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Non-Review Review: Epic

Epic looks stunning. While it doesn’t necessarily push the envelope in terms of 3D rendering or animation, it’s often quite beautiful to watch. Even in 3D, the vibrant greens radiate off the screen, with the characters having a pleasant elasticity to them. The action sequences are well-staged and the choreography is generally impressive. However, despite this, Epic winds up feeling rather shallow. Perhaps it’s a result of the decision to develop the world as a priority, rather than the characters inhabiting it.

The story is more a collection of familiar tropes and set-pieces than a compelling narrative, and none of the lead characters are ever developed beyond basic archetypes. There’s the plucky heroine, the roguish hero, the gruff mentor, the free-spirited wise oracle, the drôle accented bad guy, the comic relief and even the kooky dad. None feel of any real substance, which is a problem when you’re executing a plot as straight-forward as this.

It's a slug's life...

It’s a slug’s life…

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Doctor Who: The Crimson Horror (Review)

I’m the Doctor, and you’re nuts.

– the Doctor making friends, as usual

The Crimson Horror, much like Cold War before it, feels like a Mark Gatiss episode. Perhaps due to the fact he has been one of the most consistent contributors to the revived television show, Gatiss has developed his own technique and tropes, favouring particularly elements of Doctor Who, which tend to shine through in his scripts from The Unquiet Dead through to this latest instalment. While I’d be reluctant to name Gatiss among the strongest writers to contribute to the television show, it’s clear that he’s cracked a formula that works for him.

While The Crimson Horror feels a little too familiar in places, a little too conventional, it’s a solid instalment – much like Gatiss’ earlier addition to the season, Cold War.

He's got the formula down at this point...

He’s got the formula down at this point…

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Doctor Who: Nightmare in Silver (Review)

I trust the Doctor.

You sure he knows what he’s doing?

I’m not sure I’d go that far.

– Clara and the Captain make sure they’re on the same page

Nightmare in Silver might not be as breathtakingly ambitious as The Doctor’s Wife, but Neil Gaiman’s sophomoric Doctor Who script retains the writer’s charm and wit. A collection of wonderful high concepts thrown together into a blender, distilled to their essence and gleefully sprinkled across forty-five minutes of television, it’s a beautiful reinvention of the Cybermen. After all, the show’s golden anniversary probably wouldn’t be complete without a visit from the Doctor’s silver nemesis.

Face-off!

Face-off!

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Star Trek – Dagger of the Mind (Review)

To celebrate the release of Star Trek: Into Darkness this month, we’ll be running through the first season of the classic Star Trek all this month. Check back daily to get ready to boldly go. It’s only logical.

I knew we were due a nice Shakespearean title soon. And The Conscience of a King is just around the corner, to boot. Seriously though, I have to admit a massive fondness for these wonderfully lofty and high-minded episode titles. It’s something that links the original Star Trek and Star Trek: Deep Space Nine quite firmly, and was sadly never enthusiastically taken up by any of the other spin-offs. It’s a shame, because – regardless of the quality of the episodes in question – there’s something undeniably endearing about forty-five minutes of television given a pretentious name like For the World is Hollow and I Have Touched the Sky, The City on the Edge of Forever or Wrongs Darker Than Death or Night.

A scream...

A scream…

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Star Trek – Errand of Vengeance: The Edge of the Sword by Kevin Ryan (Review)

To celebrate the release of Star Trek: Into Darkness this month, we’ll be running through the first season of the classic Star Trek all this month. Check back daily to get ready to boldly go. It’s only logical.

We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films. This is one such entry.

When you think about it, Star Trek finished its first season with its mythology reasonably well established. There were the Romulans, the Klingons and the Federation. (Oh, my!) We knew that Kirk had a brother on the colonies, who died in the season finalé. Vulcan was a hot desert planet. The Prime Directive existed, and we even got a taste of how Starfleet operated. However, these things all developed gradually over the course of the year, and early episodes couldn’t even seem to agree who exactly Kirk was working for.

The Federation was first mentioned in Arena and only fully named in A Taste of Armageddon. The Klingons were introduced in Errand of Mercy, with a cold war between the two galactic powers finally turning hot. Of course, it’s hard to write “finally” when they had only been introduced in this particular episode. So where were the Klingons during the show’s first year? How come we didn’t pick up any of the tension that must have been simmering?

Kevin Ryan’s Errand of Vengeance trilogy attempts to offer some context, suggesting that the Klingon threat had been brewing during the entire first season. It follows Jon Anderson, a new recruit to the ship’s security department, arriving just before the events of What Are Little Girls Made Of? Oh, and he’s a Klingon infiltrator.

tos-errandofvengeance1

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Doctor Who: Time-Flight (Review)

To celebrate the fiftieth anniversary of the longest-running science-fiction show in the world, I’ll be taking weekly looks at some of my own personal favourite stories and arcs, from the old and new series, with a view to encapsulating the sublime, the clever and the fiendishly odd of the BBC’s Doctor Who.

Time-Flight originally aired in 1982.

I’ve never heard such an extravagant explanation.

– Hayter’s gonna hate

Time-Flight is a much maligned piece of Doctor Who, and hardly the best way to round out a season that has, generally speaking, done a reasonable job introducing a new lead actor following the departure of the most iconic actor ever to play the role. The show’s nineteenth season holds together reasonably well, with Earthshock generally highly regarded and only Time-Flight considered to be a complete failure.

