February | 2013 | the m0vie blog

Dario Marianelli at the National Concert Hall (Jameson Dublin International Film Festival)

Posted on February 21, 2013 by Darren

This event was part of the Jameson Dublin International Film Festival 2013.

I’ve argued it before, but one of the best parts of the Jameson Dublin International Film Festival is the way that it isn’t just confined to the cinemas. The feast of fine Irish and international cinema is something that any film fan can celebrate, but the capital city itself becomes a hotbed for the celebration of film as an artform. So there’s all manner of wonderful extras going on – from classes in film criticism to workshops with Robert Towne, to the Jameson Cult Film Club screening of L.A. Confidential. The National Concert Hall typical does a nice job of getting into the mood, hosting celebrations of the sound of cinema. In the past, for example, they hosted the newly-written live musical accompanyment to The Four Horseman and a tribute to Danny Elfman.

This year, they invited composer Dario Marianelli over to showcase and introduce several selections of music from his distinguished career. It’s always a fantastic time to recognise and to celebrate Marianelli’s work, but to host the composer in Dublin less than a week before the Oscars is a very rare pleasure indeed.

Continue reading →

Filed under: Movies | Tagged: Academy Award, art, Brothers Grimm, Dario Marianelli, dublin, Film festival, jameson dublin international film festival, Jameson Dublin International Film Festival 2013, Joe Wright, LA Confidential, Marianelli, Movie, National Concert Hall, Robert Towne, RTÉ Concert Orchestra | Leave a comment »

Non-Review Review: Le Capital

Posted on February 21, 2013 by Darren

This film was seen as part of the Jameson Dublin International Film Festival 2013.

Thanks to Costa-Gavras, Le Capital looks amazing. It’s crisp, it’s vibrant and it’s beautiful. For a movie about financial corruption, it moves along relatively quickly and with a lot of visual flair. The problem with Le Capital, though, is that it’s really a very simplistic version of a story we’ve all seen countless times before. A person assumes a large amount of power, only for that power to have a potentially corrupting influence. Okay, Marc Tourneuil is already a successful executive when good fortune thrusts him into the role of CEO of one of France’s largest banks, and he’s certainly not naive when he negotiates his salary and bonus scheme, but Le Capital hints early on that there is some level of decency to Tourneuil before the wealth and influence start chipping away. As such, as the movie explores his corruption and the way that power erodes him, Le Capital feels like an engaging modern telling of a story that we’ve already heard quite frequently.

Byrne the bondholders…

Continue reading →

Filed under: Non-Review Reviews | Tagged: american, art, Costa-Gavras, dublin, film, Film festival, france, Francis Urquhart, gabriel byrne, Gad Elmaleh, jameson dublin international film festival, Jameson Dublin International Film Festival 2013, London, Movie, non-review review, review, United States | 2 Comments »

Look! Star Trek Reimagined in the Pixar Style!

Posted on February 20, 2013 by Darren

The wonderful folks over at The Minion Factory have reimagined the classic Star Trek characters in the style of Pixar. It’s a fun collection of images (feel free to also check out the artist’s superhero gallery), and rendered with obvious affection for the show’s decidedly sixties aesthetic. I especially love the affection demonstrated in chosing the background images. Anyway, take a look and click to enlarge.

Filed under: Movies | Tagged: games, Lucasfilm, Minion Factory, pixar, star trek, star trek: the original series, star wars, The Walt Disney Company | 2 Comments »

Non-Review Review: Far Out Isn’t Far Enough – The Tomi Ungerer Story

Posted on February 20, 2013 by Darren

This film was seen as part of the Jameson Dublin International Film Festival 2013.

A lot of the strength of a documentary lies in the subject matter. If you can find an interesting premise or subject, then you’ve got a hook. Far Out Isn’t Far Enough, the debut from director Brad Bernstein, picks a fascinating central character – writer and artist Tomi Ungerer. It is very tough to reduce Ungerer to a one-line synopsis or to define him in a relatively short strong of words, but Far Out Isn’t Far Enough takes a look at the life and times of the artist who made an enormous impression on American popular consciousness, only to fade from view surprisingly quickly – retiring first to Nova Scotia and then to Ireland. Far Out Isn’t Far Enough is a fascinating portrayal of a unique talent, with Ungerer making for a charming and engaging subject. While Far Out Isn’t Far Enough might gloss over his departure from the scene a bit, it’s a fascinating overview of the life and work of a truly gifted individual.

