I’m thrilled to be launching 3-Minute Reviews on Escapist Movies. Over the coming weeks and months, I will be joining a set of contributors in adding these reviews to the channel. For the moment, I’m honoured to contribute a three-minute feature film review to the channel, discussing Tomm Moore and Ross Stewart’s Wolfwalkers.
Wolfwalkers is a stunningly beautiful piece of animation.
Of course, that almost goes without saying. Cartoon Saloon remain one of the most consistent animation houses in the world today, steadily building a reputation among animation aficionados that might invite comparisons to other artisanal studios like Ghibli or even Pixar; their previous three feature films all received Oscar nominations, and Wolfwalkers itself seems sure to earn its place among this year’s nominees.
Packed full of excitement.
Still, there’s an admirable ambition to Wolfwalkers, a sense that the studio is not merely resting on its laurels and is instead pushing itself forward. Wolfwalkers is perhaps the most technically accomplished animation that Cartoon Saloon have produced to date, applying all of the studio’s key strengths and throwing some playful experimental elements into the mix. Wolfwalkers retains the stylised Celtic aesthetic that informed both The Secret of Kells and Song of the Sea, but also throws in elements with a more international flavour. The results are breathtaking.
While the film suffers slightly in narrative terms, particularly in contrast to the studio’s work on The Breadwinner, it is a consistently and breathtakingly beautiful work.
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