And yet, despite that, I can’t hate Time-Flight. That’s not to suggest that the traditional criticisms of the serial are off-base. They are entirely spot-on. The production is shoddy, the plot is nonsense and the dialogue is terrible. It seems like everybody was trying to push one last story out the door before breaking for holidays, and nobody cared too much about the final product. And yet, despite that, I find myself able to forgive quite a lot of the show’s problems.

Don’t get me wrong. It’s not good Doctor Who. It’s not even passable Doctor Who. However, I’d argue that it is nowhere near the worst that the Davison era would produce.

Keeping the nose clean...

Keeping the nose clean…

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Non-Review Review: Star Trek – Into Darkness

Note: This is a spoiler-heavy review. If you want a spoiler-lite recommendation, click here. If not, continue at your own risk.

Towards the climax of Star Trek: Into Darkness, Kirk and the Enterprise flee an aggressor by entering warp. At that speed, several factors the speed of light itself, they surmise that they must be safe from their pursuer. Of course, they prove to be wrong – brutally so. Everything in Into Darkness moves fast, so fast that the Enterprise’s top speed seems more like a casual jog than a breakneck acceleration. The plot rockets along with incredible speed, from plot point to plot point, counting on the momentum to sustain the film and carry it across the line.

There is enough material here to produce a trilogy of films. Indeed, cynics might suggest that a lot of the movie’s iconography and plot points are indeed recycled from the central “trilogy” of the original Star Trek films, running from the homages to Star Trek II: The Wrath of Khan right down a climactic visual reference to Star Trek IV: The Voyage Home. Abrams and his team of writer continue their work from 2009’s breakout blockbuster Star Trek by putting the franchise’s most compelling images and cues into a high-speed blender.

Into Darkness just substantially increases the concentration.

Seeing red...

Seeing red…

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Star Trek – What Are Little Girls Made Of? (Review)

To celebrate the release of Star Trek: Into Darkness this month, we’ll be running through the first season of the classic Star Trek all this month. Check back daily to get ready to boldly go. It’s only logical.

What Are Little Girls Made Of? is the first episode from a script written by Robert Bloch, perhaps best known as the author of Psycho. Interestingly, it wasn’t the first script Bloch wrote for the show. Apparently Bloch contributed Catspaw first, when the show asked him for a Halloween special, even though it wouldn’t be produced until the series’ second year. And, to be fair, you can sense that What Are Little Girls Made Of? is a bit more comfortable with the Star Trek conventions than Bloch’s other two episodes. An uncredited re-write from Gene Roddenberry probably helped.

With Bloch’s third script, Wolf in the Fold, serving as a loose adaptation of (or spiritual successor to) his celebrated short story Yours Truly, Jack the RipperWhat Are Little Girls Made Of? stands out among Bloch’s contributions to the show. It’s an iconic episode, one that has undoubtedly influenced the way that we remember Star Trek, serving as the source for all manner of Star Trek memes like Kirk overwhelming a hot android with his sexual charisma, and defeating a less physically attractive robot with a logic puzzle. It features some of the most iconic costuming of the original Star Trek show, and also serves as the root of the whole “what constitutes life?” philosophical strand that would find itself embodied by Data on Star Trek: The Next Generation.

It helps that, like so much of this first season of Star Trek, it is just good pulpy fun.

A cold reception...

A cold reception…

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Star Trek – Romulans: Pawns of War by John Byrne (Review)

To celebrate the release of Star Trek: Into Darkness this month, we’ll be running through the first season of the classic Star Trek all this month. Check back daily to get ready to boldly go. It’s only logical.

We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films. This is one such entry.

Where were the Klingons? That seems to be one of the most frequently asked questions when a modern writer re-visits the early part of the first season of Star Trek. It makes sense. The Klingons are the franchise’s flagship aliens, and their long-term relations with the Federation mark one of the show’s earliest examples of continuity. The Organian Peace Treaty from Errand of Mercy is mentioned once or twice, but it informs a lot of the appearances of the Klingons in the classic Star Trek, as the warriors are prevented from engaging in direct warfare with the Federation.

However, when first introduced in Errand of Mercy, towards the end of the first season, the Klingons have just declared war on the Federation. However, it seems like this has been expected for a long time. Kirk speaks of the Klingons like old enemies. Kor knows that captain of the Enterprise by name. There’s a sense of a pre-established history, which makes their appearance towards the tale-end of the season all the more perplexing. Apparently they have been there all along, even if we haven’t seen them before.

John Byrne’s Alien Spotlight issue might have been themed around the Romulans, and the collected edition might be Romulans: Pawns of War, but it seems more devoted to exploring what exactly the Klingons were up to behind the scenes between their appearances on Star Trek.

Cry havok, and let slip the dogs of war...!

Cry havok, and let slip the dogs of war…!

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Watch! Gravity Teaser Trailer!

Warner Brothers just released the teaser trailer for Gravity, from director Alfonso Cuarón.  Cuarón has developed his own unique sensibilities. He’s responsible for the most visually distinctive of the Harry potter films, Harry Potter and the Prisoner of Azkaban, and produced and underrated and oft-overlooked science-fiction masterpiece with Children of Men. I am very eager to see Gravity, which looks to be a rather wonderful change of pace.