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Star Trek: The Next Generation – Transfigurations (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

In way, what is so interesting about Transfigurations is how incredibly generic the story is. It’s a cookie-cutter Star Trek story, a collection of the narrative elements one associates with the franchise – mysterious aliens, energy beings, metaphors about tolerance and fear of the unknown – all loosely sorted into something resembling a linear story.

There’s none of the cheeky subversive charm from early in the third season. This isn’t a deconstruction of “energy being” stories in the way that The Bonding was a deconstruction of “red shirt” deaths. This is just a straight-up story about an alien species learning an important lesson about tolerance, dressed up in a science-fiction mystery, with a romantic subplot thrown in for Beverly because the show hasn’t really done much with Gates McFadden since she returned.

The result is as bland as you might expect, with a sense that everybody involved was just exhausted by the production difficulties that had haunted the third season, and desperately trying to make it to the hiatus. Transfigurations is nowhere near as bad as The Price or Ménage à Troi. It’s just forgettable and average.

Mellow yellow...

Mellow yellow…

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Star Trek/X-Men: Star TreX (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films. This is one such entry.

Being honest, I’m surprised that it took this long for one of the comic book publishers working with a Star Trek license to come up with the idea of crossing over Star Trek with one of their comic book properties. After all, Barbara Hambly’s Ishmael crossed the franchise over with Here Come the Brides, another piece of cult sixties television. Crossing Star Trek over with a decidedly pulpy comic book franchise was really the next logical step.

Indeed, while DC Comics would eventually get involved in the publication of a crossover with The Legion of Superheroes, I remain surprised that they never tried to cross the franchise over with Green Lantern while they were publishing monthly Star Trek comic books. Both franchises are products of a sixties outlook on space travel and on America’s post-war role in the wider world (and, well, universe), and they’d be tailor-made to fit together.

However, it wasn’t until Marvel managed to secure the Star Trek license in 1996 that our heroes had their first encounter with a proper superhero franchise.

X-over...

X-over…

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Star Trek: The Next Generation – Ménage à Troi (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

So, here we are again. We almost made it. Two episodes away from the series finalé and… boom! Lwaxana Troi episode. Sometimes you just can’t catch a break.

Still, this is the point where we reflect on how far the show has come in a season. Ménage à Troi is hardly the best episode of the season, but then Lwaxana episodes rarely are. We need to compare like with like, to get a sense of how far the show has come along. It’s not enough to say that Star Trek: The Next Generation is a better show when it made Ménage à Troi than it was when it made Manhunt or Haven, but it’s close.

Ménage à Troi is a problematic episode, much like Manhunt and Haven are both problematic episodes. There’s a weird awkward dated quality to the show’s attempts to do relationship humour – a vaguely unsettling sexist undertone about how confident older women are inherently hilarious and its great fun to see them involved in embarrassing relationships. Unfortunately, Ménage à Troi continues that trend.

Two Ferengi walk into a bar...

Two Ferengi walk into a bar…

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Star Trek: The Next Generation – Imzadi by Peter David (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films. This is one such entry.

As far as tie-in novels for Star Trek: The Next Generation go, Imzadi is the big one. It’s Peter David’s magnum opus for The Next Generation – a wonderfully clever character study that allows David to bask in the character dynamics of the show, while playing with big ideas and grand themes. It’s very easily the strongest Next Generation novel published while the show was on television, and remains a strong contender for the best Next Generation novel ever published.

tng-imzadi

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Non-Review Review: Non-Stop

At its best, Non-Stop evokes one of those mid-nineties high-tension high-altitude thrillers – movies about various crises unfolding on a plane, with a questionable hero wading in to help save the day. There’s a decidedly pulpy aspect to Non-Stop, as the film revels in the absurdity of its set-up and the contrived planning of the movie’s would-be skyjacker/ransomer. Those looking for a tightly-plotted thriller that withstands any level of critical thought would be best served to look elsewhere, but that’s entirely the point. Non-Stop basks in its minute-to-minute thrills, which it delivers with just enough consistency to maintain momentum.

