and twisted in its own wealth of story ideas. Anything worth exploring in Malum is suffocated by the sheer volume of material, affording the audience no opportunity to care about what is happening or invest in any of the supporting characters.

He's so proud of it, he put his name on it...

He’s so proud of it, he put his name on it…

It is a shame, because the basic ingredients of Malum are among the most interesting ideas of the show’s first season. Throwing out the script, the underlying story ideas of Malum are strong enough to support an engaging and exciting episode. Malum has a fantastic cast, with veteran supporting actors Tony Todd and Fredric Lehne making guest appearances. It also has stakes that should be very emotionally affecting, a very powerful central issue, and a structure that lends itself to this sort of horror storytelling.

It is just a shame that none of this actually works.

Bloody murder...

Bloody murder…

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Night Stalker – Burning Man (Review)

This January, to prepare for the release of the new six-part season of The X-Files, we’re wrapping up our coverage of the show, particularly handling the various odds and ends between the show’s last episode and the launch of the revival.

As with Three, it feels like Burning Man has some clever ideas masked by an ineffectual execution.

With ABC’s increasingly frustrating “no monsters” edict, Night Stalker creeps closer and closer to a more generic procedural. In some respects, episodes like The Five People You Meet in Hell and Burning Man suggest that the show’s aesthetic leans closer to that of Millennium than The X-Files; this a show increasingly preoccupied with notions of human (rather than supernatural) evil. It is worth noting that Millennium struggled in its own first season with how best to tell these kinds of stories.

Waxing lyrical...

Waxing lyrical…

Burning Man pushes the show closer to Millennium than ever; the superimposed words that appear over Kolchak’s opening and closing narration always evoked the opening credits of Millennium, but Burning Man even features a few of the quick flashes that were so exciting and innovative in Millennium‘s portrayal of evil. Burning Man also trades on the same rich hellish imagery that ran through Millennium, from the threat of hellfire to the demonic shape of the eponymous killer’s figurines. Burning Man even focuses on a forensic profiler.

However, the actual plot of Burning Man is fairly generic. The classic “he who hunts monsters…” story has become something of a genre staple, to the point where it is almost expected in stories focusing on forensic profilers. The primary plot of Burning Man evokes both Lazarus and Grotesque, both X-Files episodes that somewhat prefigured Millennium. It is a stock plot, with little to elevate it. The most interesting elements of Burning Man unfold in the background, as the show engages with its newsroom setting for the first time.

Everything burns...

Everything burns…

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Night Stalker – Three (Review)

This January, to prepare for the release of the new six-part season of The X-Files, we’re wrapping up our coverage of the show, particularly handling the various odds and ends between the show’s last episode and the launch of the revival.

Three is an interesting episode of Night Stalker, representing a threat that certainly feels less generic than that proposed by episodes like The Five People You Meet in Hell or Burning Man.

Three is the story of a house that is haunted by “the ghost of an emotion.” Given the fact that this is very much a horror show, and the themes already outlined in The Pilot and The Five People You Meet in Hell, it makes sense that the emotion in question is “fear.” Opening with a hazing ritual conducted by a secret society inside a derelict house, Three confronts the guest characters with their greatest fears. It is a very direct way addressing the underlying themes of Night Stalker, the fear and disconnect of modern urban living.

Top of the world...

Top of the world…

However, despite a good premise and solid execution, Three demonstrates the difficulties that Night Stalker is having finding its own unique voice. Three makes a conscious effort to flesh out its main characters, giving its central players personal conversations and introducing a new recurring character to help Kolchak in his investigations. However, this focus on character only emphasises how generic the show’s ensemble is. It is unfair to blame the cast and crew for something as intangible as the lack of chemistry, but it remains an issue for the series.

Three gives Stuart Townsend and Gabrielle Union banter, but it only serves to demonstrate that they lack the palpable chemistry that David Duchovny and Gillian Anderson had. The script slots Jain into the role of comic relief, but this raises questions about what exactly his function in all of this is meant to be. The central characters seem lost in the episode’s shuffle, with Three demonstrating that a solid monster-of-the-week can only really succeed when built on a firm foundation.

Hide and seek...

Hide and seek…

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Non-Review Review: Creed

Creed feels like something of an unlikely companion piece to Star Wars: The Force Awakens.

Increasingly, it seems that nostalgia is becoming a dominant force in popular culture. There has always been a market for nostalgia, but the past few years have seen an explosion in the management and exploitation of recognisable properties. It seems like almost everything is being fashioned into a franchise. In the seventies or eighties, it would have been unthinkable to imagine a shared universe built around Sylvester Stallone’s Rocky. Now, the surprise is not so much that the shared universe exists, but that it is good. Creed is a great boxing film.

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If nostalgia is to become a governing force going forward, it is worth reflecting on approaches that work and those that do not. For every franchise that works, there is another that flounders. For every Mad Max: Fury Road, there is a Terminator: Genisys waiting in the wings. The key is to understand this pull of the past and to engage with it; to treat nostalgia as more than just a cynical market force, but to weave a story around it. JJ Abrams has proven quite adept with this, given the success of The Force Awakens at understanding the appeal of Star Wars.