Continue reading →

Filed under: Non-Review Reviews | Tagged: art, Brad Bernstein, film, Film festival, Ireland, jameson dublin international film festival, Jameson Dublin International Film Festival 2013, Maurice Sendak, Movie, non-review review, Nova Scotia, review, Ryan Gosling, Three Robbers, Tomi Ungerer, Ungerer, United States | Leave a comment »

Non-Review Review: The Good Man

Posted on February 19, 2013 by Darren

This film was seen as part of the Jameson Dublin International Film Festival 2013.

Films about social justice can occasionally seem a bit clunky. Part of this is down to the way that most seem to have been conceived as simplistic morals rather than engaging stories, but there’s also a tendency to earnestly moralise in a manner that condescends to the audience. The Good Man manages to avoid the worst of these problems with a smartly-constructed third act that dovetails its two central narratives into one another, and because it accepts that the problem with our attitudes towards disadvantage and poverty in the rest of the world isn’t down to a simply lack of awareness. It is, the film suggests, easy to know about a problem, and easy to try to help. Understanding, on the other hand, is a far more challenging proposition.

We’re all connected…

Continue reading →

Filed under: Non-Review Reviews | Tagged: 2010 FIFA World Cup, Africa, Aidan Gillen, Belfast, dublin, Embassies and Consulates, film, Government, Jacob Zuma, jameson dublin international film festival, Michael, Movie, non-review review, Northern Ireland, Phil Harrison, review, south africa | 2 Comments »

Non-Review Review: The Hardy Bucks Movie

Posted on February 19, 2013 by Darren

This film was seen as part of the Jameson Dublin International Film Festival 2013.

I’ll be the first to admit that I’m not a massive fan of The Hardy Bucks. Still, it’s hard not to smile at an Irish success story that seen a bunch of lads fooling around on YouTube, brought them to national television and launched a feature film. The Hardy Bucks Movie isn’t revolutionary. It’s not a work of comedy genius for the ages. Quite a lot of it feels overly familiar, an Irish spin on the “young men go wild abroad” subgenre that has proven popular in the past number of years. And yet, despite that, there’s a quaint charm to The Hardy Bucks Movie that makes it reasonably entertaining. The lads from Castletown has survived the transition to the big screen with their dignity – such that it is – intact.

The naked truth…

Continue reading →

Filed under: Non-Review Reviews | Tagged: Amsterdam, art, dublin, Feature film, film, Film festival, Hardy Bucks, Hardy Bucks Movie, Ireland, jameson dublin international film festival, Jameson Dublin International Film Festival 2013, Movie, Poland, Ryan Gosling, United States, Viper, youtube | Leave a comment »

Non-Review Review: Side Effects

Posted on February 18, 2013 by Darren

This film was seen as part of the Jameson Dublin International Film Festival 2013.

On one level, Side Effects is a deliciously pulpy medical thriller, with the kind of zig-zagging twisty plot that you’d expect from a Michael Crichton novel. It’s more than satisfying on these terms, almost serving as a feature-length pilot for an imaginary medical drama starring Jude Law. After all, with House off the air, there’s a clear gap in the market for a smooth English actor playing the lead in an unconventional medical drama. If he is sarcastic, all the better. While the genius of the early years of House came from mashing up the medical subgenre with the police procedural to produce a then-unique hybrid, Scott Z. Burns instead blends the medical drama with a decidedly more trashy and sordid thriller to provide a satisfyingly twisty drama.