The movie runs into problems though. Running to almost two hours, it’s impossible for the film to maintain the necessary level of tension for such an extended period. One sense that twenty minutes might have easily been trimmed from the film and tightened up the pacing a bit – after all, it’s not as if the plot hangs together particularly tightly as is. Non-Stop also runs into difficulties when it is forced to confront the fact that it is not – despite its best intentions – a hijacking movie from the mid-nineties. For better or worse, Non-Stop is set in the wake on 9/11, and the movie’s attempts to acknowledge that can’t help but feel a little forced.

Non-Stop is hardly an exceptional little thriller, but Neeson anchors it well and the movie often feels like an affectionately pulpy throwback to much more exciting skyjacking films.

Cabin fever...

Cabin fever…

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Star Trek: The Next Generation – Sarek (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

Sarek is a rather wonderful episode of Star Trek: The Next Generation. It’s a celebration of the franchise’s history, but without being overwhelmed by the weight of continuity. It’s also a heart-breaking story about an old man coming to terms with his mortality, assessing the legacy that he leaves behind and the future he had hoped to shape. The beauty of Sarek, then, is the way that the episode ties these two threads together – offering a rather touching metaphorical exploration of Gene Roddenberry’s own influence on the franchise and his own deteriorating health.

Back to the future...

Back to the future…

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Star Trek – Sarek by A.C. Crispin (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films. This is one such entry.

One of the more interesting things about the expanded Star Trek universe is the diversity. It is possible for supporting characters and guest stars to carry their own narratives and stories within the grand sweeping tapestry of the Star Trek universe. Despite his importance to the mythos, Mark Lenard’s Sarek only made a handful of appearances across the history of the franchise. He only appeared once in the entire classic Star Trek television show, in Journey to Babel.

It is a testament to Mark Lenard’s dramatic abilities and D.C. Fontana’s writing that Sarek would recur across Star Trek: The Animated Series, Star Trek: The Next Generation and even the original Star Trek movies. The character – despite only appearing in a supporting role across four televised episodes and four feature films – remains one of the most intriguing supporting characters across the franchise.

A.C. Crispin’s Sarek offers a fascinating glimpse at one of the show’s most compelling guest stars, even if the novel does suffer a bit trying to “fix” some of the problems that the author seems to see in Star Trek VI: The Undiscovered Country.

tos-sarek

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Star Trek: The Next Generation – The Most Toys (Review)

This January and February, we’ll be finishing up our look at the second season of Star Trek: The Next Generation and moving on to the third year of the show, both recently and lovingly remastered for high definition. Check back daily for the latest review.

In a way, The Most Toys feels like the other side of the coin to Hollow Pursuits. One of the more interesting aspects of Hollow Pursuits is the way that it casts guest character Reginald Barclay as something of a Star Trek fan. He escapes from his mundane existence into a fantasy world where he tells his own stories about the crew, succumbing to various fan fiction clichés. The Most Toys is also built around a guest character who seems to have been written as a Star Trek fan, albeit a lot less pleasant sort of type than Barclay.

Fajo is a collector, you see.

An honest trader? Fajo chance!

An honest trader? Fajo chance!

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Non-Review Review: The Grand Seduction

This film was seen as part of the Jameson Dublin International Film Festival 2014.

The Grand Seduction is nowhere near as cynical as it needs to be, and nowhere near as cynical as it thinks that it is. The story of a small Canadian town harbour in desperate need of a doctor in order to win a lucrative contract from a nebulous oil corporation, The Grand Seduction sets itself up as a vicious satire of these sorts of communities. Trying desperately to convince a visiting doctor to stay in their small community, the locals fashion themselves an endearingly quaint façade, manipulating their guest to get what they want.

thegrandseduction

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Non-Review Review: The Stag

This film was seen as part of the Jameson Dublin International Film Festival 2014.

On the surface of it, The Stag feels like an Irish version of The Hangover; a “lads going wild before the wedding” comedy that thrives on men behaving badly and even features the bride’s brother as a reluctant invitee and breakout character. Of course, there are any number of differences – substituting the wilds of rural Ireland for the glitzy glamour of Vegas, the decision to make the groom a main character more than a plot device, the nature of the breakout character’s anti-social personality – but The Stag essentially takes a tried and true comedy template and runs with it.

thestag

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