• Following Us

  • Categories

  • Check out the Archives









  • Awards & Nominations

Star Trek – Romulans: Pawns of War by John Byrne (Review)

To celebrate the release of Star Trek: Into Darkness this month, we’ll be running through the first season of the classic Star Trek all this month. Check back daily to get ready to boldly go. It’s only logical.

We’ll be supplementing our coverage of the episodes with some additional materials – mainly novels and comics and films. This is one such entry.

Where were the Klingons? That seems to be one of the most frequently asked questions when a modern writer re-visits the early part of the first season of Star Trek. It makes sense. The Klingons are the franchise’s flagship aliens, and their long-term relations with the Federation mark one of the show’s earliest examples of continuity. The Organian Peace Treaty from Errand of Mercy is mentioned once or twice, but it informs a lot of the appearances of the Klingons in the classic Star Trek, as the warriors are prevented from engaging in direct warfare with the Federation.

However, when first introduced in Errand of Mercy, towards the end of the first season, the Klingons have just declared war on the Federation. However, it seems like this has been expected for a long time. Kirk speaks of the Klingons like old enemies. Kor knows that captain of the Enterprise by name. There’s a sense of a pre-established history, which makes their appearance towards the tale-end of the season all the more perplexing. Apparently they have been there all along, even if we haven’t seen them before.

John Byrne’s Alien Spotlight issue might have been themed around the Romulans, and the collected edition might be Romulans: Pawns of War, but it seems more devoted to exploring what exactly the Klingons were up to behind the scenes between their appearances on Star Trek.

Cry havok, and let slip the dogs of war...!

Cry havok, and let slip the dogs of war…!

Continue reading

Star Trek – Balance of Terror (Review)

To celebrate the release of Star Trek: Into Darkness this month, we’ll be running through the first season of the classic Star Trek all this month. Check back daily to get ready to boldly go. It’s only logical.

I’ve talked about it about it quite a bit in my earlier reviews, so I won’t dwell on it too much here, but Star Trek got really good really quickly. Balance of Terror is only the ninth ever episode of Star Trek ever produced, but it stands as one of the finest entries in the original series, and perhaps even the franchise. It also represents the moment where the model of what Star Trek would be really sort of solidified. The first eight episodes had contained any number of classic Star Trek tropes.

The Cage and Charlie X gave us old and immeasurably powerful alien civilisations, while Where No Man Has Gone Before gave us a god-like being. The Man Trap gave us space monsters. Mudd’s Women gave us awkward gender politics. The Enemy Within created the whole “transporter malfunction” and “evil duplicate” subgenres. However, Balance of Terror is the first episode to suggest outer space might be more than the place where crazy stuff happens and our heroes bump into monsters or ancient civilisations. The universe might have its own politics, its own history, its own civilisations that will emerge, contrasted with mankind’s expansion into space.

The Klingons are undoubtedly the most recognisable and iconic of the classic Star Trek races, but the Romulans are the first of the franchise mainstays to appear, and Balance of Terror is the first episode to devote considerable effort to world-building the Star Trek universe.

The not-so-great bird of the galaxy...

The not-so-great bird of the galaxy…

Continue reading