However, on another level, Side Effects teases issues that are far more interesting than the movie it eventually becomes. It’s very frustrating when your red herrings feel like they’d produce a more thoughtful or insightful piece of cinema than the final story. Side Effects broaches topics that mainstream cinema hasn’t really engaged with, and the opening scenes flirt with the idea of providing an entirely different film. It’s not always fair to judge a film for what it isn’t, but the problem is that Side Effects sets up a much more tempting and intriguing look at medicine than we get with the final product.

Love isn’t the only drug…

Continue reading →

Filed under: Non-Review Reviews | Tagged: art, banks, Clinical trial, Emily Taylor, Film festival, films, house, jameson dublin international film festival, Jameson Dublin International Film Festival 2013, Jonathan Banks, jude law, michael crichton, Movie, Movies, non-review review, review, Rooney Mara, Ryan Gosling, Scott Z. Burns, side effects, Steven Soderbergh, United States | 2 Comments »

Non-Review Review: The Place Beyond the Pines

Posted on February 17, 2013 by Darren

This film was seen as part of the Jameson Dublin International Film Festival 2013.

The Place Beyond the Pines is a movie best seen without the weight of expectations. The safest thing I can probably say about The Place beyond the Pines is that it’s a compelling study of the multiple relationships between fathers and sons. Writer and director Derek Cianfrance has crafted a beautiful piece of cinema here. Running almost two-and-a-half hours, it makes the most of its extended runtime to draw the audience into the film, and to craft a rich and multi-faceted world the remains so intimate that actions ripple and consequences can’t be completely avoided, even if they can be temporarily evaded.

There’s a lot riding on this…

Continue reading →

Filed under: Non-Review Reviews | Tagged: arts, Avery, bradley cooper, Derek Cianfrance, dublin, Eva Mendes, Film festival, jameson dublin international film festival, Jameson Dublin International Film Festival 2013, Luke, Mike Patton, Movie, Pines, Place Beyond the Pines, robin, Rose Byrne, Ryan Gosling, United States | 5 Comments »

Non-Review Review: Cloud Atlas

Posted on February 17, 2013 by Darren

This film was seen as part of the Jameson Dublin International Film Festival 2013.

Cloud Atlas is a bold, imaginative, creative, frustrating, original, inventive, exhausting and ambitious piece of work. It’s a film that really forces the audience to collaborate, to try to force the pieces of story on the screen to fit together into a structure that is both rewarding and unique. Coming out of the film – which has been dubbed “the most expensive indie movie of all time” – I was left with the impression that Cloud Atlas is a film where everybody is going to hold a slightly different perception of what the film is, and what it’s about. I can very honestly say that Cloud Atlas is quite unlike any other film I have ever seen, and that sense of experimentation and the sheer skill to force the narrative into a shape that makes some sort of sense, unique to almost each viewer, is one massive accomplishment.

Sweet music…

Continue reading →

Filed under: Non-Review Reviews | Tagged: Adam Ewing, arts, Ben Whishaw, Cloud Atlas, David Mitchell, Edinburgh, Film festival, Film Festivals, Halle Berry, Hugh Grant, hugo weaving, Movie, Soylent Green, tom hanks | 11 Comments »

Non-Review Review: Mea Maxima Culpa – Silence in the House of God

Posted on February 16, 2013 by Darren

This film was seen as part of the Jameson Dublin International Film Festival 2013.

It’s very hard to know how to react to the seemingly bottomless pit of sex abuse allocations that have surfaced against the Catholic Church over the past couple of decades. Mea Maxima Culpa reveals that not only does the institutional abuse reach far into the past of the religious organisation, but that the Vatican was aware of these betrayals and violations of trusts for forty years. Mea Maxima Culpa is brutally candid in the way that it exposes the steps that the Catholic Church took to insulate and protect itself from these allegations and insinuations, even pointing out that most modern concessions and apologies are more concerned about the violation of the sanctity of the priesthood than with the damage done to the victims.

Mea Maxima Culpa is rough and overwhelming at times, but it’s hard to fault the documentary for this candid approach to the most uncomfortable subject matter. It’s well-constructed, thoughtful and also quite affecting – a powerful piece of documentary cinema that really exposes the true extent of a problem that has only been acknowledged in the past decade or so.