Creed is every bit as successful, engaging with its own legacy and the weight of its nostalgia in a manner that suggests that writer and director Ryan Coogler understands not only what makes Rocky work as a piece of film, but also the gravity that exerts.

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Night Stalker – The Five People You Meet in Hell (Review)

This January, to prepare for the release of the new six-part season of The X-Files, we’re wrapping up our coverage of the show, particularly handling the various odds and ends between the show’s last episode and the launch of the revival.

The Five People You Meet in Hell makes it quite clear that Night Stalker is not going to have an easy life. (As it turned out, the show was not to have a particularly long one, either.)

The Five People You Meet in Hell was not originally intended to be the second episode of the show. The original plan had been to broadcast Into Night as the second episode of the season. However, the network shifted the broadcast order, opting to air The Five People You Meet in Hell in second place and bury Into Night much later in the season. In fact, Into Night would not be among the six episodes of Night Stalker to air on ABC; the show would be cancelled before the production team would get a chance to broadcast the show.

Eye see...

Eye see…

The reason for the shift is quite obvious. Into Night is not a great episode of television, but it is one that aligns quite neatly with what Night Stalker is supposed to be; it opens the mummification of two office workers and goes from there. In contrast, The Five People You Meet in Hell is much more generic. Sure, it involves mind control and psychic projection, but it is a much blander piece of television. The Five People You Meet in Hell is very much Night Stalker as a forensic procedural with paranormal elements than an accurate representation of the show.

Shifting the broadcast order around in order to prioritise The Five People You Meet in Hell suggests that the network is not entirely comfortable with the show they have commissioned. Two episodes into the first season, that is not an ideal signal to be sending.

A stab in the dark...

A stab in the dark…

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David Bowie

David Bowie passed away last night, after an eighteen month battle with cancer.

bowie-heroes

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Night Stalker – Pilot (Review)

This January, to prepare for the release of the new six-part season of The X-Files, we’re wrapping up our coverage of the show, particularly handling the various odds and ends between the show’s last episode and the launch of the revival.

If you want to examine at the impact of The X-Files on mainstream American television, there are worse places to look than Night Stalker.

Sure, the show only ran for six episodes before it was cancelled, but its very existence speaks to the legacy and success of The X-Files. Night Stalker was a revival of a failed seventies cult television show commissioned by Touchstone Television and broadcast on ABC, one of the “big three” American television networks. More to the point, the network had tasked a veteran producer of The X-Files to oversee production of the show. The network scheduled their Night Stalker relaunch on Thursday nights, against the ratings juggernaut of CSI.

Night Stalking, deserves a quiet night...

Night Stalking, deserves a quiet night…

This was not a scrappy young network taking a creative gambit on an unknown property because they had nothing to lose; this was a substantial investment by a major player in a property that was largely forgotten outside of cult circles and which had failed the last time that it had come to television. It was very much a creative decision based on what had been learned from the success of The X-Files; handled properly, a seemingly marginal and fringe property could grab the national attention. The major networks had been paying attention.

In a way, the success of CSI at the turn of the twenty-first century was proof of this; a forensic thriller populated by idiosyncratic characters with an emphasis on stylised direction. ABC had committed to this idea with Lost, which launched in September 2004. Debuting a year later, Night Stalker found the network doubling down on the premise. Although the twenty-first century televisual landscape owed a debt to The X-Files, Night Stalker would be perhaps the most obvious successor. At least until Fringe came along three years later.

Playing all the angles on the City of Angels...

Playing all the angles on the City of Angels…

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The X-Files – Resist or Serve (Review)

This January, to prepare for the release of the new six-part season of The X-Files, we’re wrapping up our coverage of the show, particularly handling the various odds and ends between the show’s last episode and the launch of the revival.

The X-Files disappeared rather quietly from television.

Despite the talk of launching a film series, the franchise was allowed to lie fallow for a couple of years. There were a number of reasons for this. Immediately following the broadcast of The Truth, Chris Carter disappeared out into the world. The creator and executive producer had worked for almost a decade without any real break. It made sense for the writer to avail of the opportunity to get away from it for an extended period of time. A breather felt more than justified after overseeing more than two hundred episodes of television.

Game on...

Game on…

The band broke up. Members of the production team took jobs elsewhere. Frank Spotnitz and Vince Gilligan worked with veteran director Michael Mann on Robbery Homicide Division. John Shiban joined the writing staff on the second season of Star Trek: Enterprise. There was a sense that The X-Files had faded into the ambient background radiation of popular culture, its constituent elements – whether writers or directors or even themes or storytelling techniques – ready to flavour a new generation of television production.

However, there were signs that the show might linger on. Even if the sequel to The X-Files: Fight the Future had yet to materialise, it lurked just over the horizon. Critical and fan consensus was starting to form around the show. Although The X-Files might have been finished, its legend was still being solidified. Resist or Serve is very much a part of this process. Released on Playstation 2 in March 2004, Resist or Serve was a very disappointing video game. However, it was also a very instructive insight into just how the legend of The X-Files was shaping up.

Feels like going home...

Feels like going home…

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